From: Moritz R
Subject: Re: (exotica) how to download realaudio files
Date: 01 Feb 2001 11:57:35 +0100
nytab@pipeline.com schrieb:
> http://disc.server.com/discussion.cgi?id=112214&article=2251&date_query=980441274
>
> There was a small discussion recently about the technical possibility of downloading RealAudio files for later listening/CDR burning.
>
> WFMU's Station Manager Ken offers some tips on how to do this at the above URL.
>
extremely interesting. thanks, Dr. Death!
Mo
--
studio R
senses for a senseless world
http://moritzR.de
exotica@web.de
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-------------------------------------------------------------------------------
From: "Mr. Fodder"
Subject: (exotica) =?Windows-1252?Q?The_Bran_Flakes_-_I_Don=92t_Have_a_Friend_-_CD_Release?=
Date: 31 Jan 2001 06:47:14 -0800
The Bran Flakes – I Don’t Have a Friend
CD Release - Now available from Lomo Records - http://www.lomorecords.com
============================================
A SIMPLE INTRODUCTION:
Yes. No. Yes. No. Yes, No, Yes, No, YES!
Sometimes it is difficult to make the right choice in this world full of
never ending questions. We often get frustrated when others tell us how to
live our lives. At times, we get confused and perplexed by their illogical
suggestions and are unable to decide what they really want us to do. So,
what does this have to do with the Bran Flakes? Not much. Does it really
matter? The Bran Flakes can help you.
So, who are the Bran Flakes? The Bran Flakes are a happy, stuffed animal
loving sound collage band from Seattle. Our music making process is this: we
go to thrift stores, buy abandoned records, and carefully scour them for
audio bits. Yes, sometimes listening to these records can be painful, but we
believe that every record has at least ONE redeeming quality (much like
humans, however, humans are likely to have at least two redeeming
qualities). We take these quality gems – maybe a snare drum or a man yelling
"buttermilk," a bird chirping or a crispy bit of record crackle – and mix
them into a very musical type of sound collage. This we find pleasing, as
many people do.
============================================
A BRIEF BACKGROUND:
The Bran Flakes have been making music since 1990 with over 20 studio
releases (on cassette and cd-r, this being their first debut CD release on a
label) and have been featured on numerous compilations.
The team consists of Mr. Otis F. Odder and Sir Mildred Pit, based in
Seattle, Washington USA.
Combining sound-collage with live instrumentation the result is a beat
oriented blend of exotica, ez-listening, childrens music and
experimentation, often with a humorous effect.
============================================
REVIEWS/PRESS (from past releases):
“The Bran Flakes take a lot of old, strange records and merrily feed them
into their tape-editing-mad minds. Add in some rhythm tracks and you get an
amazing result: interesting track after interesting track.”
- Cool & Strange Music Mag
“Collages cleverly assembled to stimulate the autonomic nervous system into
a more receptive state.”
- EYE Magazine
“Adventurous and always entertaining, utilizing loopy breaks and samples
from kids/exercise/sex-ed/general instructional records.”
- WFMU radio
============================================
Take a chance on something new, something we hope you make you happy. Fun
Bran Flakes music.
You can Order online at Lomo Records, http://www.lomorecords.com
If you just want to get in touch feel free to contact us.
Thank you,
Mr. Otis F. Odder & Sir Mildred Pit
http://www.thebranflakes.com
============================================
This is a one-time mailing and you are not on a list of any sort.
This email was sent out to those whom we have been in touch
with before in the past. Thanks. Love - Otis & Mildred
============================================
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From: itsvern@attglobal.net
Subject: (exotica) jazz (a satire)
Date: 01 Feb 2001 22:17:52 -0500
What!! 20 hours of the history of jazz, and they leave some of the
biggest names of jazz out?? No mention of New Orlean's Al Hirt at all
..... with all of his records that me and my buddies had, you know that
he had to be a very popular and influential artist. Why, his hit
version of Java was being played on the radio here one whole month
before Armstrong's 'Hello Dolly', but you don't see Hirt being hailed
as no trailblazer. Heck, he was a lot bigger than Armstrong too, so you
know he could play the trumpet real louder.
Not a mention of Pete Fountain either, even after all of his appearances
on the Johnny Carson show. Now theres a jazz artist that I was looking
forward to seeing on tv again. It would have been nice to see a few of
those older faces from that Preservation Jam Jazz Hall or whatever its
called, instead of that same old young chubby face again and again
making doodling noises.
Jeez, these were some of the biggest names of New Orleans jazz, totally
ignored. I'm kind of a jazz expert myself .... why me and the wife have
made the trip down to New Orlean's Bourbon street several times, so I
know what I'm talking about. Every time we go there we but some fancy
mardi gras beads and then make it to that fancy Pat O'Brian's place to
have some authentic Hurricane drinks, and talk about how good it is to
get away from the farm and be in an authentic jazz setting.
No Spyra-Gyro either ..... that was the last jazz record I bought too -
it was marked real low at the Woolworth store right before they shut it
down. Went in just to buy some new work socks, and dang if I didn't buy
myself a record!! I thought the tv show might have mentioned more of
that Spyra Gyro modern jazz stuff. I don't understand it all that much
myself, but I did see that Spyra Gyro played at some jazz festival in
the big city a while back, and I've always wanted to see what those
newer musicians in that group looked like. Probably had some long hippie
hair.
Yep ... I was mighty disappointed with that Jazz tv show. Good thing
though that they're still showing the Hee Haw re-runs in these parts.
The Hagger Brothers ... now thats what I call real musical talent!!
Alfred
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From: Michael Clifford
Subject: (exotica) Fwd: Ken Burns jazz, Ken cremates jazz (fwd)
Date: 02 Feb 2001 03:14:13 -0800 (PST)
Well, it's finally over, but here's one more humorous
take on Jazz. Not sure who the original author is,
can't take the credit/ blame myself. Enjoy.
Mike
> Presenting Ken Burns' 144-hour Extremely Important
> documentary, Jazz." Fade up on a grainy old
photograph of a man in a three-piece suit, holding a
> cornet. Or a bicycle horn, it's hard to tell.
>
> Narrator: Skunkbucket LeFunke was born in 1876 and
> died in 1901. No one who heard him is alive today.
The grandchildren of the people who heard him are
> not alive today. The great-grandchildren of the
> people who heard him are not alive today. He was
never recorded.
>
> Wynton Marsalis: I'll tell you what Skunkbucket
> LeFunke sounded like. He had this big rippling
sound, and he always phrased off the beat, and he
slurred his notes. And when the Creole bands were
still playing De-bah-de-bah-ta-da-tah, he was already
playing Bo-dap-da-lete-do-do-do-bah!
> He was just like gumbo, ahead of his time.
>
> Announcer: LeFunke was a cornet player, gambler,
> card shark, pool hustler, pimp, male prostitute,
Kelly Girl, computer programmer, brain surgeon and he
> invented the internet.
>
> Stanley Crouch: When people listened to Skunkbucket
> LeFunke, they heard
Do-do-dee-bwap-da-dee-dee-de-da-da-doop-doop-dap.
> And they knew even then how deeply profound that
was.
>
> Announcer: It didn't take LeFunke long to advance
> the art of jazz past its humble beginnings in New
Orleans whoredom with the addition of a bold and
> sassy beat.
>
> Wynton: Let me tell you about the Big Four. Before
> the Big Four, jazz drumming sounded like
BOOM-chick-BOOM-chick-BOOM-chick. But now they had
the Big Four, which was so powerful some said it felt
like a Six. A few visiting musicians even swore they
were in an Eight.
>
> Stanley: It was smooth and responsive, and there was
> no knocking and pinging, even on 87 octane.
>
> Wynton: Even on gumbo.
>
> Announcer: When any musician in the world heard
> Louis Armstrong for the first time, they gnawed
their arm off with envy, then said the angels probably
> wanted to sound like Louis. When you consider a
> bunch of angels talking in gruff voices and singing
"Hello Dolly," you realize what a stupid aspiration
that is.
>
> Gary Giddy: Louis changed jazz because he was the
> only cat going Do-da-dep-do-wah-be-be, while
everyone else was doing Do-de-dap-dit-dit-dee.
>
> Stanley: And that was very profound.
>
> Marsalis: Like gumbo.
>
> Stanley: Uh-huh.
>
> Matt Glaser: I always have this fantasy that when
> Louis performed in Belgium, Heisenberg was in the
audience and he was blown away and that's where he got
> the idea for his Uncertainty Principle.
>
> Marsalis: Because the Uncertainty Principle, applied
> to jazz, means you never know if a cat is going to
go Dap-da-de-do-ba-ta-bah or Dap-da-de-do-bip-de-beep.
>
> Wynton: Louis was the first one to realize that.
>
> Stanley: And that can be very profound.
>
> Stanley: I thought it was a box of chocolates...
>
> Announcer: The Savoy Ballroom brought people of all
> races colors and political persuasions together to
get sweaty as Europe moved closer and closer to the
brink of World War II.
>
> Savoy Dancer: We didn't care what color you were at
> the Savoy. We only cared if you were wearing
deodorant.
>
> Stanley: Wynton always wears deodorant.
>
> Glaser: I'll bet Arthur Murray was on the dance
> floor and he was thinking about Louis and that's
where he got the idea to open a bunch of dance
schools.
>
> Stanley: And that was very profound.
>
> Giddy: Let's talk about Louis some more. We've
> wasted three minutes of this 57-part documentary not
talking about Louis.
>
> Wynton: He was an angel, a genius, much better than
> Cats.
>
> Stanley: He invented the word "Cats."
>
> Wynton: He invented swing, he invented jazz, he
> invented the telephone, the automobile and the polio
vaccine.
>
> Stanley: And the internet.
>
> Wynton: Very profound.
>
> Announcer: Louis Armstrong turned commercial in the
> 1930s and didn't make any more breakthrough
contributions to jazz. But it's not PC to point that
out, so we'll be showing him in every segment of this
> series to come, even if he's just doing the same
things as the last time you saw him.
>
> Glaser: I'll bet Chuck Yeager was in the audience
> when Louis was hitting those high Cs at the Earle
Theater in Philadelphia, and that's what made him
> decide to break the sound barrier.
>
> Stanley: And from there go to Pluto.
>
> Wynton: I'm going to make some gumbo-
>
> Stanley: BOOM-chick-BOOM-chick-BOOM-chick..
>
> Giddy:
> Do-yap-do-wee-bah-scoot-scoot-dap-dap...That's what
> all the cats were saying back then.
>
> Announcer: In 1964, John Coltrane was at his peak,
> Eric Dolphy was in Europe, where he would eventually
die, the Modern Jazz Quartet was making breakthrough
recordings in the field of Third Stream Music, Miles
Davis was breaking new barrier with his second great
quintet, and Charlie Mingus was extending jazz
composition to new levels of complexity. But we're
going to talk about Louis singing "Hello Dolly"
instead.
>
> Stanley: Louis went,
Ba-ba-yaba-do-do-dee-da-bebin-doo-wap-deet-deet-do-da-da.
>
> Wynton: Sweets went,
Scoop-doop-shalaba-yaba-mokey-hokey-bwap-bwap-tee-tee-dee.
>
> Giddy: I go,
Da-da-shoobie-doobie-det-det-det-bap-bap-baaaaa...
>
> Announcer: The rest of the history of jazz will be
> shown in fast forward and will occupy exactly seven
seconds. --There, that was it. Now here are some
> scenes from Ken Burns' next documentary, a 97-part
> epic about the Empire State Building, titled "The
Empire State Building."
> "It is tall and majestic. It is America's building.
It is the Empire State Building.
> Dozens of workers gave their lives in the
construction of this building."
>
> Matt Glaser: I'll bet that they were thinking of
> Louis as they were falling to their deaths. I have
this fantasy that his high notes inspired the
> immenseness of the Empire State Building.
>
> Wynton Marsalis: I'll bet most people who'd fall off
> the Empire State Building would go "Aaaaaahhhh!"
But these cats went
"Dee-dee-daba-da-da-bop-bop-de-dop-shewap-splat!"
>
> "That's next time on PBS."
>
>
>
__________________________________________________
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-------------------------------------------------------------------------------
From: Michael Clifford
Subject: (exotica) Jazz a satire, Ken Burns Jazz, Ken Cremates Jazz
Date: 02 Feb 2001 03:36:38 -0800 (PST)
Just wanted to apoligize for posting the Jazz satire
after it had already been posted. I get the digest,
and I hadn't got the one with the first post yet.
Again, sorry for cluttering the ether and your
mailboxes,
Mike
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-------------------------------------------------------------------------------
From: Charles Moseley
Subject: (exotica) Orlando FLA info?
Date: 02 Feb 2001 11:47:39 -0000
Fess up! Who knows anything or everything there is to know about Orlando's
locality?
Record shops and flea markets in Orlando and nearby towns and cities
appreciated. Bars? Clubs? Monster Truck festivals? What's cool and what's
not in central Florida?
Thanks all,
Charlie
Editor
C3 Magazine
3 St Peter's Street
London
N1 8JD
Tel: +44 (0) 20 7704 3313 (direct)
+44 (0) 20 7226 8585 (switchboard)
Fax: +44 (0) 207 226 8586
ISDN: +44 (0) 207 359 6756
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From: mimim@texas.net (Mimi Mayer)
Subject: (exotica) Ken Burns' Jazz (trademark pending)
Date: 02 Feb 2001 08:50:21 -0600
It was almost worth sitting through 20 hours of stuff to see Duke Ellington
kiss Richard Nixon. Well, I lie about the sitting through part. *Every*
episode literally put me to sleep. Wish I'd taped the series as an insomnia
cure. Mimi
** Support Ken Burns' Cottage Industries (TM)! Buy the book, the CDs, the
DVDs, the videos! You'll get a happy feeling when you help an earnest guy!
**
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From: Brian Phillips
Subject: (exotica) Raga Round the Clock...
Date: 02 Feb 2001 10:28:46 -0500
>** Support Ken Burns' Cottage Industries (TM)! Buy the book, the CDs, the
>DVDs, the videos! You'll get a happy feeling when you help an earnest guy!
>**
Well, I'm earnest, my wife's maiden name is Guy and my book is much
cheap...I mean, I'm not selling a danged thing...yet.
Here is the other longstanding mystery. On the "Raga" soundtrack, there is
a track called "Frenzy and Distortion". It excerpts two songs that are
certainly not Ravi Shankar's doing (well, at least one isn't).
Please go to ftp://ftp.mindspring.com/users/hagar/incoming and the two
mystery sounds are Raga sound one and Raga sound two. Two is very short,
but who is singing that "Guitar Man" song? I was told that it might be
Henk the Knife and the Jets, but I have my doubts now.
Neither track sounds like Yma Sumac,
Brian Phillips
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From: nytab@pipeline.com
Subject: (exotica) [obit] David Heneker
Date: 02 Feb 2001 12:11:33 -0500
February 2, 2001
David Heneker, Lyricist for Catchy Musical Comedies, Dies at 94
By MEL GUSSOW
David Heneker, who wrote the score for the musical "Half a Sixpence" and collaborated on the English adaptation of the book and lyrics for "Irma la Douce," died on Tuesday in a residential home in Wales. He was 94.
"Irma la Douce" and "Half a Sixpence" were major successes in London and New York, a rare double- header for a British songwriter in the 1950's and 60's. Each ran on Broadway for more than 500 performances.
Mr. Heneker and his collaborators Julian More and Monty Norman found ways to Anglicize the French musical "Irma la Douce" (by Marguerite Monnot and Alexandre Breffort) without losing the original Parisian atmosphere. Under the direction of Peter Brook, the London cast members (Elizabeth Seal, Clive Revill and Keith Michell) turned it into a Broadway hit in 1960. Three years later the show was filmed by Billy Wilder with a cast headed by Shirley MacLaine and Jack Lemmon.
In 1965 "Half a Sixpence" followed the same profitable path from London to Broadway. Based on H. G. Wells's novel "Kipps," the musical introduced Tommy Steele to American theatergoers. Mr. Steele played a draper's assistant who comes into a large inheritance. Strumming a banjo, he sang Mr. Heneker's "Money to Burn," among other sprightly songs. He also starred in the film version.
Although "Irma" and "Half a Sixpence" were Mr. Heneker's only Broadway musicals, he collaborated on many other shows in London, beginning in 1958 with Wolf Mankowitz's "Expresso Bongo," which starred Paul Scofield as a small-time music agent. "Expresso Bongo" became a film in 1960. His other shows included "Jorrocks," "Make Me an Offer," "Charlie Girl" and "The Biograph Girl." Jude Kelly recently directed a revival of "Half a Sixpence" in Leeds.
Mr. Heneker attended Wellington College and the Royal Military College, Sandhurst. From 1925 to 1948 he was an officer in the British army. Just before World War II, while recovering from a riding accident, he read Noël Coward's "Bittersweet," and, he said, that inspired him to write songs.
After leaving the army, he sang and played the piano in London clubs. As his songs were published and recorded, he was soon swept into a successful musical career. He always preferred to consider himself a songwriter, rather than a composer, a word he considered pretentious.
He is survived by a son, Peter, of Cardigan, Wales; five grandchildren; and 14 great-grandchildren.
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From: "Michael D. Toth"
Subject: (exotica) Feb.4 Beyondo Mondo Record Party
Date: 02 Feb 2001 12:41:43 -0400
Hey there everybody...
FYI, I was reasonably self-amused with the installment of my "Beyondo
Record Party" radio show that I pre-recorded to air this Sunday night. If
you'd like to check it out, there's no better time than this Sunday, and,
ideally, you'd also find yourself reasonably amused.
It's just me this Sunday night Feb. 4 (I share the show with 3 other
DJs). In the unlikely event that you live in the greater Akron, Ohio
area, you can hear it at 91.3 FM from 11:00-midnight EST. Everybody else,
if you can handle streaming audio media, you can hear it simulcast on the
Net at www.wapsfm.com
Anyway, if you tune in, here's what you'll be rewarded with. PLAYLIST
ALERT!
* Negativland - "My Favorite Things" (True/False Live in Chicago)
* New Albanian Riots - "Cheerful" (The Cream of the Stars)
* The Three Suns - "Russian Sleigh Song" (A Ding Dong Dandy Christmas)
* The Millionaire - reflections on his youth in 19th Century Austria (Sub
Pop Holiday Spectacular)
* The First Team - "When the Wrong Thing Happens" (Chevrolet Sings of
Safe Driving and You)
* Enoch Light's Action - "Working in a Coal Mine" (It's Happening, So
Let's Dance!)
* 1971-72 Tallmadge High School Stage Band - "Move Out/Bogus" (Music
Unlimited!)
* Lord Sitar - "Daydream Believer" (Lord Sitar)
* Louis Prima - "Beep Beep" (VA/Brain in a Box)
* Chemical Brothers - "Music: Response" (Surrender)
* Silver Apples - "Oscillations" (Silver Apples)
* Joy Electric - "Synthesized I Want You Synthesized" (ChristianSongs)
* Man or Astroman? - "Desination Venus" (Destroy All Astromen!)
* Voices of Walter Schumann - "Arrival At Venus: New Sensations"
(Exploring the Unknown)
* The Ventures - "Love Goddess of Venus" (Ventures In Space)
* Tom Jones - "Venus" (Tom)
* Rob Crow - "Fake Skin" (mp3it.com)
* April Stevens - "Gimme a Little Kiss, Will Ya, Huh?" (A Nino
Tempo/April Stevens Program)
* Combustible Edison - "Tickled To Death" (The Impossible World)
"Tickled To Death" admittedly got cut short, but a guy can only fit so
much in an hour!!
Michael David Toth
mtoth@neo.lrun.com
mtoth@neo.rr.com
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-------------------------------------------------------------------------------
From: Moritz R
Subject: (exotica) De Phazz
Date: 02 Feb 2001 20:08:19 +0100
band: De Phazz
album: Death By Chocolate
pretty cool intelligent new lounge album. the band is from Heidelberg,
but that's about all I know about them. They have a homepage:
http://www.de-phazz.com
Mo
--
studio R
senses for a senseless world
http://moritzR.de
exotica@web.de
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From: "Daniel Shiman"
Subject: (exotica) Playlists??
Date: 02 Feb 2001 20:30:07
Like, do you people mind when playlists are posted? I seem to recall some
dissent about this, but I would like to start posting my playlists, too. I
realize this is somewhat self-aggrandizing but I think my show falls nicely
under "exotica". Also, I'm trying to drum up an audience for our little
radio station, which is now internet-only since that foul-smelling giant,
the FCC, shut us down.
-Dan
Hear! "Dial-ated Pupils" -- every Saturday 4-6 pm CST exclusively at
www.radio1austin.com. I will lead you safely through the perilous dark
jungles of Austin's scratchiest record collection. Exotic jazz. Obscure
Latin, Afro, and Eastern grooves. Easy listening arcana. Bring your bug
spray.
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com
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From: alan zweig
Subject: Re: (exotica) Raga Round the Clock...
Date: 02 Feb 2001 16:00:06 -0500
At 10:28 AM 2/2/01 -0500, Brian Phillips wrote:
>
>Here is the other longstanding mystery. On the "Raga" soundtrack, there is
>a track called "Frenzy and Distortion". It excerpts two songs that are
>certainly not Ravi Shankar's doing (well, at least one isn't).
What is "Raga" and why does it have a soundtrack?
I listened to the mpeg files and they sound like "classic" electric sitar
noodling.
And the guy singing, sounded like a biker film song.
What are you asking?
I can't help you. I can't identify it. But I liked it.
AZ
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-------------------------------------------------------------------------------
From: mimim@texas.net (Mimi Mayer)
Subject: (exotica) Jazz info--real stuff
Date: 02 Feb 2001 17:10:28 -0600
_The New Grove Dictionary of Jazz_ -- xrefer
http://www.xrefer.com/books/grojazz/about.jsp
xrefer.com
http://www.xrefer.com/
Since it was originally reviewed in the June 2, 2000 _Scout Report_,
reference engine xrefer has expanded to include fifty texts. The most
recent addition is the _The New Grove Dictionary of Jazz_,
self-described as "the largest, most comprehensive and most accurate
reference work on jazz ever published." The dictionary contains over
4,500 articles on a wide variety of jazz-related topics, including
detailed biographies, jazz groups, musical instruments, terms and
styles, record companies and labels, and more. The dictionary also
offers 1,800 discographies and numerous reading lists. Visitors can
not search the _New Grove Dictionary_ exclusively, but they can limit
their search to the music reference works, which also include the
_Oxford Dictionary of Music_, _Penguin Dictionary of Music_, and the
_Grove Concise Dictionary of Music_. [MD]
From The Scout Report, Copyright Internet Scout Project 1994-2001.
http://scout.cs.wisc.edu/
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-------------------------------------------------------------------------------
From: "Colleen Pyles"
Subject: (exotica) de-phazz
Date: 02 Feb 2001 17:34:21 -0600
Pretty interesting website!
colleenintexas
Colleen
_____________________________________
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-------------------------------------------------------------------------------
From: Brian Phillips
Subject: Re: (exotica) Raga Round the Clock...
Date: 02 Feb 2001 18:57:51 -0500
>What is "Raga" and why does it have a soundtrack?
Raga was a documentary about Ravi Shankar, directed by Howard Worth. The
soundtrack was released on Apple Records, so I am fairly sure that this was
a pet project of George Harrison's. I have never seen the movie and it
doesn't seem to have been released on video.
>I listened to the mpeg files and they sound like "classic" electric sitar
>noodling. And the guy singing, sounded like a biker film song. What are
>you asking? I can't help you. I can't identify it. But I liked it.
It does sound like a biker song, doesn't it? I have a theory that it might
be an Austrian band called the Rockets, but I asked for verification on
that from another list. Wouldn't it be funny if the first song was Ananda
Shankar?
Glad you dug the files and thanks for responding,
Brian Phillips
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-------------------------------------------------------------------------------
From: Paul Wages
Subject: (exotica) African Room NYC/Brian De Palma's Sisters
Date: 02 Feb 2001 23:10:50 -0500
> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.
--MS_Mac_OE_3064000251_1005997_MIME_Part
Content-type: text/plain; charset="US-ASCII"
Content-transfer-encoding: 7bit
I saw the movie "Sisters" (1973, Brian De Palma) today. All in all, I
found it an enjoyable flick (including a nice Bernard Herrmann score with
electronic elements).
Early in the movie, two characters visit Manhattan's "African Room" for
drinks. The restaurant band is playing a wild instrumental which includes
jungle effects. The song is enjoyable in the same vein way as Mike
Simpson's "Jungle Odyssey" or Shelly Manne's "Daktari" LP. The music
doesn't seem to be on the soundtrack album, and I'm going to assume this
music isn't Herrmann's.
So, have any list-members seen the film recently? Anyone know if that is
Manhattan's real-life African Room? Anyone have a clue who might be
performing the music in the movie? If it is the real African Room, perhaps
it is Guy Warren? I see Warren is mentioned on the Wild's Scene site as
heading up a band there.
BTW,
Vintage ads for the real African Room can be glimpsed here:
http://instantliving.safeshopper.com/17/212.htm?671
Paul
rewages@mediaone.net
--MS_Mac_OE_3064000251_1005997_MIME_Part
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable
African Room NYC/Brian De Palma's Sisters
I saw the movie "Sisters" (1973, Brian De Palma) today. &nb=
sp;All in all, I found it an enjoyable flick (including a nice Bernard Herrm=
ann score with electronic elements).
Early in the movie, two characters visit Manhattan's "African Room&quo=
t; for drinks. The restaurant band is playing a wild instrumental whic=
h includes jungle effects. The song is enjoyable in the same vein way =
as Mike Simpson's "Jungle Odyssey" or Shelly Manne's "Daktari=
" LP. The music doesn't seem to be on the soundtrack album, and I=
'm going to assume this music isn't Herrmann's.
So, have any list-members seen the film recently? Anyone know if that=
is Manhattan's real-life African Room? Anyone have a clue who might b=
e performing the music in the movie? If it is the real African Room, p=
erhaps it is Guy Warren? I see Warren is mentioned on the Wild's Scene=
site as heading up a band there.
BTW,
Vintage ads for the real African Room can be glimpsed here:
http://instantliving.safeshopper.com/17/212.htm?67=
1
Paul
rewages@mediaone.net=20
--MS_Mac_OE_3064000251_1005997_MIME_Part--
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From: "Nicola Battista (Dj Batman)"
Subject: (exotica) new legal MP3 stuff now online!
Date: 03 Feb 2001 10:58:11 +0100
hello hello
I'm always busy and tired to death
some of the long-time announced music files are appearing on mp3.com in these hours.
First of all, enjoy:
http://www.mp3.com/orientexpress
Edda dell'Orso singing Morricone's "Che senso ha" from "Orient Express" (streaming only)
http://www.mp3.com/piernicoladimuro
Two tracks from a 40-minutes Rai-Tv special about a Venetian exhibit dedicated to the ancient Etruscans, composed by Italy's latest sensation in soundtracks, Piernicola Di Muro.
these two pages still lack of any textual info and graphics, but they will be up soon; also, the Etruscans album will be uploaded completely and also put on sale as DAM CD.
I even got my hands on tracks by an Italian orchestra playing a tribute to Akira Ifukube, composer of GODZILLA THEME...!!
Expect more exciting info SOON!!!
later,
Nicola/Dj Batman
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-------------------------------------------------------------------------------
From: Johan Dada Vis
Subject: (exotica) Re: Swedish "Holerin"
Date: 03 Feb 2001 16:31:52 +0100
i've finally found out that some snippets of this Swedish "Hollerin"
appear on a folk CD by Frifot (with member Lena Willemark) on the
Amigo label. probably won't bother to find the CD if most of it is
filled with folk music.
Johan
-----
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From: "Larson/Thomas"
Subject: RE: (exotica) The mysterious Exotica files from waaay back...
Date: 03 Feb 2001 11:02:48 -0800
> Is all of Waldo's GNP output good?
I like everything I've heard. Her "Sacred Rites" CD has tracks from "Realm
of the Inca" and "Rites of the Pagan," and is very enjoyable. I also have a
beat up copy of her "Matacuda" LP which has a similar sound to the other
LPs.
Jerry
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From: Lou Smith
Subject: (exotica) [obit] Judy Davis
Date: 03 Feb 2001 15:50:52 -0500
Judy Davis of Oakland -- Vocal Coach to Stars=20
Jesse Hamlin
Wednesday, January 31, 2001=20
=A92001 San Francisco Chronicle=20
Oakland -- Judy Davis, a legendary vocal coach whose students included
Barbra Streisand, Frank Sinatra, Judy Garland, Mary Martin, Grace Slick,
Eddie Money and many other noted and lesser-known singers, died of heart
failure Friday at her Oakland home. She was 81.=20
An expert in the physiology of vocal sound projection, Ms. Davis was famous
for teaching singers how to breathe properly, enunciate and strengthen their
vocal cords in order to project freely and control the sound. She devised a
series of vocal exercises that are used by singers around the world.=20
"Actually, I'm just a vocal plumber," Ms. Davis told The Chronicle in 1995,
when she received a lifetime achievement award at the Bammies. "I fix=
pipes."=20
Over the decades, scores of vocalists called on Ms. Davis to help repair
their strained pipes and unlock their voices.=20
In the early 1950s, Sinatra flew Ms. Davis to Las Vegas to help solve his
vocal problems, and he asked for her help again in the 1970s. In the early
1960s, when Streisand was having vocal difficulties while singing at San
Francisco's hungry i, she turned to Ms. Davis, who coached her in the
Oakland studio where she continued to teach until just two weeks ago.=20
"She taught me great breath control, the placement of vowels, how to produce
notes," said rock singer Money, who began studying with Ms. Davis in the
early 1970s. "She taught you how to hit notes you couldn't hit before. She
expected a lot from her students, and the last thing you wanted to do was
let this lady down. She was beautiful. I valued her artistic knowledge."=20
Country Joe McDonald said: "Judy Davis was an expert in telling you how to
control the sounds coming from your mouth. She talked like Auntie Mame.
She'd say, 'Well my dear, I must tell you, this is exactly what you're doing
wrong. We're going to have to rearrange some of these things, break this
habit.' She allowed us to present the sound we want you to hear."=20
Ms. Davis, who was born in Red Bluff and raised in Oakland, studied music
and dancing privately, and earned bachelor's and master's degree in music
from the University of California at Berkeley.=20
In the late 1930s, she worked in Hollywood as an assistant choreographer at
Warner Brothers, working on movie musicals with the first of her three
husbands, choreographer Hal Davis. She also taught actresses how to
lip-synch to movie soundtracks. Ms. Davis changed her first name after Hoagy
Carmichael told her she looked more like a Judy than an Adelaide, which was
her given name.=20
In the 1940s, the Davises moved to Oakland and opened a dance studio.
Although she was to become a renowned vocal coach, Ms. Davis never sang
professionally herself. When she was 19, her vocal cords were damaged during
a tonsillectomy, leaving her with a raspy voice.=20
Eager to learn about her vocal cords, she studied Gray's Anatomy and delved
deeply into the physiology of voice production. That led to the creation of
her teaching method.=20
"Judy could give you confidence, make you feel like there was nothing you
couldn't sing," says San Francisco jazz singer Pat Yankee, a close friend.
Yankee originally took tap dancing lessons from Ms. Davis. Yankee started
studying voice with Ms. Davis in 1965 and continued going to her for the
next 35 years. Like most of Ms. Davis' students, she still sings her
exercises every day.=20
Ms. Davis was married for many years to tennis pro Frank Kovacs, who died in
1990. She is survived by a son, Mark Van Hayden of Seattle, and a
granddaughter.=20
A memorial celebration will be held at 4 p.m. on Feb. 18 in Saroyan Hall at
the Armenian Community Center, 825 Brotherhood Way in San Francisco. Eddie
Money and Booker T. Jones, another Davis student, will be among those
performing. The family requests contributions in Ms. Davis' name to any
charity.=20
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-------------------------------------------------------------------------------
From: Lou Smith
Subject: (exotica) [obit] Lou Levy
Date: 03 Feb 2001 16:02:32 -0500
http://allmusic.com/cg/x.dll?p=3Damg&sql=3DBehebeieeeeeemeha
Lou Levy; Pianist Accompanied Jazz and Pop Greats=20
Lou Levy, 72, a pianist who accompanied some of the finest singers in jazz
and pop music, including Ella Fitzgerald, Peggy Lee, Anita O' Day, Frank
Sinatra and Sarah Vaughan. Born in Chicago, Levy studied piano as a youth
and worked first for a bandleader named Chubby Jackson, who introduced bebop
music to Sweden on tour in 1947. Levy later joined bands led by Woody
Herman, playing with future greats such as Stan Getz, Zoot Sims and Shorty
Rogers, and by Georgie Auld. He moved to California in the mid-1950s and
found steady work with several of the leading singers in jazz and pop music.
He was Lee's accompanist for years, performed on several of Fitzgerald's
popular songbook albums and played behind Vaughan and O'Day. He played piano
accompaniment on the Sinatra standard "My Way." When not working as an
accompanist, Levy performed in bands led by saxophonist Getz, Benny Goodman
and Shelley Manne. Influenced by the style of Bud Powell, Levy's playing was
known for its smooth sophistication and subtle swing. A memorial service is
scheduled for 2 p.m. today at the Musician's Union, 817 N. Vine St., Los
Angeles. On Tuesday in Dana Point of a heart attack.=20
A superior bop-based pianist who has worked with a countless number of top
jazz artists, Lou Levy started on piano when he was 12. He played with
Georgie Auld (1947), Sarah Vaughan, Chubby Jackson (1947-48), Boyd Raeburn,
Woody Herman's Second Herd (1949-50), Tommy Dorsey (1950), Auld again and
Flip Phillips. Levy was outside of music for a few years (1952-54) and then
gained a strong reputation as a fine accompanist to singers, working with
Peggy Lee (on and off during 1955-73), Ella Fitzgerald (1957-62), June
Christy, Anita O'Day and more recently Pinky Winters. Levy also played with
Shorty Rogers, Stan Getz, Terry Gibbs, Benny Goodman, Supersax and most of
the major West Coast players. Lou Levy has recorded as a leader for Nocturne
(1954), RCA, Jubilee, Philips, Interplay (1977) and Verve. =97 Scott Yanow
=3D=3D=3D
'80s pop star Buster Bloodvessel - the 30-stone bald singer famous for
leading ska band Bad Manners - is awaiting emergency surgery after he
collapsed onstage in Italy.
40 year-old Buster, who recently reappeared on British TV screens in an
advert for financial services, fell ill in Perugia, where doctors have
diagnosed a strangulated hernia and fear that the singer may die on the
operating table.=20
Buster - real name Douglas Trendle - was one of the best-known figures in
the British ska revival of the early '80s. Bad Manners' biggest hits include
Lip Up Fatty and Special Brew.=20
=20
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-------------------------------------------------------------------------------
From: "Darrell Brogdon"
Subject: (exotica) Retro Cocktail Hour
Date: 03 Feb 2001 15:53:19 -0600
On this week's Retro Cocktail Hour webcast, we'll preview choice
tracks from "I Dig", the new CD featuring classic exotica and crime
jazz by the Interplanetary Contemporary Ensemble. In addition, we'll
chat with conductor Duane Schultess during the show and, if you tune
in for the live webcast, you'll have a shot at winning a FREE COPY of
"I Dig", courtesy of Innova Records.
The "I Dig" feature is in the first hour. Second hour includes
jungle jazz by Xavier Cugat, Michel Magne, Esquivel and Martin Denny;
now sounds from Claus Ogerman and Frank de Vol (check out his score
for the movie "The Happening"!); plus tunes by Seksu Roba, Peter
Thomas and Yoko Kanno and the Seatbelts (from Cowboy Bebop).
For the live webcast, tune in tonight (Saturday) at 7:00pm Central
time at:
http://kanu.ukans.edu/realaudio/index.htm
To hear The Retro Cocktail Hour anytime (this week's show should be
posted later tonight), just visit:
http://kanu.ukans.edu/retro.html
Comments and requests always welcome.
Thanks for the space!
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retrolisten.html
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-------------------------------------------------------------------------------
From: "cheryl"
Subject: (exotica) Playlist for Space Bop, February 4
Date: 03 Feb 2001 20:13:02 -0500
Beyond kitsch, Space Bop is one hour of full galactical wonder, and can
be heard every Sunday from 4 to 5 pm Eastern time on CKUT 90.3 FM in
Montreal, Canada, and on RealAudio (real time only, for now) at:
http://www.ckut.ca
As usual, all comments, questions, and feedback welcome.
Space Bop #128 Boogaloo!
This week, some great dance tunes - try sitting still while listening to
these!
Malente: Boogaloo "The Spirit Of Malente"
Buscemi: La Musica Ayer Con El Sonido De Hoy "Unique Club Culture"
Jacknife Lee: Brown Glitter "Muy Rico!"
Tim "Love" Lee: First Base Bossa "Just Call Me "Lone" Lee"
Lemon: Mr. Bongo "All Systems Are Go Go"
Los Chicharrons: Chicharron 'n' Boogaloo "Conga Heaven, Bongo Hell"
Mike Young: Rude '56 "El Gran Ritmo De Mike Young"
Le Hammond Inferno: Don Quichote "Easy Leasing Superstar"
Kulturni Program: Pong (Stereo de Luxe Remix)
Tim "Love" Lee: Bed Sheet Shuffle "Just Call Me "Lone" Lee"
Ursula 1000: Polyblend "All Systems Are Go Go"
Malente: Fertig "The Spirit Of Malente"
Thanks for reading, and thanks for listening.
cheryls@dsuper.net
brian@phyres.lan.mcgill.ca
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-------------------------------------------------------------------------------
From: "Daniel Shiman"
Subject: (exotica) February 3, 2001 playlist for Dial-ated Pupils
Date: 04 Feb 2001 01:39:10
I got a lot of nice feedback regarding the Middle Eastern themed set at the
beginning of the show - thanks!! Tune in next week for an Indian-themed
spectacular...
-Dan
ARTIST SONG ALBUM FORMAT LABEL
RUFUS HARLEY Sufur Scotch & Soul LP Atlantic
EDDIE "THE SHEIK" KOCHAK W/FRED ELIAS AND THE EL-MECCA ENSEMBLE Belly
Dancer Ya Salaam: The New Amer-Abic Sound of the Middle East LP Mace
OZEL TURKBAS Ozel's Dance Routine How to Belly Dance for your Sultan LP Elay
ARTIE BARSAMIAN Raks Jemil II More Belly Dance LP Fiesta
LALO SCHIFRIN The Snake's Dance Brilliance: The Piano of Lalo
Schifrin LP Roulette
CAL TJADER Sahib Several Shades of Jade LP Verve
LES BAXTER A Night with Cleopatra The Primitive and the
Passionate LP Reprise
FRED KATZ Chili'lo Folk Songs for Far Out Folk LP Warner Brothers
CHICO HAMILTON The Ghost The Chico Hamilton Quintet in Hi-Fi LP Pacific Jazz
AL COHN Inside Out East Coast - West Coast Scene LP RCA
BOB COOPER Hallelujah Kenton Presents: Shifting Winds LP Capitol
HOWARD RUMSEY'S LIGHTHOUSE ALL-STARS Bud Howard Rumsey's Lighthouse
All-Stars, vol. 5 10" LP Contemporary
TONY SCOTT There Is Nothin' Like a Dame South Pacific Jazz LP ABC-Paramount
Sophisticated Lady Tony Scott LP Verve
MAX ROACH & ANTHONY BRAXTON Rebirth Max Roach featuring Anthony
Braxton LP Black Saint
LESTER BOWIE St. Louis Rope-A-Dope LP Muse
KALAPARUSHA MAURICE MCINTYRE Out There (If Anyone Should Call) Humility In
the Light of Creator LP Delmark
DON CHERRY, DEWEY REDMAN, CHARLIE HADEN, & EDDIE BLACKWELL Old and New
Dreams Old and New Dreams LP Black Saint
ILLINOIS JACQUET Riffin' with Jacquet 1946-47 CD Classics - France
WILLIE SMITH Airiness a la Nat Relaxing After Hours with Willie Smith and
His Friends 10" LP EmArcy
COLEMAN HAWKINS 39"-25"-39" The Hawk in Hi-Fi LP RCA
BILLY ECKSTINE Opus X The Birth of Bebop CD Charly
BUDDY TATE Tate's a Jumpin' Jumpin' on the West Coast! LP Black Lion
Hear! "Dial-ated Pupils" -- every Saturday 4-6 pm CST exclusively at
www.radio1austin.com. I will lead you safely through the perilous dark
jungles of Austin's scratchiest record collection. Exotic jazz. Obscure
Latin, Afro, and Eastern grooves. Easy listening arcana. Bring your bug
spray.
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com
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-------------------------------------------------------------------------------
From: Sem Sinatra
Subject: (exotica) 2 questions
Date: 03 Feb 2001 23:12:38 +0900
Folks
2 questions:
1. Is anyone on the list in Osaka, Japan?
2. Does anyone know of any Exotica friendly bars/clubs in Osaka?
thanks
Sem Sinatra
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-------------------------------------------------------------------------------
From: Lou Smith
Subject: (exotica) HATT-BABY!
Date: 04 Feb 2001 01:46:43 -0500
http://user.tninet.se/~prv247p/hatt/
Can one of our Swedish members please tell me what's going on at the above URL?
Thanks,
Lou
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-------------------------------------------------------------------------------
From: "Magnus Sandberg"
Subject: Re: (exotica) HATT-BABY!
Date: 04 Feb 2001 11:42:41 +0100 (CET)
citerar Lou Smith :
>
> http://user.tninet.se/~prv247p/hatt/
>
> Can one of our Swedish members please tell me what's going on at the
above
> URL?
Hi Lou
Why do you want to know, and why did you look on that page?
It is about a party thing. It involves a hat, When the choir song
starts, the most old one at the party gives the hat to the most drunk
one, and he dances into the dancing crowd while all yells -The Drunk
Hat! to him. The drunk one sings -The Hat Is Mine!
Never heard about it, and I have been on lotsa parties involving many
strange customs.
Magnus
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-------------------------------------------------------------------------------
From: "Magnus Sandberg"
Subject: (exotica) =?iso-8859-1?Q?Rosemary=20Brown=20-=20A=20musical=20s=E9ance=20REVIEW?=
Date: 04 Feb 2001 15:05:13 +0100 (CET)
Review of:
Rosemary Brown - A musical s=E9ance=20
PHILLIPS PHS 900-256
I am not really sure of this record belongs on the exotica list,=20
because the music contained on this album is classical, but the record=20
is so strange I thought that maybe it could be classified under=20
Incredibly srange music, which often is discussed here.
I found the LP on a fleamarket some weeks back, and paid no attention=20
to it first while browsing through a bin, but it was something with it=20
that made me look again, the front cover features a celestial hand=20
holding one of those ancient feather pens and writing musical notes.
First I thought it possibly could feature a moog, because moogalbums=20
often has that solemn look. I flipped the cover and started read the=20
linernotes, which I have written down for you:
"On January 1970 Sir Donald Towey (deceased), communicated the=20
following message about this record to Rosemary Brown from beyond the=20
weil: As you listen to this record, you may wonder whether the music=20
you hear is the product of Rosemary Brown's abilities, or whether it=20
has indeed emanated from departed composers who are still creating=20
music in another world. Many ideas have been formulated to explain the=20
emergence of the music, but the possibility that composers of the past=20
are still alive in different dimensions from yours, and endeavouring to=20
communicate, should not be dismissed too perfunctorily. Even the most=20
stubborn disbeliever in ExtraSensory Perception cannot prove=20
conclusively that there is no life after physical death, and scoffers=20
may one day find themselves faced with indisputable instances of=20
autentic communication from those who have shuffled off their mortal=20
coils. We are not transmitting music to Rosemary Brown simply for the=20
sake of offering possible pleasure in listening thereto..." Sir Donald=20
Towey (1875-1940)
I stood amazed. The first record I ever come across that featured=20
linernotes written by a man who has been dead for 30 years. I had to=20
buy it. With the record safe at home I found a booklet inside who was=20
very serious in tone, this was apparently no joke, Rosemary Brown (An=20
ordinary housewife in a poor suburb of London) had written literally=20
hundreds of compositions who she claimed was dictated to her by=20
deceased composers, he talks of them as one does of old friends, she=20
can see them as well when they come to work with her, on Schubert she=20
talks: '...When Schubert first appeared to me to me he was wearing his=20
spectacles but I think it was only to make sure that I recognized him.=20
Now he doesn't wear them at all', and on Chopin 'Chopin once rescued us=20
from having a flood in the bathroom'.
The record consist of one side where a man named Peter Katin plays=20
piano, He plays the compositions Rosemary Brown has written down,=20
because apparently they are to difficult for her to play well herself.=20
I don't know about the quality of it, because I never listens to=20
classical music but on side B Rosemary plays herself. And I must say I=20
enjoy it, It is like... how shall I put it... It's like you are living=20
in an old house by the sea, maybe in the 30s and you are preparing the=20
dinner, and you have an old aunt visiting you and she is playing on=20
your piano in the livingroom and she has a little talent. Sounds=20
strange, but that is what comes to mind...
It definetly has atmosphere, and the music is very calm and relaxed,=20
not spooky at all.
They have even found a picture of Sir Towey (the linernote man)=20
standing near the R=F6nntgen couple on an image from 1911.
Magnus
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-------------------------------------------------------------------------------
From: "Br. Cleve"
Subject: (exotica) Fwd: Danger Diabolik Soundtrack
Date: 04 Feb 2001 11:43:01 -0500
just got this from a friend -
>In case anyone is interested...
>
>I bought a CD claiming to be the soundtrack to Danger Diabolik (for
>about $30.00 I might add)
>and got pretty much what I expected, semi-unfortunately.
>
>The CD is just excerpts from the actual movie and has that pre hi-fi
>stereo tinny character.
>
>It's kind of a nifty little collector's package, but be warned, it is
>not a "real" soundtrack album.
br cleve
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-------------------------------------------------------------------------------
From: Matt Marchese
Subject: (exotica) Kitten With A Whip
Date: 04 Feb 2001 11:18:05 -0600
Yesterday evening, I had the guilty pleasure of catching Ann-Margaret chew the
scenery down to toothpicks in this classic JD film shown on AMC. It was pretty
hilarious watching her smirk, grit her teeth, and scrunch her eyebrows to
convey "bad girl" -- a method actress A-M wasn't -- she was about as
threatening as a hyperactive prom queen with hemmorhoids. The beatnik bad guys
were a veritable fount of classic Hollywood hipster dialogue ("Now cool it and
co-exist!") and equally laughable threats. I was pleasantly surprised to see
Doodles Weaver pop up.
Anyway, I had missed the opening credits, so I waited patiently to catch the
end in order to find out who had composed that groovy soundtrack of cool
crimejazz, crazed bongo beats, and south-of-the-border sleaze, to no avail. A
search of the 'Web came up empty as well.
So therefore Exotica pals, I turn to you in my hour of need. Who scored this
little gem of cheesy exploitation and is there a soundtrack LP out there hiding
in a cardboard box in someone's garage just waiting to be found?
--
Matt Marchese
"I've been havin' this nightmare.......a real swinger of a
nightmare, too." -Frank Sinatra (The Manchurian Candidate)
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: "Br. Cleve"
Subject: Re: (exotica) Kitten With A Whip
Date: 04 Feb 2001 13:01:45 -0500
At 11:18 AM -0600 2/4/01, Matt Marchese wrote:
>Who scored this
>little gem of cheesy exploitation and is there a soundtrack LP out there
>hiding
>in a cardboard box in someone's garage just waiting to be found?
The score is comprised of music from the Universal library - chunks of it
are from Mancini's score to "Touch of Evil". I recall the credit read
"music supervised by Joseph Gershenson", who was the music super at
Universal at the time. I've never seen a soundtrack listed anywhere.
br cleve
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From: Brett Leveridge
Subject: Re: (exotica) Kitten With A Whip
Date: 04 Feb 2001 13:17:15 -0500 (EST)
On Sun, 4 Feb 2001, Br. Cleve wrote:
> The score is comprised of music from the Universal
> library - chunks of it are from Mancini's score to
> "Touch of Evil". I recall the credit read "music
> supervised by Joseph Gershenson", who was the music
> super at Universal at the time. I've never seen a
> soundtrack listed anywhere.
IMDB.com offers the following:
Original music by
William Loose (uncredited)
Henry Mancini (uncredited)
Carl W. Stalling (uncredited)
Non-original music by
Hans J. Salter (uncredited)
Frank Skinner (uncredited)
Herman Stein (uncredited)
Brett
**************************************************
Brett Leveridge's "Men My Mother Dated and Other
Mostly True Tales" is now in a bookstore near you.
Order signed copies at: http://www.menmymotherdated.com
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From: Moritz R
Subject: Re: (exotica) Rosemary Brown - A musical =?iso-8859-1?Q?s=E9ance?=
Date: 04 Feb 2001 21:41:10 +0100
apart from the incredible strange liner notes.... is the record any
good?
Mo
--
studio R
senses for a senseless world
http://moritzR.de
exotica@web.de
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From: alan zweig
Subject: (exotica) love letter to a mailing list
Date: 04 Feb 2001 17:13:03 -0500
Dear List
I'm on this other mailing list. On that list, my posts have been censored,
refused and edited. In addition I've received posts from the
administration asking me to find a way to post without offending the
sensibilities of other listmembers. Even while they told me this, they
were quick to point out that I wasn't violating any of the rules or
guidelines for posting.
In fact I had already censored myself on that list, toned down my rhetoric.
And I'd never flamed anyone (though there is one I'd like to flame.)
But that's not good enough. Apparently my style of writing jumps off the
page and offends "several" members there.
It doesn't really surprise me that someone can be offended by an opinion or
by the style in which that opinion is expressed. What surprises me is that
people on an internet mailing list complain to the administration when they
experience that offense.
"Hey I didn't join this list to be assaulted by opinions!!!!"
They want everything to be like a form letter. "Dear List, Can someone
tell me about - fill in name of recording artist - ? I'm particular
interested in the year and catalogue number of - fill in title of song - ?"
It's richly ironic since I'm in the middle of proposing a new film which is
basically about what it's like to live in a world where people are afraid
to express an opinion. A world where you ask their opinion and they take a
step backwards and then try to figure out the right answer.
Anyway that's just an introduction to say that THIS list is pretty amazing.
I've been here three years now. It has its ups and downs and long long dry
spells. But it somehow manages to take care of itself and deal with
people's personalities and differences.
I would have thought that was the norm. I would have thought that any
internet mailing list would acknowledge the beauty and the danger of the
internet, namely the wide, wild range of uncontrollable opinions.
For a long time I assumed that all lists were like this one because this
was the first one I joined and the only one I was on for a long time.
But sadly that isn't the norm. This list is quite atypical as it turns out.
So congratulate yourselves.
I especially want to thank those members who were on this list when I
joined and are still on it. But I thank everyone.
And the adminstration too.
And if you run into BJ tell her we miss her. Same thing goes for Jack who
I assume is lurking.
You can be wrong all the time and still have a place on this list.
Sylvester Stallone is on that Actors Studio interview show right now.
I understand that next week it's going to be O.J.
AZ
AZ
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From: "Magnus Sandberg"
Subject: Re: (exotica) love letter to a mailing list
Date: 04 Feb 2001 23:58:10 +0100 (CET)
I thank you and join you.
Last year was just movies for me (I bought a DVD player which resulted
in a very expensive habit) but I just felt around christmas how much I
missed exotica. I had lived a whole year away from my records (well not
Eden Ahbez and a couple more). And I missed the list too with all its
nice people. I am glad to be back.
Magnus
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From: "basic hip"
Subject: Re: (exotica) Fwd: Danger Diabolik Soundtrack
Date: 04 Feb 2001 20:20:10 -0800
I picked up Diabolik just the other day from Intrada. I don't buy many
CD's - about 1 to every 25 records - especially pricey imports! Or is this
"limited edition" a bootleg? Probably.
Anyway, I had heard alot of good things about this movie, and I love 60s
soundtracks so I got it. Now it's up for grabs on ebay:
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1408332247
Not because of poor sound quality which i really did not notice. sound
quality is never very important to me, unless it is really bad, like
borderline defective. about 10 minutes of the 48:00 minute disc are
dialogue, which I can do without. Unless they are original trailers or
spots! There are a number of variations on the main theme, Deep Down, some
with vocals by Christy, some instrumental.
I'm not sure about the reference to the nifty collector's package, as the
front booklet is a single insert, there are no liner notes at all. Very
similar in packaging quality to the exotica bootlegs that hit the shelves a
few years back.
I regret getting it now mainly because I'd rather put that kind of money
toward vinyl originals and I'm not as thrilled as I should be.
So, off to the auction block it goes...
> just got this from a friend -
>
> >In case anyone is interested...
> >
> >I bought a CD claiming to be the soundtrack to Danger Diabolik (for
> >about $30.00 I might add)
> >and got pretty much what I expected, semi-unfortunately.
> >
> >The CD is just excerpts from the actual movie and has that pre hi-fi
> >stereo tinny character.
> >
> >It's kind of a nifty little collector's package, but be warned, it is
> >not a "real" soundtrack album.
>
> br cleve
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From: Lou Smith
Subject: (exotica) [obuts] "Fast Eddie" Parker, Rito Romero Loza
Date: 05 Feb 2001 00:33:32 -0500
HARLINGEN, Texas (AP) - Eddie Parker, the pool shark whose life was said to
have inspired the movie ``The Hustler,'' has died of an apparent heart attack
on South Padre Island. He was 69.
Parker, known as ``Fast Eddie,'' died Friday night at the U.S. Classic
Billiards Eight-ball Showdown, officials said.
He is credited with inspiring Walter Tevis to write the book and screenplay for
``The Hustler,'' a 1959 film starring Paul Newman.
Parker was born in Springfield, Mo. He mostly taught himself to play pool
beginning at age 9, when his father bought a used table.
Survivors include his wife, Peg.
Funeral arrangements are pending.
=================
info from Jose Fernandez at La Arena
http://www.highspots.com/arena/
Rito Romero Loza was born on March 19, 1927 in a town near Acatic, Jalisco.
He started out training at age 12. Around that time, they didn't let him
into the gym "La Mutualista" because he had to be at least 15, but he became
friends with a soccer player called Felipe Zetter, who talked to the owners
so they let the kid join the gym. With him being from Guadalajara, lucha
fans won't
have a lot of trouble to figure out that the legendary Diablo Velasco
trained him.
He started out competing in Mexico, and then moved to Texas.
Later on he moved to Los Angeles where he didn't get any titles but he
became more popular to the point of even appearing on the cover of popular
cinema magazines due to his work in Mexico as an actor of the lucha film
genre.
Romero also wrestled in New York, France, Egypt and other countries. He
toured all over Europe with his friend Lou Thesz and there was was nicknamed
"Rayo Mexicano".
His biggest claim to fame is that he created the hold La Tapatia (The one
from Jalisco), also known as the Romero Special. Rito was a technical master
with an strong personality and he had a reputation as a tough guy that could
handle himself very well in and out of the ring. He was a great performer
and Lou Thesz himself considers him one of the best Mexican wrestlers he has
ever seen along with Gory Guerrero and El Canek.
Around 1960 he suffered a broken leg during a match in Houston against The
Destroyer and he decided to quit wrestling. He retired without a lot of
fanfare, and unlike other luchadores, he didn't leave in a bitter way as he
kept being a fan. He, however, didn't like the way the business was changing
as in his own words "nowadays any kid gets masked and believes he's a
wrestler".
He was checked into a Guadalajara hospital on January 16 because he had a
high level of blood sugar. It was later discovered that he had an
appendicitis so he had surgery. A day later, he was bored of being in bed at
hospital so he unplugged himself and left. Five hospital workers tried to
get him back in bed but he refused and during the "fight" he suffered a
fatal heart attack.
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From: Kev
Subject: (exotica) Raymond Scott and other forgotten scores
Date: 04 Feb 2001 13:52:42 -0800
Well, I'm at the parental abode today, and finally got a chance to dig
up my stack o' vinyl and play some of it (yay Dad for scoring a
turntable!).
Found two bits of interest so far, that I'd forgotten about.
First:
"A Yank In Europe" by Ted Heath and his Orchestra
subtitled: "The Music Of Raymond Scott" London ffrr LL1676
Interesting orchestrations of Scott tunes:
Lady On The Riviera
Garden In Versailles
Nightfall In Venice
Supper At The Savoy
Visibility Limited English Channel
Palma Majorca
Talking Turkey
Night Club In Sorrento
Opening Chorus-Folies Bergere
Train Ride In The Alps
Blue Grotto In Capri
London Airport
One rather interesting bit about this album is, my copy has a
mislabelded b-side. The label claims that side B is actually "Waltzes
To Remember" by Frank Chacksfield. Fortunately, the B side is in fact
the Ted Heath / Raymond Scott stuff.
The other interesting bit o' vinyl I found is
"Futura" by Bernie Green and his Orchestra.
manic early stereo record with lots of bits travelling from left to
right. Favorite bit in the liner notes: "What will popular music sound
like in 1970?"
This album was recorded in 1961, and has some interesting tape cut-up
experimentation in it, anticipating sampling. Fun stuff.
Off to go see what else I forgot I had...
-Kev.
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From: nytab@pipeline.com
Subject: (exotica) [obit] Iannis Xenakis
Date: 05 Feb 2001 11:18:22 -0500
http://allclassical.com/cg/x.dll?p=acg&sql=1:8133
http://www.google.com/search?q=iannis+xenakis&btnG=Google+Search
February 5, 2001
Iannis Xenakis, Composer Who Built Music on Mathematics, Dies at 78
By PAUL GRIFFITHS
Iannis Xenakis, the Greek-French composer who often used highly sophisticated scientific and mathematical theories to arrive at music of primitive power, died yesterday at his home in Paris. He was 78.
He had been in poor health for several years and lapsed into a coma several days ago, said Charles Zacharie Bornstein, a conductor who has championed his music.
By training, Mr. Xenakis was an engineer and architect; his musical education came late. This enabled him largely to ignore conventional techniques of composition. He rejected the idea of intuitive or unreasoning randomness in composition, for example, and by constructing his works on laws and formulas of the physical sciences, he sought to control his music at every instant. He once said, "This is my definition of an artist, or of a man: to control."
At first he depended on the use of mathematical models of disorder. By using calculations derived from, say, the numbers of different-sized pebbles on a shore, Mr. Xenakis could determine the pitches of notes or their placements in time. In this way he could create music with chaotic inner detail but a decisive shape or impulse. Typical examples of such partly randomized effects in a Xenakis composition might include a bundle of nonaligned upward slides on orchestral strings.
Once computers became available to him in the early 1960's, Mr. Xenakis was able to work much faster. And however far removed he was from the tradition of Western classical music, he inevitably began to create a tradition of his own in composing so abundantly.
Iannis Xenakis (pronounced YAHN-nis zen-NAHK-ess) was born into a prosperous family of Greek origin on May 29, 1922, in the Romanian town of Braila. His mother died when he was 6, and he was sent to the Greek island of Spetsai to be educated at a British-style boarding school.
His musical studies began at the age of 12, and even then he intended to study both science and music. In 1938 he moved to Athens to prepare for admission to the Polytechnic School, where he enrolled in 1940 and graduated in 1947 as a civil engineer.
He lived in Athens during the Italian and German occupations of World War II. For much of this time he was a member of the Communist resistance, which was directed at first against the Germans and Italians and then, when they were defeated, against the British. In 1945 he was struck by a shell fragment from a British tank and lost an eye and part of his cheek, leaving the left side of his face deeply scarred.
"In Greece, the resistance lost, so I left in 1947," he once recalled. He moved to Paris ("In France, the resistance won"), where he found a job in architecture at Le Corbusier's studio. He was there from 1947 to 1959, and contributed to some of the studio's most important projects, including the pavilion for the Philips electronics company at the 1958 World's Fair in Brussels. He always maintained that the Philips Pavilion was entirely his own design, and certainly its simple but strikingly original geometry of curves and planes is worked out on principles very similar to those he had used in his first published composition, "Metastasis" for orchestra (1953-4).
"Metastasis" came at the end of a period in which he studied with some of the leading composers in Paris. But he was a mature student, and perhaps all he could learn at this stage was how to avoid banality.
His alternative was the extraordinary busy textures and clean shapes of "Metastasis." He showed this score to the conductor Hermann Scherchen, who became a fervent supporter. The first performance of "Metastasis," however, was led by Hans Rosbaud at the 1955 festival in Donaueschingen, Germany, one of the important meeting places of the European musical avant-garde.
"Metastasis," largely built on glissandi of rising volume that could recall an airplane rising during takeoff, caused a sensation. Many young composers were impressed by Mr. Xenakis's sense of music as pure sound, but other musicians, notably Pierre Boulez, detected a lack of craftsmanship. Mr. Boulez was eventually persuaded to commission a score from Mr. Xenakis for his Domaine Musical concerts in 1963. He was rewarded by one of Mr. Xenakis's strongest pieces, "Eonta" for brass quintet and piano. But the antipathy between the two remained.
Mr. Xenakis did not lack champions, however. Mr. Scherchen conducted the premiere of "Pithoprakta" for trombones, percussion and strings in 1957 and the premiere of "Achoripsis" for small orchestra the next year. A little later Gunther Schuller gave the composer his first American performance. George Balanchine stiched together two of his scores to create the ballet "Metastasis and Pithoprakta."
Like other of his works, "Metastasis" and "Pithoprakta" were regulated by Poisson's Law of Large Numbers, which implies that the more numerous the phenomena, the more they tend toward a determinate end — as in flipping a coin. "I have tried to inject determinism into what we call chance," said Mr. Xenakis, who used the scientific word "stochastic" to give a name to this idea of probability in music.
As the 1950's drew to an end, Mr. Xenakis started working in the electronic music studio of French radio, producing "Concret PH" for the Philips Pavilion. In 1961 he visited Tokyo for the first time and met the pianist Yuji Takahashi, for whom he wrote "Herma," a work of cascading complexity for solo piano. In 1963 came his first trip to the United States, to teach at Tanglewood.
A Ford Foundation scholarship enabled him to spend 1964-65 in Berlin, and in 1966 he founded his own studio in Paris, the Équipe de Mathématique et Automatique Musicales.
After that he focused his activities on Paris, while returning to the Greek islands for summer holidays and traveling the world to lecture and attend performances.
His work with electronic music continued, notably in "Bohor" (1962) and in various projects combining electronic sound with laser projections. One of these was "Polytope de Cluny" (1972), devised for the Roman bathhouse in Paris. It was a good match. Rugged in construction, his music went well with ruins.
In other works, he combined his music with literary ruins — texts from the Greek plays or other classical sources. One powerful example is "Ais" for amplified baritone, percussion and orchestra (1979), on lines from Homer and Sappho. Another piece in the same mode, "The Goddess Athena" (1992), for baritone and chamber ensemble, was performed late last month by the Met Chamber Ensemble at Weill Recital Hall. But Mr. Xenakis could also create a feeling of ancient drama, ceremony and intensity when using voices without words, as in "Nuits" for chorus (1967).
That same feeling often persisted in the instrumental works that form the bulk of Mr. Xenakis's output: solo pieces of extreme virtuosity, chamber music, compositions for the standard modern-music ensemble and works for symphony orchestra.
Percussionists enjoyed Mr. Xenakis's music for its vitality and drama, and the solo pieces "Psappha" (1975) and "Rebonds" (1988), as well as the sextet "Pleiades" (1978), became classics of the genre. His last work was a piece for percussion and ensemble, "O—mega" (1997).
Mr. Xenakis became a French citizen and married a Frenchwoman, the writer Françoise Xenakis, who had been decorated for saving the lives of resistance fighters. He is survived by his wife and by his daughter, Mâhki.
He wrote several books and essays on mathematics, architecture, town planning and music. These writings show how deeply he based his music on mathematics and logic.
He rejected criticism that he wrote "a species of desensitized music." Asked once if he composed without sentiment, he answered: "Yes, if you mean that kind of traditional sentimental effusion of sadness, gaiety or joy. I don't think that this is really admissible. In my music there is all the agony of my youth, of the resistance," as well as "the occasional mysterious, deathly sounds of those cold nights of December '44 in Athens."
"From this," he added, "was born my conception of the massing of sound events."
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From: Matt Marchese
Subject: Re: (exotica) Kitten With A Whip
Date: 05 Feb 2001 16:00:26 -0600
Brett Leveridge wrote:
> Carl W. Stalling (uncredited)
Wow. Well, the film *was* kinda cartoonish in spots...
--
Matt
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From: "m.ace"
Subject: Re: (exotica) Kitten With A Whip
Date: 05 Feb 2001 19:49:53 -0500
> > Carl W. Stalling (uncredited)
>
>Wow. Well, the film *was* kinda cartoonish in spots...
Probably due to the scene with the television on, juxtaposing wacky AM and
a wacky cartoon (w/ a Stalling score).
m.ace mace@ookworld.com
http://ookworld.com
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From: jschwart@voicenet.com
Subject: (exotica) Scopitones in NYC
Date: 06 Feb 2001 07:22:19
SCOPITONE PARTY
Presented by The Secret Cinema and the University Program Board
Roone Arledge Cinema, Alfred Lerner Hall
Columbia University, 115th and Broadway
Saturday, February 17, 5pm
Admission: $5.00
For information: 212-854-8200
On Saturday, February 17 at 5pm, The Secret Cinema from Philadelphia will
present SCOPITONE PARTY, a unique collection of music films from the early
and mid 1960s. They were originally made for a French film jukebox called
Scopitone, which entertained patrons in bars, cafes and bus stations in
both Europe and America. The film clips, which feature performers both
famous and obscure--and are considered to be among the more important of
the many predecessors to the modern rock video--are today quite scarce,
and usually difficult to see.
The program will include a large assortment of the precious 16mm prints
(most of which were discovered by a film collector, in pristine,
never-used condition, in the long-warehoused inventory of a retired
Virginia jukebox dealer). But adding interest to the SCOPITONE PARTY
program will be a special talk about the history of film jukeboxes (which
date back to the 1940s), illustrated with color slides of rare photos and
original advertising materials.
Scopitone Party will include performances by such well-known names as Dion,
Nancy Sinatra, Paul Anka and Procul Harum. Also on view will be many French
pop performers, including currently in retro-vogue names like Francoise Hardy,
Sylvie Vartan, rockabilly-belting Johnny Hallyday, and doomed chanteuse
Dalida. And then there are mystifying, bizarre clips by the British Elvis
imitator Vince Taylor, a quartet of singing Jerry Lewis-types named Les
Brutos, and even a few songs by performers whose names were lost to history.
While some Scopitone films were included at the Secret Cinema EXOTICA MUSIC
FILMS programs at Fez, this is Secret Cinema's first all-Scopitone
presentation in New York.
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From: nytab@pipeline.com
Subject: (exotica) [obit] J.J.Johnson
Date: 06 Feb 2001 10:27:15 -0500
http://www.jjjohnson.org
http://www.elvispelvis.com/jjjohnson.htm
http://www.trombone.org/default.asp
http://allmusic.com/cg/x.dll?p=amg&sql=Bmmegebeeeeeeheba
Modern Jazz Architect J.J. Johnson Commits Suicide
Feb 5, 2001, 3:30 pm PT
J.J. Johnson
J.J. Johnson, the most influential trombonist in jazz history, died of a
self-inflicted gunshot wound at his home in Indianapolis on Sunday (Feb. 4).
Johnson, who was 77, had been suffering from prostate cancer and other
irreversible health problems.
February 6, 2001
J. J. Johnson, Jazz Trombonist, Dies at 77
By BEN RATLIFF
J. J. Johnson, the most influential trombonist in postwar jazz, died on Sunday at his home in Indianapolis. He was 77.
The Marion County Sheriff's Department reported the death as a suicide.
Mr. Johnson translated the fast, linear style of bebop to the trombone in the late 1940's. "He was the definitive trombonist of the bebop generation," said the saxophonist Jimmy Heath, who played with him in the early 1950's and remained a close friend. "He didn't use the trombone as it was usually played, with the slide being the important part; he could speak the language of bebop with such clarity and precision. And everybody wanted to play trombone like that afterward."
Mr. Johnson, born James Louis Johnson, started his music studies on the piano. He began listening to jazz in his early teenage years and switched to trombone in high school. In 1941, instead of going to college, he left Indianapolis to travel with the midwestern bands led by Snookum Russell and Clarence Love.
Most of his influences, he told the writer Ira Gitler in "The Masters of Bebop: A Listener's Guide" (Da Capo Press), were not trombonists but trumpeters and saxophonists like Lester Young, Roy Eldridge, Dizzy Gillespie and Charlie Parker. In transferring bebop to the trombone, he used a clean, dry tone and short notes. He was often wrongly assumed to be playing the valve trombone, which allows easier articulation than the slide trombone. He did acknowledge the influence of Fred Beckett, a trombonist who played with Harlan Leonard and Lionel Hampton in the 1930's and 40's. Leonard, Mr. Johnson once explained, "was the first trombonist I ever heard play in a manner other than the usual sliding, slurring, lip-trilling or gutbucket style."
Returning to Indianapolis for a time, he was hired by Benny Carter in 1942 and spent three years in Carter's big band. In 1945 he joined the Count Basie Orchestra for a short period before becoming a bandleader in his own right.
For the next nine years Mr. Johnson balanced his bandleading career with jobs as a sideman, playing with Parker, Gillespie, Illinois Jacquet, Woody Herman, Miles Davis and others. But the work wasn't enough to support a family, so Mr. Johnson, ever curious about electronic equipment, took a two-year job with the Sperry Gyroscope Company as a blueprint inspector.
In 1954 the Savoy label decided to record him and the trombonist Kai Winding in a double-trombone front line, a format that proved to be a hit. Jay & Kai, their band, allowed Mr. Johnson to quit his day job and was one of jazz's most popular acts until it disbanded in 1956.
Mr. Johnson was an admirer of Hindemith, Stravinsky and Ravel, and after his part in the famous "Birth of the Cool" nonet recordings of 1949 with Davis and Gil Evans, he soon got involved in the new large- ensemble jazz as a composer. His first large-scale work was the four- part "Poem for Brass," included on Columbia's "Music for Brass" album of 1956, a sort of recorded manifesto of the Third Stream movement, conducted by Gunther Schuller.
He wrote two pieces commissioned by the Monterey Jazz Festival in 1959: "El Camino Real" and "Sketch for Trombone and Orchestra." And Gillespie, after hearing "Poem for Brass," asked Mr. Johnson to write him a whole album's worth of music in a similar style. The result was "Perceptions," a 1961 35- minute suite including six trumpets, four French horns and two harps.
From 1967 to 1976, Mr. Johnson barely recorded, devoting his energy to composing. In 1967, through the help of the film composer Elmer Bernstein, he got a job as staff composer and conductor for M.B.A. Music in New York, a company that provided music for television commercials. He moved to Los Angeles in 1970, writing and orchestrating music for films like "Barefoot in the Park," "Scarface," "Trouble Man" and "Sea of Love."
Despite his prolific career as a composer, Mr. Johnson's skill as a trombonist did not dull, even into his 60's and 70's. He was a firm believer in practicing every day, and his strength is fully evident in "Quintergy" and "Standards," albums recorded live at the Village Vanguard in 1988.
In the 1990's, under contract with the Verve label, Mr. Johnson created some ambitious recordings, including "Tangence," a collaboration with the arranger and film composer Robert Farnon; "The Brass Orchestra," which presented music ranging from bebop to selections from "Perceptions"; and "Heroes," an innovative straight-ahead jazz sextet album.
Mr. Johnson returned to Indianapolis with his first wife, Vivian, in 1987 and finally retired from public performance in 1997, refusing to play when he wasn't in top form. He had survived prostate cancer and spent much of his spare time in his home studio, mastering the new hard-drive technology for composing and recording.
He is survived by his second wife, Carolyn; two sons, Kevin and William, both of Indianapolis; a stepdaughter, Mikita Sanders, of Indianapolis; a granddaughter; a stepgranddaughter; and a sister, Rosemary Belcher of Denver.
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From: "Robert McKenna"
Subject: Re: (exotica) Playlists??
Date: 06 Feb 2001 15:28:51
Nobody seems to answer this, and I've been away from the internet for a few
days so...
Some people don't like people posting lists, I do. Some people don't really
care one way or another about tikis, but wouldn't dream of complaining about
everyone else's right to talk about an exotica related topic of great
interest to a large number of the list.
I like to hear of new records I might want to listen to. I also like to read
stimulating argument and robust exchanges of views rather than only lists of
records as Nat might say. Sorry Alan.
So send away and those people not appreciating it will press delete anyway.
I'll read. Thanks for those interesting playlists Cheryl and Brian, always a
source of interest to me.
rob
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From: "Phil Ford"
Subject: (exotica) Beatsploitation!
Date: 06 Feb 2001 10:19:21 -0600
Someone recently mentioned lame Hollywood-style hipster dialogue in "Kitten
with a Whip" ("Now cool it and co-exist!"), which got me thinking about one
of my pet things -- mass-media depiction/exploitation of
hipster/countercultural types. Think of all those crazed-murderer hippies
(e.g. in Dirty Harry) that suddenly appeared after the Charles Manson case.
Anyhow, I'm especially interested in film depictions of hip subcultures
before the 1960s. Does anyone have any favorite Beatsploitation movies to
recommend? (Or albums, I suppose. Is there such a thing as Beatsploitation
music?)
I just read a really horrible novel by Bernard Wolfe, probably best known as
the ghost writer for Mezz Mezzrow's autobiography, which was maybe the first
big work of hipster lit. The novel is called "The Magic of their Singing,"
and features Beatniks getting naked and smoking weed to the strains of
"Muskrat Ramble". (Something wrong with that picture.) Very obscure, and for
many good reasons . . .
Phil
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From: edowning@lightbridge.com
Subject: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 06 Feb 2001 11:25:14 -0500
Just wondering if anyone had done a top "whatever number" of
Exotica/Lounge records, yet...I know
certain web-related sites give there polls but just wondering about the
listeners out there, if they have
given their word...
This is kinda cool for beginner Exotica listeners...like myself...
Thanks...
Eric
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From: Matthew Marchese
Subject: Re: (exotica) Beatsploitation!
Date: 06 Feb 2001 10:55:34 -0600
Phil Ford wrote:
>
> Does anyone have any favorite Beatsploitation movies to
> recommend? (Or albums, I suppose. Is there such a thing as Beatsploitation
> music?)
Hi Phil,
Sure, there are a bunch of stereotyped beatnik portrayals in film. Check
out the following nicely done URL for a small cross-section:
http://www.stim.com/Stim-x/0896August/Automedia/beatnik.html
I'm quite partial to Roger Corman's low-budget beatnik flick "Bucket of
Blood", myself.
--
Matt Marchese
mattm@sgi.com http://reality.sgi.com/mattm_americas/
Service Publications and Training, Silicon Graphics, Inc.
"If there's no ear then there's no sound if there's no tree
then there's no ground" -Imperial Teen
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: Peter Gingerich
Subject: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 06 Feb 2001 12:52:08 -0500
Funny you should bring it up since I was thinking the same thing for
awhile and hadn't broached the subject.
It would be interesting to create it here with feedback from the
listees.
And I think a trick would be to avoid say, all of Esquivels albums, but
a 'best of' of each artist.....
On that note I would nominate 'Orienta' by the Marko Polo Adventurers.
Another album someone here is into is 'Ports of Call' by Les Baxter. (this
is from memory, so I might be a bit hazy on proper titles or spellings...)
What say the rest of you?
pg
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From: Moritz R
Subject: (exotica) Magnus
Date: 06 Feb 2001 19:36:59 +0100
Looks like Magnus already left the list again.
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: "Michael Greenberg"
Subject: (exotica) question about a scanner for lp's
Date: 06 Feb 2001 14:11:55 -0500
Hi folks - I think I recall someone posting about a scanner that had
a large enough bed to scan entire lp's covers. A friend of mine is
getting a computer setup that will allow her to make cd's and wanted
to know about such scanners. If any can confirm or deny the
existence of such scanners, I'd appreciate it!
thanks in advance,
Michael
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From: alan zweig
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 06 Feb 2001 14:24:58 -0500
At 12:52 PM 2/6/01 -0500, Peter Gingerich wrote:
>
> On that note I would nominate 'Orienta' by the Marko Polo Adventurers.
>Another album someone here is into is 'Ports of Call' by Les Baxter. (this
>is from memory, so I might be a bit hazy on proper titles or spellings...)
>
> What say the rest of you?
See how lazy and blase we've become. The lists would have poured out three
years ago when I joined this list. But okay, no recriminations.
Okay here's a completely random list
Sonny Lester - After Hours Middle East
The Versatile Henry Mancini
Alvino Rey - Swinging Fling
The Gugliemis - Adventure in Sound
Axel Stordahl - The lure of the blue Mediterranean
Tak Shindo - Brass and Bamboo
Phil Kraus - The Percussive...
Ray Martin - Dynamica (Stereo Action)
John Klein and Sid Ramin - The New Sound America Loves Best
Percussive Jazz (Audio Fidelity)
David Carroll - rePercussion
The Three Suns - Movin and Groovin
Eddie Osborn - Baldwin Organ and Bongos
Irving Fields - Bagels and Bongos
Perez Prado - Big hits by...
Add four or five Esquivel, ten Les Baxters, five by Denny, a couple by
Lyman...
you could get to fifty.
Plus you have to get
Persuasive Percussion and Provocative Percussion on Command
and any of the Brass Impact records
and maybe a couple of the Command Cha Cha records
I'm also partial to Hot Line for Sound (musical explorations in beats,
bongos, boffs)
Other personal favorites include
Moe Wechsler and Joe Harnell - Boogie Woogie and Bongos
Tarragano and his Orchestra - The Sound of Latin Brass
Michel Legrand - Strings on Fire
Percy Faith - Exotic Strings
then there's early Ferrante and Teicher - such as Soundproof (?)
And then there are records that you'll find that maybe none of us have.
So there!
AZ
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From: chuck
Subject: (exotica) Jazz Fest Schedules
Date: 06 Feb 2001 11:48:47 -0800 (PST)
http://www.insideneworleans.com/partners/nojazzfest/schedules/
If anyone is coming down (or up) for this, please email me.
Easy listening in the Big Easy
Chuck
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From: edowning@lightbridge.com
Subject: (exotica) Re: from Exotica/Lounge top albums...
Date: 06 Feb 2001 14:49:11 -0500
I had emailed this list to inquire about a top 50 "exotic/lounge albums"
that are top albums in the eyes and ears of the
listeners instead of critic...and someone wrote that "we are getting
"blase" and "lazy"...
Wrong...
This list is not a matter of becoming "blase" or "lazy"...it's a list of
awareness...
Especially for those who are new to the crowd...
Didn't mean to step on toes of the "pretentious"...open up, there are
newbies in the room...
Keep your nose down to the world where Exotica and all music resides...not
up in the clouds....
Thanks for the impressive list, though...good show!!!!!!!!!
Eric Downing
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From: DJJimmyBee@aol.com
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 06 Feb 2001 14:56:41 EST
In a message dated 2/6/1 2:23:55 PM, azed@pathcom.com wrote:
>See how lazy and blase we've become. The lists would have poured out three
>years ago when I joined this list. But okay, no recriminations.
Its not so much that we've become lazy and blase. Three years ago the
discovery of this stuff was fresh and new to many of us so naturally we'd be
inclined to chime in on some particularly good finds that would fall under
that moment's Top-50...Speaking strickly for myself though, I'm kinda tired
of the "Top..Anything" lists that surround us daily in some form and find my
own judgements about what constitutes the top to be fleeting at best. When I
make something the best it usually precedes my over using it, wearing it out,
and quickly placing it on my "Top-50 Never Heard From Again" list...JB
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From: chuck
Subject: (exotica) Mardis Gras
Date: 06 Feb 2001 12:24:19 -0800 (PST)
Mardis Gras day, the New Orleans Carnival is scheduled for February
27. At 8:00 am that morning, Mondo Kayo,(pronounced K-eye- Yo)
the only Tiki flavored carnival club, will take to the streets for
its 5 hour parade celebration. Lots of grass skirts and tiki
tropical costumes will grace the official parade route in New
Orleans. Our sound system plays 5 pre-planned cassettes with Exotic
sounds including Martin Denny) and Soca, Zouk, Soukous,
Shibuya-kei, surf, jive, Compas and Now Sounds and an acid jazz
song. We throw golden bananas grown in our back yards with little
stickers on them that say "Mondo Kayo Carnival Club". This years
theme is "2001: A Kayo Odyssey; May the Tiki Gods Bless Your Banana
Trees" This theme with the official logo is on the wooden
doubloons thrown by 150 members of the club. We offer a basket of
Golden Bananas to the Mayor while confetti is canon-ed high into
the air and Walt Disneys Tiki Tiki Room blares from the speakers
followed by The Chaquita Banana commercial from the late 1940s. We
always celebrate New Orleans as the northernmost banana republic
and all the good things associated with tropical culture.
Mondo kayo actually started in 1982. The sound system now is so
loud it sets off car alarms as we pass by. The floats, decorated
with banana leaves, palms and Exotic objects include a giant banana
with real children riding on top, a chacmul and a new giant Tiki.
We busted up the last giant styrofoam Tiki. The four JBL speakers
are 8 feet up in the air. This parade is a riot and crowds love
the music we play. Its funny how we arrived at tiki culture
independently. I will be drinking my beer from a blue plastic Tiki
Mug. I wouldn't dare risk a beautiful glass tiki mug on the
streets of the carnival and French Quarter on Mardis Gras day.
Easy listening in the Big Easy
Chuck
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From: chuck
Subject: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 06 Feb 2001 12:46:20 -0800 (PST)
Nice list Alan
I would also like to add
Dick Hyman/Mary Mayo Moon Gas
Russ Garcia's Fantastica
Frank Comstock's Project Comstock
Expresso Expresso compiled on cd by the Karminsky Brothers
OST to The Day the Earth Stood Still
Beat Jazz: Pictures From A Gone World (a boot cd)
Hypnotique by Denny
Cugat The Early Years
Easy listening in the Big Easy
Chuck
--- alan zweig wrote:
Add four or five Esquivel, ten Les Baxters, five by Denny, a
> couple by> Lyman... you could get to fifty.
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From: Brian Phillips
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 06 Feb 2001 14:27:27 -0700
I would add:
Voice of the Unpronounceable (Xtabay) - Yma Sumac
Exotica 1970 - Kokee Band
Sitting in Phoenix, just Tempe-rarily,
Brian Phillips
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From: "m.ace"
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 06 Feb 2001 17:10:06 -0500
>See how lazy and blase we've become. The lists would have poured out three
>years ago when I joined this list. But okay, no recriminations.
It's not that. It's just that the longer I've been on this list, the more I
know that there's more I don't know than I will ever know. And how can I
justifiably say x, y and z are the greatest ever, when somewhere out there
in a dusty stack, there's probably something unheard of that simply blows
them away.
Then there's the problem of picking "top" albums and not picking others,
which leaves me feeling like a parent forced to decide which children shall
live and which shall die. I can't take it! I just can't take the pressure!!!
Alright. A few nice records, with the understanding that they are only the
tip of a mysterious and unfathomable iceberg...
Esquivel - Latinesque
Les Baxter - Ritual Of the Savage
Yma Sumac - Voice Of The Yxabat
Martin Denny - Exotica
Living Brass - That's Life
Andre Popp - Delirium In Hi-Fi
Sergio Mendes & Brasil '66 - Herb Alpert Presents...
Ferrante & Teicher (prepared period), Lyman, Brazilians, Bacharach, Chaino,
Mancini, Cal Tjader, Prado, more, more, more. How many exotica angels can
dance on the period at the end of this sentence.
There's too much out there for me to even dream of distilling down...
m.ace mace@ookworld.com
http://ookworld.com
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From: edowning@lightbridge.com
Subject: (exotica) In response to the top Exotica albums...
Date: 06 Feb 2001 17:11:49 -0500
It need not be a top 50 albums....it was just an individual list of
fav's....no numbers...it's hard to list 50 down to 1...
I couldn't do it, myself...nor would I want to do it...initially I wrote to
have a top 50 exotica/lounge...I really meant
to have a list of some albums that each of you would recommend...
Thanks, Cats...
Eric
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From: "Mr. Fodder"
Subject: (exotica) The Friendly Persuasion Show - Week of 02/05/01
Date: 06 Feb 2001 11:28:27 -0800
The Friendly Persuasion Show - Week of 02/05/01
Cool and Strange Music Magazine's
weekly radio show on Antenna Internet Radio.
Go directly to the show page here,
http://www.antennaradio.com/punk/friendlypersuasion/index.htm
Hit the personal Show pages here,
http://www.thebranflakes.com/fp
Yes Dear Friends....
Another installment of the time treasured stylings of the flab four
interpreted by artists who really know who to express a Beatles tune
and others who simply enjoy to mock the Beatles in general.
This Week's Playlist:
Rev. Jimmy Swaggart Introduction
Lord Sitar - I Am The Walrus
Barney Gumble Speaks
Don Bowman - The Other Ringo
The Templeton Twins - Yesterday
Peter Sellers - Can't Buy Me Love
Big Daddy - She's Leaving Home
Chinese Band - I Saw Her Standing There
Bugs & Friends - It Won't Be Long
Snoopy's Beatle Classics - She Loves You
Allan Sherman - I Hate The Beatles
The Red Skelton Hour - Pearly Buttons (Production Number)
Weird Al Yankovic - Pacman
Mrs. Miller - A Hard Day's Night
Sam Chaplin - Michelle
Tiny Tim - Nowhere Man (Live at Royal Albert Hall, 10/30/68)
Don Sebesky - Lady Madonna
Doodles Weaver - Eleanor Rigby
Alan Copeland - Mission Impossible/Norwegian Wood
Sesame Street - Letter B
Gary Strivent - Something
The Carpenters - Help!
Tony Randall, Bernadette Peters, Paul Williams and Others - Beatles
Medley (from "Beatles Forever" ABC TV Special, 1977)
Daniel Johnston - The Beatles
Laibach - Across The Universe
The Residents - Beyond The Valley Of A Day In The Life / Flying
The Rutles - Doubleback Alley
Tony Randall - Finale
Chow,
Otis
Mr. Otis F. Odder
The Friendly Persuasion Radio Show
Jump into Cool and Strange Music Magazine online at,
www.coolandstrange.com
Issue #19 is out now! WEIRD AL YANKOVIC is on the cover. This issue
features a big interview with WEIRD AL YANKOVIC, as well as with VIC
MIZZY and FAY LOVSKY. Other articles cover XAVIER CUGAT, JEAN JACQUES
PERRY and the ONDIOLINE, records about DRINKS AND DINING, the career
and records of SOUPY SALES, and much, much more! Our big catch this
issue is an interview with the "Whipped Cream and Other Delights"
girl
from the Herb Alpert and the TJB LP of the same name!!
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From: "Mr. Fodder"
Subject: (exotica) Re: Playlists??
Date: 06 Feb 2001 11:37:03 -0800
I like to post my playlists, I hope others enjoy reading them and then
tuning in for the fun audio. I post them from time to time when I think a
certain show will be exciting for those on the list. I posted this week's
Friendly Persuasion show to the list moments ago. :-)
I also like reading other people's playlists for I dig listening to
everyone's shows during the day at work. Makes the day go by so much
happier.
Thanks all (and thanks Robert for reading and listening),
Cheers,
Otis
mofo@thebranflakes.com
www.thebranflakes.com
>
> Date: Tue, 06 Feb 2001 15:28:51
> From: "Robert McKenna"
> Subject: Re: (exotica) Playlists??
>
> Nobody seems to answer this, and I've been away from the internet for a
few
> days so...
> Some people don't like people posting lists, I do. Some people don't
really
> care one way or another about tikis, but wouldn't dream of complaining
about
> everyone else's right to talk about an exotica related topic of great
> interest to a large number of the list.
> I like to hear of new records I might want to listen to. I also like to
read
> stimulating argument and robust exchanges of views rather than only lists
of
> records as Nat might say. Sorry Alan.
> So send away and those people not appreciating it will press delete
anyway.
> I'll read. Thanks for those interesting playlists Cheryl and Brian, always
a
> source of interest to me.
> rob
> _________________________________________________________________________
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From: "Dr Chris R. Tame"
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 06 Feb 2001 22:15:35 +0000
In article <000801c09065$872af550$95c62aa6@mcit.com>, Peter Gingerich
writes
>
>
> Funny you should bring it up since I was thinking the same thing for
>awhile and hadn't broached the subject.
> It would be interesting to create it here with feedback from the
>listees.
> And I think a trick would be to avoid say, all of Esquivels albums, but
>a 'best of' of each artist.....
>
> On that note I would nominate 'Orienta' by the Marko Polo Adventurers.
>Another album someone here is into is 'Ports of Call' by Les Baxter. (this
>is from memory, so I might be a bit hazy on proper titles or spellings...)
>
> What say the rest of you?
>
>pg
>
These lists are very useful for newbies to the genre like me (primarily
a '50s rockabilly/R&B/R'n'R fan). Do please keep 'em coming.
It would also be very helpful to have some evaluations of the many
lounge/exotica compilations (like the UltraLounge series) now available.
--
Dr. Chris R. Tame, Director
Libertarian Alliance | "The secret of Happiness is Freedom, |
25 Chapter Chambers | and the secret of Freedom is Courage" |
Esterbrooke Street | Thucydides, Pericles' Funeral Oration |
London SW1P 4NN
England
Tel: 020 7821 5502
Fax: 020 7834 2031
Email: chris@rand.demon.co.uk
LA Web Site: http://www.libertarian-alliance.com/
Free Life Web Site: http://www.whig.org.uk
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From: bag@hubris.net
Subject: Re: (exotica) question about a scanner for lp's
Date: 06 Feb 2001 17:49:26 -0800
At 02:11 PM 06-02-01 -0500, you wrote:
>
>Hi folks - I think I recall someone posting about a scanner that had
>a large enough bed to scan entire lp's covers. A friend of mine is
>getting a computer setup that will allow her to make cd's and wanted
>to know about such scanners. If any can confirm or deny the
>existence of such scanners, I'd appreciate it!
I own the Plustek A3I scanner. It actually is about 1/4 inch too narrow to
get an entire album, but most albums waste that space anyway. I went with
this because the real full size scanners cost an arm and a leg...and the
price for this one is VERY reasonable in comparison. Now go websearch for
that...and for all A3 scanners and you will see what I mean!
Byron
___...--''''***^^^^^^""""""^^^^^***''''---___
"You've got to stand for something or |||
you'll fall for anything." |||
||| ---John Mellencamp |||
||| |||
|||bag AT hubris DOT net Portland, OR, USA|||
"""^^^'''***----...__________...----'''^^^"""
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From: "Brian"
Subject: Re: (exotica) love letter to a mailing list
Date: 06 Feb 2001 21:39:50 -0500
Alan wrote:
> I'm on this other mailing list. On that list, my posts have been
censored,
> refused and edited. In addition I've received posts from the
> administration asking me to find a way to post without offending the
> sensibilities of other listmembers... Apparently my style of writing
jumps off the
> page and offends "several" members there.
Now why Alan of all people... Go figure!
OK seriously... Now that you mention this subject I've winessed some
volatile crossfire from my years of lists dedicated to The Residents. The
original list was not only moderated and edited but the listowner has a
peppy-happy writing style that well, may not be for everyone.
A band of renegate members start their own list and much of what transpired
since it began, (including a few very nasty exchanges between the original
list owner) has been a venting of free speech that the group felt had been
denied them. Unfortunately for both lists the Residents haven't exactly been
producing earth shattering work these past years so the whole thing leaves
me bored. Still its a good example that if you let people say what they
want, they are less likely to go overboard. Most of the big blow-ups on this
list were the result of one or more former members attempting to determine
what was correct for everyone.
Anyway Alan, if you should need a character reference on the new list, I'm
sure many of us would be happy to oblige.
Brian
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From: "Brian"
Subject: (exotica) Re: (Exotica) Scopitones Party
Date: 06 Feb 2001 21:39:41 -0500
> SCOPITONE PARTY
> Presented by The Secret Cinema and the University Program Board
> Roone Arledge Cinema, Alfred Lerner Hall
> Columbia University, 115th and Broadway
What I wouldn't do to see this! I could surely see this as a great
travelling show. Anyone in New York want to convince the organizers bring
it here to Montreal we'd find a proper venue for it at McGill or CKUT (right
Will?). The few bits of these I've caught on AMC were great!
I already sent this link to a few people on the list (thanks to Jean for
sending it to me) but here's a must-visit site on this very subject:
http://www.stim.com/Stim-x/9.4/scopitone/scopitone.html
Brian
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From: alan zweig
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 07 Feb 2001 01:41:18 -0500
At 05:10 PM 2/6/01 -0500, m.ace wrote:
>
And how can I
>justifiably say x, y and z are the greatest ever, when somewhere out there
>in a dusty stack, there's probably something unheard of that simply blows
>them away.
Don't worry about picking the best ones. Just list some of your personal
favorites. List the favorites that you think NO ONE ELSE WOULD LIST.
For instance:
>Living Brass - That's Life
That's a cool choice. No one else would list a Living Brass record in
their top anything. Let's see more lists like that.
AZ
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From: Moritz R
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 07 Feb 2001 13:32:07 +0100
OK, I react....
I'm shocked that these names didn't appear in any of the top-lists:
Gene Rains
Warren Barker
Eden Ahbez
The Surfmen
Milt Raskin
Marais and Miranda
Moondog
not to mention any more recent artists.
After all the basics of Exotica don't seem to be THAT common...
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: Moritz R
Subject: Re: (exotica) Mardis Gras
Date: 07 Feb 2001 13:33:16 +0100
chuck schrieb:
> Mondo Kayo,...
all this sounds like great fun. when you invited folks to the Jazz fest, I wasn't really turned on, but this makes me think...
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: Moritz R
Subject: Re: (exotica) Re: Playlists??
Date: 07 Feb 2001 13:33:35 +0100
I like a playlist when I have the chance to listen to the music, like when it airs somewhere or when I get a CD. If not, the "fun" of reading a playlist reduces to realizing which titles I know and which don't mean a thing to me.
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: "christie j. white"
Subject: (exotica) Hala Kahiki
Date: 07 Feb 2001 08:48:58 -0500
Just a note for anyone that wants to experience a true Tiki/Polynesian bar -
go to the Hala Kahiki in Chicago. A business trip for my boyfriend, he
managed to video tape the inside of the bar and some of the gift shop
located next door. The gardens were closed in winter but huge Tiki's await
you out there!!
We also had dinner at the Trader Vic's in Atlanta on Saturday night.
Wonderful cocktails with a flower in one for my hair!
Aloha,
Kiliki
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From: Matthew Marchese
Subject: Re: (exotica) Hala Kahiki
Date: 07 Feb 2001 08:22:54 -0600
"christie j. white" wrote:
>
> Just a note for anyone that wants to experience a true Tiki/Polynesian bar -
> go to the Hala Kahiki in Chicago. A business trip for my boyfriend, he
> managed to video tape the inside of the bar and some of the gift shop
> located next door. The gardens were closed in winter but huge Tiki's await
> you out there!!
I was there last November and the decor was indeed swell. I thought the
drinks were pretty pricey and watered down, however. They also have a
fairly well-stocked gift shop on the premises that sells a vast array of
Hawaiiana (i.e. cheap plastic hula skirts, moai statues, keychains,
etc.).
Chicago also has a Vic's downtown at the Palmer Hilton in the heart o'
the Loop. If you go in the winter, be careful that you don't get impaled
by giant icicles falling from skyscrapers...apparently several people
have.
I also drove to a bar down on the Southside called House of Tiki. It was
in an extremely [ahem] crummy neighborhood, had newspapers plastered all
over the windows, and it was so dark inside that I thought I'd gone
blind when I stepped in the door. The clientele were casually attired in
stomping boots, chains, and leather vests. When I entered, every head in
the places swiveled to glare at me. The "Tiki" decor looked as if it'd
been purchased from bachelorpad.com and the drink I ordered was damn
near all rum and nothing else. I drank quickly, used the can, and beat
feet posthaste.
> We also had dinner at the Trader Vic's in Atlanta on Saturday night.
> Wonderful cocktails with a flower in one for my hair!
Hey, are you guys following me? I ate there last month while on a
business trip. It was definitely the most crowded Vic's that I'd ever
been in. Oddly, almost every woman in the place was wearing leopardskin.
--
Matt Marchese
mattm@sgi.com http://reality.sgi.com/mattm_americas/
Service Publications and Training, Silicon Graphics, Inc.
"If there's no ear then there's no sound if there's no tree
then there's no ground" -Imperial Teen
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: "Nathan Miner"
Subject: (exotica) "It Crawled From the Bins"
Date: 07 Feb 2001 09:27:06 -0500
Hey, most of you are undoubtedly aware of this great site. Unfortunately =
"Peter Gilstrap" has said "So long" and isn't updating the site anymore.
Anyone have his e-mail so I can send him a "Good Job!" letter??
Could he possibly be a member of this list?
- Nate
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From: chuck
Subject: (exotica) Re: Hala Kahiki
Date: 07 Feb 2001 07:24:37 -0800 (PST)
The Hala Kahiki was just full of suburban Chicagoites speaking
polish when I was there a year ago. I brought my northern friends
2 of whom don't drink (anymore) My friends were amazed at the awe I
experienced from the fabulous decor. Really everywhere there was
fantastic tiki decorations. I had my fill of icefilled Mai Tais.
I was hoping to hear more exotic music but the Hawaiian music they
played was just fine. The store was fantastic. I purchased 3
amazingly colorful grass skirts for this Mardis Gras. I really
recomend highly the Hala Kahiki. Its a fantastic tiki site.
Matt I am surprised the Trader Vics in Atlanta was crowded. I
heard from this list that the Atlanta Trader Vics was an endangered
species. When I went to the Trader Vics in Chicago we were the
only people in there.
Does anyone know if Trader Vics are experiencing an upswing in
popularity in Atlanta and other locations?
Easy listening in the Big Easy
Chuck
--- Matthew Marchese wrote:
> > We also had dinner at the Trader Vic's in Atlanta on Saturday
> night. > Wonderful cocktails with a flower in one for my hair!
>
> Hey, are you guys following me? I ate there last month while on a
> business trip. It was definitely the most crowded Vic's that I'd
> ever been in. Oddly, almost every woman in the place was wearing
> leopardskin.
>
__________________________________________________
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From: "basic hip"
Subject: Re: (exotica) top 10 or 50 (Living Brass, etc)
Date: 07 Feb 2001 07:38:33 -0800
> >Living Brass - That's Life
>
> That's a cool choice. No one else would list a Living Brass record in
> their top anything. Let's see more lists like that.
Agreed on the Living Series!
Plays a Mancini Tribute is nice, with a vocal "Bye Bye" (Peter Gunn)
Living Brass, Jazz, Guitars records always have some really good tracks on
them, sometimes downright great. I usually steer away from the Strings and
Voices versions, but maybe they have some choice cuts too.
There seem to be tons of these, does anybody know of a complete discography?
I've also seen Living Marimbas, Living Percussion (The Beat Goes On - Jungle
Fantasy - WOW!!), I think a Living Trio too.
keep an eye out for those occasional sitar tracks on the Guitars series, San
Francisco Nights is all sitar.
Cheap too, nobody wants em.
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From: "Indy Rutks"
Subject: RE: (exotica) Hala Kahiki
Date: 07 Feb 2001 09:56:06 -0600
chuck
> Does anyone know if Trader Vics are experiencing an upswing in
> popularity in Atlanta and other locations?
Well, I discovered Trader Vics Spiced Rum at my local liquor store last
night. I didn't buy any, but I wonder how it compares to my beloved Capt.
Morgans spiced rum...
-Indy
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From: Moritz R
Subject: Re: (exotica) Hala Kahiki
Date: 07 Feb 2001 17:47:53 +0100
"christie j. white" schrieb:
> Just a note for anyone that wants to experience a true Tiki/Polynesian bar -
> go to the Hala Kahiki in Chicago. A business trip for my boyfriend, he
> managed to video tape the inside of the bar and some of the gift shop
> located next door. The gardens were closed in winter but huge Tiki's await
> you out there!!
>
> We also had dinner at the Trader Vic's in Atlanta on Saturday night.
> Wonderful cocktails with a flower in one for my hair!
since so many original places have closed down forever in the last few years, it's always pleasant and a relief to hear some nice reports like this.
speaking of it... any news from the new Kahiki in Columbus/Ohio? By the time it closed, many suspected, that despite the old owner's plans a new one would most likely never be built.
BTW: a new bar has opened in Munich, the Aloha Bar. It's full of Bamboo, Tikis, and exotic pictures. Rumors have it that the owner of the Atomic Cafe wants to open a big tiki bar/restaurant right across the street of the Hofbrauhaus. Together with the new tiki decoration at the Atomic Cafe itself, the Trader Vic's and the Waikiki, and 4 independent groups of people who regulary stage tiki events, I now consider Munich a CENTER of the world-wide tiki cult.
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: Brian Phillips
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 07 Feb 2001 10:03:07 -0700
And foithermore...
I did forget about Moondog!
Moondog - Moondog (CBS) Available as a double CD set. Also, "Story of
Moondog" has a bit of music that Alan Freed used on his Moondog Rock 'n'
Roll Party show, so Freed must have known someone else was using the name.
Ananda Shankar and his Music. Out of print. Sitar meets synth in the
seventies. Sweet.
Great International Hits - V. Balsara and his Singing Sitar (Jack Diamond
carries this as part of a double CD)
Golden Rain(Nonesuch) - OK, so it's Balinese Gamelan music, but it features
the best version of the Monkey Chant, even though someone keeps bumping
into the danged microphone.
Bravos del Ritmo - Various Artists. Machito, Perez Prado, Richie Reyes and
Tito Rodriguez. Not a bad cut on it, I tell su. This is out of print and
I think, on CD only.
Cuba Classics, Vol. 2 Dancing with the Enemy. MUCH easier to find than the
above and also, it also doesn't have a bad cut. Los Zafiros, Maria Teresa
Vera Vargas and Caridad Hierrezuelo. Whee'!
Captain from Castille - Alfred Newman. Long before his happy stint at Mad
Magazine [lose this bit of misinformation - Ed.], this wonderful soundtrack
was issued and still is print. Real strut around the house in a towel music.
Taboo - Nope, not the one the Arthur Lyman record, but actually performed
by a small group of college students. I think it's on Diplomat or
Promenade (I am not at home). A couple of kids and some bongos. Alan
Partridge has nothing on these folks when THEY shout Ah HAAAA! My brother
and I grew up listening to this one (and a kindly list member got me a tape
of it again).
Exuma - Exuma (Mercury) His first album is still his best one. I consider
him a Folk singer that stopped at the Voodoo Shop. Listen to it in the
dark and you...um...will bump into things. If you like this one, also try
Snake. If you wish to read about him go here
http://www.furious.com/perfect/exuma.html
The Gentle Rain (soundtrack) - Luiz Bonfa. Plesant, wonderful and features
the great "O Ganso".
The Day the Earth Stood Still - Bernard Herrmann - Not only a good movie
but the music is so good that at the last screening I went to of this, the
Main Title got cheers! It's just been reissued, too.
Dance Mania (Vol. 1) (RCA) - Tito Puente. Volume two is fine,
too! Reissued and I think, one of his best sellers.
Willie Rosario - Boogaloo and Guaguanco (Atco) Watusi Boogaloo is enjoying
a vogue in clubs right now, but the whole album is great.
Oscar Brown, Jr. and Luiz Henrique - Finding a New Friend (Fontana). Jazzy
grooves and Brazillian tinges. A good candlelight album, that plays even
better when the power comes back on in the house.
Sonny Lester - How to Belly Dance for Your Husband. Well, the instruction
booklet didn't do me much good (didn't want a husband, in all fairness),
but the music is very good.
Speed the Parting Guest - Jimmy Carroll (Cook) A short but wonderful
onslaught of percussion. Much better than Wild Stereo Drums, although that
album has DJ Dan Ingram's closing music, "Tri-Fi
Drums". http://www.spaceagepop.com has a small write-up on the album. I
have seen it only once and I am glad I bought it.
Zweig's note made me think a little harder, now for that common cold cure,
Brian Phillips
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From: "Darrell Brogdon"
Subject: (exotica) Betty Page on E!
Date: 07 Feb 2001 11:36:02 -0600
Anyone manage to catch the 2-hour documentary on Bettie Page
over the weekend on the E! channel? Not bad, even included some
music from "Danger Girl", showed/mentioned the CD and had an
interview with Bettie herself (in shadow, of course). I assume
they'll re-run this thing pretty soon. Catch it if you can!
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro/retrolisten.htm
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From: Matthew Marchese
Subject: Re: (exotica) Hala Kahiki
Date: 07 Feb 2001 11:47:25 -0600
Moritz R wrote:
>
>
> Rumors have it that the owner of the Atomic Cafe wants
> to open a big tiki bar/restaurant right across the street
> of the Hofbrauhaus.
Y'know, I'd love to see Tiki and Hofbrauhas Culture somehow mixed
together:
Shirtless, barefoot Bavarian farmers in grass skirts doing the
Schuhplattler dance.
Bamboo lederhosen
Exotic Village performed by accordionists and an oompah band.
MaiTais and Chinese BBQ'ed Weisswurst.
Zehr Kuhl!
--
Matt Marchese
mattm@sgi.com http://reality.sgi.com/mattm_americas/
Service Publications and Training, Silicon Graphics, Inc.
"If there's no ear then there's no sound if there's no tree
then there's no ground" -Imperial Teen
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: Brian Phillips
Subject: Re: (exotica) Betty Page on E!
Date: 07 Feb 2001 10:52:59 -0700
>Anyone manage to catch the 2-hour documentary on Bettie Page
>over the weekend on the E! channel?
I saw a bit of that one. Not knowing what she sounded like, I was most
surprised to find that she had a Southern accent!
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From: Johan Dada Vis
Subject: (exotica) Re: Playlists??
Date: 07 Feb 2001 16:45:09 +0100
>Like, do you people mind when playlists are posted?
not when they're annotated ;-)
Johan
-----
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Hala Kahiki / Trader Vic's
Date: 07 Feb 2001 13:38:43 EST
In a message dated 02/07/01 9:24:55 AM Eastern Standard Time,
mjmarch@charter.net writes:
<< Hey, are you guys following me? I ate there last month while on a
business trip. It was definitely the most crowded Vic's that I'd ever
been in. Oddly, almost every woman in the place was wearing leopardskin. >>
The Vic's at the Beverly Hilton is the busiest of the one's in the chain.
The Vic's are what I call elegant Tiki and uphold a pretty high standard. I
was at the Beverly Hills Vic's a few weeks ago on a Friday (and Sat) night.
The Friday night was so crowded you could not move. Which is GOOD because I
want those things to stay open.
BTW, the Beverly Hills location is often rented out (the whole joint) for
Hugh Hefner's parties.
Tiki Bob
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Re: Hala Kahiki
Date: 07 Feb 2001 13:44:45 EST
In a message dated 02/07/01 10:25:10 AM Eastern Standard Time,
chuckmk@yahoo.com writes:
<< Matt I am surprised the Trader Vics in Atlanta was crowded. I
heard from this list that the Atlanta Trader Vics was an endangered
species. When I went to the Trader Vics in Chicago we were the
only people in there.
Does anyone know if Trader Vics are experiencing an upswing in
popularity in Atlanta and other locations? >>
The one in Atlanta thrives more on the mid-week conventioneers crowd. They
have been "slower" the last few years. I know two bartenders, a hostess and
manager there and they "inform" me periodically as to what is going on. At
this point there are no plans to close the Atlanta location. The bar
business during conventions is enought to keep it open. Plus, the Hilton
likes an alternative to the standard Hilton run Lobby Bar AND it moves the
drunk conventioneers to the basement (where Vic's is located).
I go to Vic's about twice a year in Atlanta and once a year in LA. I can say
with some degree of confidence that these two are in no danger (at this time)
of being closed.
TB
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From: nytab@pipeline.com
Subject: (exotica) FPM
Date: 07 Feb 2001 14:19:44 -0500
I recall there was some recent queries/comments re. the sound of FPM's new release. Here's the decsription (with some realaudio links) from Other Music's latest newsletter.
lousmith@pipeline.com
FANTASTIC PLASTIC MACHINE "Beautiful" (Avex Trax, Japan) CD $31.99
RealAudio: http://64.27.65.90:8080/ramgen/othermusic/Paragon.rm
RealAudio: http://64.27.65.90:8080/ramgen/othermusic/WhistleS.rm
For his third album Tomoyuki Tanaka (aka Fantastic Plastic
Machine) delivers his most straight-up house record to date. Those
who picked up FPM's 'Take Me to the Disco' single from late 1999
could probably hear this one coming, for the rest it may come as a
bit of a surprise. On "Beautiful" Tanaka has moved to replace most
of the funky breaks and chaotic samples that characterized his first
two records with a steady 4/4 house beat. Luckily for us he doesn't
totally abandon his patented cut-and-paste approach and adds a
lush string section on many tracks worthy of some of the classic
'70s disco that he's trying to evoke. But the best tracks here are
ones that go beyond the straight-ahead house/disco formula
including 'Paragon' with its skittering, cut-up Brazilian rhythms
and 'Whistle Song,' a breezy down-tempo number. On 'Love is
Psychedelic', an Isaac Hayes imitator inexplicably recites a poem
over a beefy bass line and a chorus of violins -- weird, but it works.
"Beautiful" may not be the FPM album you expected from Tanaka,
but there's plenty here to savor. Please note that this album will be
released domestically in April, but probably without the deluxe
packaging of this Japanese import. [TC]
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From: "mark jung"
Subject: Re: (exotica) question about a scanner for lp's
Date: 07 Feb 2001 19:39:27
i was looking into this recently, and was unable to find ANYTHING with a
12-13" horizontal bed that was less than $1200. better to invest in a copy
of photoshop, place the album cover on your scanner flush left, scan it,
move the album flush right, scan it, then crop both images about an inch and
a half in from the "cut off" edge to remove the gradation and paste them
together.
then, use that other $500 to steel yourself with intoxicants. do enough
album covers, you certain to need it. i know.
mark
>Hi folks - I think I recall someone posting about a scanner that had
>a large enough bed to scan entire lp's covers. A friend of mine is
>getting a computer setup that will allow her to make cd's and wanted
>to know about such scanners. If any can confirm or deny the
>existence of such scanners, I'd appreciate it!
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com
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From: chuck
Subject: (exotica) Scopitones Party
Date: 07 Feb 2001 14:09:19 -0800 (PST)
Brian
Thanks so much for this link. You just gotta love this list for
the info thrown out at you on a variety of topics.
The Night Train video was great as were all of them. Hope some of
these videos end up in my dreams tonight.
Easy listening in the Big Easy
Chuck
--- Brian wrote:
> I already sent this link to a few people on the list (thanks to
> Jean for> sending it to me) but here's a must-visit site on this
very subject:
http://www.stim.com/Stim-x/9.4/scopitone/scopitone.html
__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - Buy the things you want at great prices.
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From: "Colleen Pyles"
Subject: (exotica) TIKI BARS
Date: 07 Feb 2001 16:26:48 -0600
Does anyone know if there is a list of Tiki Bars around? Are there
any in Dallas or Houston? I've haven't heard of any here in Ft.
Worth...we're fond of honky tonks, ya know...yeeehaw (groan).
colleenintexas
Colleen
_____________________________________
Get your free E-mail at http://www.ireland.com
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From: edowning@lightbridge.com
Subject: (exotica) Tiki Bars in Massachusetts?
Date: 07 Feb 2001 17:28:48 -0500
hey kids...
I was wondering if there is anyone out there who know of any Tiki bars in
Massachusetts...
We do have a large polynesian resturant that is in Mass. It's called
Kowloon...A huge Tiki
graces the giant frame of the buildings entrance...Has good food too...They
do have some
interesting jazz sometimes...not so much exotica but lounge...and then
occasionally you'll
have a "Rod Stewart" tribute band run through...(why? I don't know...)
Eric
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From: Eric Taub
Subject: Re: (exotica) Tiki Bars in Massachusetts?
Date: 07 Feb 2001 17:46:55 -0500
That's the only one I know of that's left (in the greater Boston area =
anyway).
Jimmy, Jane, Domenic - Any others?
Eric (other one)
On Wednesday, February 7, 2001, edowning@lightbridge.com wrote:
>
>
>
>hey kids...
>
>I was wondering if there is anyone out there who know of any Tiki bars in
>Massachusetts...
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From: bigshot
Subject: (exotica) Scanners for Records
Date: 07 Feb 2001 15:04:04 -0800
>Date: Tue, 6 Feb 2001 14:11:55 -0500
>From: "Michael Greenberg"
>Subject: (exotica) question about a scanner for lp's
>
>Hi folks - I think I recall someone posting about a scanner that had
>a large enough bed to scan entire lp's covers.
Even an 11 by 17 scanner would crop a little bit. Those aren't cheap.
I use my digital camera. The new high resolution cameras take really
sharp pictures. Plenty of resolution to do great looking CD covers...
See ya
Steve
Stephen Worth
bigshot@spumco.com
The Web: http://www.spumco.com
Usenet: alt.animation.spumco
Palace: cartoonsforum.com:9994
Spumco International
1021 Grandview, 2nd Floor
Glendale, CA 91201
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From: Will Straw
Subject: (exotica) Dear Heart
Date: 07 Feb 2001 18:06:28 -0500
Yesterday morning, I taped "Dear Heart," the 1964 film with Glenn Ford and
Geraldine Page, thinking I'd watch it in some mythical far-from-now period
of free time. I got home late, tired from a day of memo writing, and put
it on. I hadn't even guessed it was the film from which the Mancini song,
staple of a thousand exotica albums, was taken. In the film, it sounds so
close to "Moon River," you think Mancini was a factory (which, at this
point, he probably was.)
It's no masterpiece, but most of it takes place in a New York Hotel. The
architectural details are so fabulously post-war, and the characters so
typically early-1960s advertising-industry sex comedy, that I could have
watched it for eleven hours if it lasted so long. (Actually, I dozed off
half-way through, and will luxuriate in the second half when I get home
tonight.)
Will
Will Straw,
Acting Chair,
Department of Art History and Communications Studies
McGill University
853 Sherbrooke Street W.
Montreal, QC H3A 2T6
Canada
Phone: (514) 398 7667 Fax: (514) 398 7247
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From: Ross Orr
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 07 Feb 2001 18:25:54 -0500
Not yet mentioned. . .
Hugo Montenegro's _Come Spy With Me_
George Cates _Polynesian Percussion_
Enoch Light! _Far Away Places_, _I Want To Be Happy Cha Chas_, etc.
And hey, in the neo-exotica category, what about Tipsy's _Trip Tease_?
cheers,
--Ross
|| Ross "Mambo Frenzy" Orr
|| Ann Arbor, Michigan USA
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From: edowning@lightbridge.com
Subject: (exotica) Ennio Morricone...
Date: 07 Feb 2001 18:48:16 -0500
"Mondo Morricone" by Ennio Morricone is a great 60's-70's lounge
album....check this out...
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From: DJJimmyBee@aol.com
Subject: Re: (exotica) Dear Heart
Date: 07 Feb 2001 19:24:20 EST
In a message dated 2/7/1 6:06:06 PM, wstraw@po-box.mcgill.ca wrote:
>Yesterday morning, I taped "Dear Heart," the 1964 film with Glenn Ford and
>Geraldine Page, thinking I'd watch it in some mythical far-from-now period
>of free time. I got home late, tired from a day of memo writing, and put
>it on. I hadn't even guessed it was the film from which the Mancini song,
>staple of a thousand exotica albums, was taken. In the film, it sounds so
>close to "Moon River," you think Mancini was a factory (which, at this
>point, he probably was.)
However, the film contains a Mancini song which receives scant praise even in
these quarters...the lyrical miracle called "Man's Favorite Sport" Which is,
you guest it, gyrrrrrls. Envious vibes and props to Will for taping the movie
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From: DJJimmyBee@aol.com
Subject: Re: (exotica) Tiki Bars in Massachusetts?
Date: 07 Feb 2001 19:21:36 EST
There's Bali Hai, a shell of a place off 128, but nice mugs to buy at about 8
a pop. I don't believe Route 1's Weylu's (the bessst in 80's Tiki) is still
alive, but Cleve probably knows if I'm speaking in tongues or not...Then
there's always the hand-carved 3'6" tiki in my living room that I managed to
retrieve from Aku Aku after it closed (thanks Dominic) the backdrop against
which I swallow more than my share of cocktails. (for the record, the tiki
was installed in the original Boston Polynesian Village in 1948)
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From: kendoll
Subject: (exotica) mancini concert
Date: 07 Feb 2001 18:14:15 -0700
today at work (cbc radio, transfering old master tapes to cd-r) i had
the great pleasure of dubbing a pops concert by the calgary philharmonic
orchestra under the baton of henry mancini (though i don't suppose he
actually used a baton since he was at the piano). i don't remember the
date offhand, i think late 70's or early 80's. they played the expected
touchstones -- peter gunn, baby elephant walk, pink panther, moon river,
of course, plus several marches, van mccoy's african symphony, and my
favorite, a medley of tv themes (charlie's angels, swat, etc.) with
some smokin' shaft-esque guitar. introducing a piece called ohio
riverboat, hank reminisced about the steamboats of his youth in
pennsylvania. do i have a great job or what?
mike ewanus
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From: Matt Marchese
Subject: Re: (exotica) Jazz: Satire
Date: 07 Feb 2001 19:26:44 -0600
Benito Vergara wrote:
> It was written by John Grabowski (jgrab@earthlink.net), who posted it on
> rec.music.bluenote.
Mr. Grabowski appears to have sold the work in question to Salon.com in a
slightly rewritten form. I hope they didn't pay him too much for it considering
all the folks on various mailing lists and newsgroups who've already read it
over the last week.
http://www.salon.com/ent/tv/feature/2001/02/07/ken_burns/index.html
It's right next to a piece by one of Salon's senior editors who praises the
series.
http://www.salon.com/ent/tv/2001/02/07/jazz_defense/index.html
--
Matt Marchese
"I've been havin' this nightmare.......a real swinger of a
nightmare, too." -Frank Sinatra (The Manchurian Candidate)
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: alan zweig
Subject: Re: (exotica) mancini concert
Date: 07 Feb 2001 21:58:56 -0500
At 06:14 PM 2/7/01 -0700, kendoll wrote:
>
>today at work (cbc radio, transfering old master tapes to cd-r) i had
>the great pleasure of dubbing a pops concert by the calgary philharmonic
>orchestra under the baton of henry mancini
Yeah sure the Mother Corporation (the CBC for our American neighbours) is
transferring everything to CDR. But when are we going to hear any of that
stuff in the archive? Never.
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From: "m.ace"
Subject: Re: (exotica) love letter to a mailing list
Date: 07 Feb 2001 22:02:30 -0500
Yes indeedy, we are one lucky list. It's the only one I've ever stuck with
(and the only one I've felt comfortable posting to). The other lists are
either constricted and dull, or flame-happy bash-fests (and dull). Maybe
it's because "this music" (the many musics we roll into this tent) tends to
draw more open-minded, tolerant and exploratory listeners. Whatever, it's a
good thing. Long may she sail. And thanks to everyone on board.
m.ace mace@ookworld.com
http://ookworld.com
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From: bag@hubris.net
Subject: Re: (exotica) question about a scanner for lp's
Date: 07 Feb 2001 19:12:25 -0800
At 02:11 PM 06-02-01 -0500, it was written:
>I recall someone posting about a scanner that had
>a large enough bed to scan entire lp's covers.
I own the Plustek A3I scanner. It actually is about 1/4 inch too narrow to
get an entire album, but most albums waste that space anyway. I went with
this because the real full size scanners cost an arm and a leg...and the
price for this one is VERY reasonable in comparison (and less than the cost
of digital camera). Now go websearch for that...and for all A3 scanners
and you will see what I mean!
Byron
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From: Lou Smith
Subject: (exotica) [obits] J.J. Johnson, Dale Evans
Date: 07 Feb 2001 22:14:27 -0500
Tuesday, February 6, 2001
J.J. Johnson; Innovative Bebop-Era Jazz Trombonist
and Composer
By JON THURBER, (L.A.) Times Staff Writer
<>
By the 1970s, Johnson had moved to Los Angeles to try his
hand at writing for movies and television. And although he
had virtually given up playing in favor of his compositional
work, Johnson continued to win readers' polls in popular
jazz magazines as the finest player on the trombone.
In Hollywood, Johnson wrote music for such popular
television shows as "Mayberry R.F.D.," "The Danny
Thomas Show," "That Girl" and "Mod Squad." He also
found movie work, either orchestrating or writing the
music for films such as "Shaft" and "Cleopatra Jones."
But Johnson never believed he got the opportunities his
distinguished career as a musician and composer merited.
And race, he believed, was the reason.
"Film scoring is still a white world," Johnson told
Heckman in 1996. "That's the way it is, that's the way it
always has been. . . . The four or five major films I did
were all about black people.
"A black film composer will never do a big budget picture
like 'Jurassic Park' or 'The Fugitive'--the biggies," he said.
"We won't get there."
In the early 1990s, he returned to Indianapolis. His first
wife, Vivian, died after suffering a stroke when a Johnson-
led band was on the road in Tokyo. After a period of
depression, he remarried and began playing again,
recording his last album, "Heroes," in 1998.
He is survived by his wife, Carolyn Johnson. Funeral
arrangements were incomplete.
===
Singer-Actress Dale Evans, 88, Dies
By JEFF WILSON, Associated Press Writer
LOS ANGELES (AP) - Dale Evans, the singer-actress who teamed with husband Roy
Rogers in popular Westerns and co-wrote their theme
song, ``Happy Trails to You,'' died Wednesday at 88.
Evans died of congestive heart failure at her home in Apple Valley in the high
desert east of Los Angeles, said Dave Koch, son-in-law of
Evans' stepson, Roy ``Dusty'' Rogers Jr. She had suffered a heart attack in
1992 and a stroke in 1996.
Evans' son and other family members were at her side. A memorial service will
be held Saturday, Koch said.
She was the ``Queen of the West'' to Rogers, the ``King of the Cowboys.'' She
rode her horse, Buttermilk, beside him on his celebrated
palomino, Trigger.
The first movie she made with Rogers, already an established singing cowboy
star, was ``Cowboy and the Senorita'' in 1944. They married
in 1947, and together appeared in 35 movies, including such Saturday afternoon
favorites as ``My Pal Trigger,'' ``Apache Rose'' and
``Don't Fence Me In.''
When the B Western faded in the early 1950s, they began their television
career. ``The Roy Rogers Show'' ran from 1951 to 1957; later
incarnations included ``The Roy Rogers and Dale Evans Show,'' 1962, and
``Happy Trails Theatre,'' 1986-89, a show of repackaged
Rogers and Evans movies on cable TV's Nashville Network.
In 1951, she co-wrote ``Happy Trails,'' which became their theme. She also
wrote the 1955 gospel music standard ``The Bible Tells Me
So,'' with the refrain, ``how do I know? the Bible tells me so.''
She and Rogers recorded more than 400 songs. Their most recent album was
``Many Happy Trails,'' recorded in Nashville in 1985.
Rogers died in July 1998 at age 86. In a statement, Evans remembered him as
``a wonderful human being. What a blessing to have shared
my life together with him for almost 51 years. To say I will miss him is a
gross understatement. He was truly the king of the cowboys in my
life.''
Through her life, she was active in Christian evangelism, which she called
``the most meaningful, the most enjoyable part of my life.'' She
wrote more than 20 books, including the best-selling ``Angel Unaware,'' a
poignant account of their daughter, Robin, the only child born to
the couple. Robin, who was retarded, died of complications from the mumps
shortly before her second birthday in 1952.
It wasn't the couple's only taste of tragedy. Korean-born Debbie, one of the
couple's adopted children, was killed with seven others in a
1964 church bus crash; the following year, their adopted son John choked to
death while serving in the Army in Germany.
``In the Bible, it doesn't say you're going to get by without having
troubles,'' Rogers once said.
The couple also adopted another daughter and raised a daughter by foster
parenthood. In addition, Evans had a son by a previous marriage,
and Rogers had a son and two daughters, one of them adopted, with his first
wife, Arline. She had died in 1946, shortly after giving birth to
Roy Jr.
Evans was born Frances Octavia Smith on Oct. 31, 1912, in Uvalde, Texas. When
she was a girl her family moved to Osceola, Ark., where
she attended high school.
She was working as a secretary in Chicago when she tried to launch a show
business career, she recalled in the 1984 interview.
``I wanted to get a foothold in radio, but I couldn't get a job,'' she said.
``Finally I succeeded in Memphis, then I got jobs in Louisville and
Dallas before going back to Chicago.''
From local radio singing jobs, she worked up to national radio, signing on in
1940 as a singer on a weekly CBS radio show ``News and
Rhythm.'' Shortly afterward, she started working in Hollywood, appearing in
films such as ``Orchestra Wives'' and ``Swing Your
Partner.''
She said she felt sorry from some of today's rock stars: ``They are overnight
successes making unbelievable amounts of money. They're like
meteors, shooting up and then falling just as fast. People like Bob Hope, Jack
Benny, Roy and me, we paid our dues. We've known the hard
times and the good, and we appreciate what we've got.''
Besides Roy Jr., she is survived by her son by her first marriage, Tom;
adopted daughter Dodie; foster daughter Marion; stepdaughter Linda
Lou; adopted stepdaughter Cheryl; 16 grandchildren; and more than 30
great-grandchildren.
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From: Hemmel@gmx.net
Subject: Re: (exotica) Playlists
Date: 08 Feb 2001 04:18:55 +0100 (MET)
"Mr. Fodder" mofo@thebranflakes.com wrote:
>>I like to post my playlists,
I did miss your playlist here from time to time and would welcome if you
would post your list regular again.
I also would like to see the tracklist from Darrell Brogdons The Retro
Cocktail Hour here. Why not ?
I sadly do not have the possibility to check out all the great radio shows
all the time, so the playlists are a good help to decide where to tune in
--
visit the ***Space Escapade***
Exotic Club Pop Entertainment
with Guests and the Lemon Squeezer Sound System
at the Atomic Cafe, Neuturmstr. 5, Munich, every Tuesday Night
http://www.atomic.de/
Sent through GMX FreeMail - http://www.gmx.net
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From: Hemmel@gmx.net
Subject: Re (exotica) Mardis Gras
Date: 08 Feb 2001 04:25:17 +0100 (MET)
Mardis Gras
Sounds like BIG FUN, I wish I coud be there! Please give us after it a
report (In germany we only have street parades with stupid commercial techno and
house music. (i like a lot of the real techno and house stuff, but you will
never hear it on these parades)
>>Mardis Gras day, the New Orleans Carnival is scheduled for February
27. At 8:00 am that morning, Mondo Kayo,(pronounced K-eye- Yo)
the only Tiki flavored carnival club, will take to the streets for........<<
--
Sent through GMX FreeMail - http://www.gmx.net
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From: "Larson/Thomas"
Subject: RE: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 07 Feb 2001 20:39:05 -0800
Take a look at http://www.spaceagepop.com/
Jerry Larson
> Just wondering if anyone had done a top "whatever number" of
> Exotica/Lounge records,
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-------------------------------------------------------------------------------
From: Moritz R
Subject: Re: (exotica) TIKI BARS
Date: 08 Feb 2001 11:27:44 +0100
Colleen Pyles schrieb:
> Does anyone know if there is a list of Tiki Bars around?
this is a very good question. I've been waiting for such a list for a while and was hoping, that Otto's Tiki News homepage would have it one day, as I believe that most infos about Tiki places come together on Otto's computer. We should really throw our knowledge together and create this list. I'll be glad to co-publish it on my own tikiland homepage. Otto, what do you think?
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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-------------------------------------------------------------------------------
From: Moritz R
Subject: Re: (exotica) Ennio Morricone...
Date: 08 Feb 2001 11:26:52 +0100
edowning@lightbridge.com schrieb:
> "Mondo Morricone" by Ennio Morricone is a great 60's-70's lounge
> album....check this out...
it has a follower More Mondo Morricone, which is also pretty neat.
But speaking of Morricone... is there anybody in this list, who has been dipping deeper into the sheer unlimited record output of this amazing musician? This man must have made hundreds and hundreds of records and most of what I ever heard is between good and ingenious. Of course he has an entire mailing list dedicated to his oevre...
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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-------------------------------------------------------------------------------
From: Moritz R
Subject: Re: (exotica) Tiki Bars in Massachusetts?
Date: 08 Feb 2001 11:28:00 +0100
edowning@lightbridge.com schrieb:
>
> We do have a large polynesian resturant that is in Mass. It's called
> Kowloon...
I was not aware that the Kowloon still exists. I have an old Kowloon tiki mug and it's certainly one of the weirdest in my collection. Next time you go there you should take your camera with you, to take some sightseeing shots and make them available to the general public.
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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-------------------------------------------------------------------------------
From: Moritz R
Subject: Re: (exotica) Scopitones Party
Date: 08 Feb 2001 11:28:21 +0100
chuck schrieb:
> Thanks so much for this link. You just gotta love this list for
> the info thrown out at you on a variety of topics.
> The Night Train video was great as were all of them. Hope some of
> these videos end up in my dreams tonight.
has anyone figured how to download these scopitone video files? to me it looks you can only look at them online and that's it...
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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-------------------------------------------------------------------------------
From: Moritz R
Subject: (exotica) La Paloma IV
Date: 08 Feb 2001 12:52:09 +0100
has this been mentioned before?
"La Paloma 4" is out now... check http://trikont.de
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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-------------------------------------------------------------------------------
From: Ben Waugh
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 08 Feb 2001 05:20:14 -0800 (PST)
and tack these on to what I sent you, Eric:
Jad Paul: Tiger Rag. I'm not overly fond of banjo
music, and I bought this one mainly for the cover. But
wow - good stuff. My favorite version of Miserlou is
on this record. Go JP.
Robert Maxwell:interesting records using another
instrument I'm normally not fond of, the harp.
Kay Still and her Melotron
Xavier Cugat: In my opinion it's hit or miss with him,
but the lp that contains "Ritual Fire Dance" is quite
good.
__________________________________________________
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From: Hemmel@gmx.net
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 08 Feb 2001 15:27:17 +0100 (MET)
Here are some more Exotica AND Lounge records/cds that I can recommend
highly to newcomers:
First some comps with a high hit quote:
VA, CD only, Get Easy! The Classic Collection, Motor Music, Germany (is it
still obtainable ?)
VA, CD only, Cocktail Mix Vol 2, Martini Madness, Rhino, US
VA, CD and Vinyl, Inflight Entertainment Vol 1, Deram, UK compiled by the
London DJ-Duo the Karminsky Experience
VA CD and Vinyl, The Mood Mosaic Vol 4, Les Yper Sound!, Italy
VA CD and Vinyl, Le Coeur Qui Jazze, Italy, from the Mood Mosaic Guys I
think
VA CD and Vinyl, Doob Doob O Rama Vol 1, Filmsongs from Bollywood, Normal
Rec, Germany, do not let ya scare about the not so great sound quality, it
doesnt matter so much after a second listening
VA CD and Vinyl, Jungle Exotica Vol 1 and Vol 2, compiled by Tim back from
the grave Warren
VA CD? And Vinyl, Swing for a Crime, GMG, comp. by Mad Mike
And 3 essential new Artists:
LP and CD?, Tipsy, Trip Tease, the seductive sounds of..., Asphodel US
LP and CD?, Nicola Conte, Jet Sounds, Schema rec. Italy
LP and CD, Combustible Edison, Schizophonic!, Sub Pop, US
And two vinyl finds that I still saw never mention anywhere:
Don Carlos and Orch the Worlds Greatest Rumbas 10 inch, for a London
Restaurant Band they enter the Jungle very deep on there Taboo vers.
Hugo Blanco and his South American Harp, Moliendo Cafe, LP, for the fact
that Moliendo Cafe by him was a Hit, I think this Album cant be so rare
Martin
--
visit the ***Space Escapade***
Exotic Club Pop Entertainment
with Guests and the Lemon Squeezer Sound System
at the Atomic Cafe, Neuturmstr. 5, Munich, every Tuesday Night
http://www.atomic.de/
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From: "Domenic Ciccone"
Subject: Re: (exotica) Dear Heart
Date: 08 Feb 2001 10:00:20 -0500
>From: DJJimmyBee@aol.com
>However, the film contains a Mancini song which receives scant praise even
>in these quarters...the lyrical miracle called "Man's Favorite Sport"
>Which is, you guest it, gyrrrrrls. Envious vibes and props to Will for
>taping the movie
Ah...this is a great song. And the LP also has a great cover of the Beatles
tune. "Can't Bye Me Love".
"Man's Favorite Sport" ...a song from a different era. Like "Wives and
Lovers".
Domenic Ciccone
"Martinis with Mancini" WJUL 91.5FM Friday’s 6-9AM EST
http://www.geocities.com/martinimancini/
http://wjul.cs.uml.edu/misc/wjul/wjul.html (On Real Audio)
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From: RLott@aol.com
Subject: (exotica) Morricone remix album
Date: 08 Feb 2001 10:14:05 EST
Anyone know the status of the "Mondo Morricone" remix album, which is
supposed to hit sometime this month? Last I heard, Thievery Corporation and
Pizzicato Five were among the remixers.
--Rod
www.hitchmagazine.com
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From: chuck
Subject: Re: (exotica) La Paloma IV
Date: 08 Feb 2001 07:18:23 -0800 (PST)
I heard about this being available in a BOX set of all 4 vols. I
love the first 3 vols and played vol 3 last night. I can't
recommend these enough!
Other Music has the US trikont rep in the same building or nearby
so I'm sure they also carry it as they carried the first 3 vols.
What an amazing label trikont is!
Thanks Mo I'll order this today.
Chuck
--- Moritz R wrote:
>
> has this been mentioned before?
>
> "La Paloma 4" is out now... check http://trikont.de
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From: nytab@pipeline.com
Subject: (exotica) [obit] Hal Blair
Date: 08 Feb 2001 10:21:52 -0500
BIGGS, Calif. (AP) -- Hal Blair, who co-wrote songs performed by Elvis Presley, Della Reese and others, died Friday. He was 85.
Blair co-wrote ``Please Help Me, I'm Falling'' for Hank Locklin, ``Ringo'' for Lorne Greene, ``I Was the One'' for Presley and ``Not One Minute More'' for Reese.
He began his songwriting and acting careers in Western films, working with stars such as Gene Autry. Blair met his songwriting collaborator, Don Robertson, in the early 1950s. Their partnership lasted nearly five decades.
http://www.google.com/search?q=%22hal+blair%22&hl=en&lr=&safe=off
http://us.imdb.com/Name?Blair,+Hal+(I)
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From: chuck
Subject: (exotica) Neo-Exotica top 10 or 50 Exotica/Lounge records...
Date: 08 Feb 2001 07:39:03 -0800 (PST)
A Huge vote for Neo-exotica category!
Tipsy is a definite
Don Tiki is perhaps the BEST
Fantastic Plastic's "Luxury" still amazes me.
Combustible Edison are the least appreciated Neo-exotica band of
all time, even by exoticats. I would nominate "The Impossible
World"
Shots in the Dark a comp of Mancini covers will explode off your
speakers
The EXOTIC TRILOGY Vols 1 & 2 revoultionized my way of
understanding music. The same song done by a varity of artists in
a variety of ways is more fun and educational than different songs
in the same genre by different artists.
--- Ross Orr wrote:
> And hey, in the neo-exotica category, what about Tipsy's _Trip
> Tease_?
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From: Ben Waugh
Subject: RE: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 08 Feb 2001 08:07:08 -0800 (PST)
A few vocal "lounge/exotica" lps worth picking up:
Frank Sinatra: Ring-a-Ding-Dong (Reprise, conducted by
Johnny Mandel). The Coffee Song, for instance is chock
full of ludicrous lyrics ("And then you find out later
she smells just like a percolator/her perfume was
brewed right on the grill/Man they gotta gang of
coffee in Brazil"), but it really swings.
Dean Martin: Deano Latino; The Silencers.
Frances Faye (bongo-meister Jack Costanza is on many
of her records). She does a great gravel-voiced
version of Besame Mucho.
Julie London: Anything that Julie Wants (nice version
of "An Occasional Man" - covered by the marvelous Don
Tiki).
Buddy Greco, The Duke of Cheese. Gotta hear his
version of "Like Young".
Shirley Bassey: The Bond girl. Well-known for singing
the theme to Goldfinger. My favorite is her theme song
to The Liquidator (conducted by Lalo Schifrin. This is
a fine ST, by the way - though I've never seen the film).
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From: chuck
Subject: (exotica) Playlists for the Retro Coctail Hour
Date: 08 Feb 2001 08:11:34 -0800 (PST)
This is a great idea Darrell! The playlists you have at your site
confuse me a little by not having the album title. I know what you
are doing by posting the label and #, but the album title written
down on your playlists makes it easier to puchase the lp & would
help promote commerce of the cd or lp. Could you think about it?
Thanks Darrell for all the great Retro Coctail Hours. I think you
should post these to the list. If someone doesn't want to read
them, hit delete. Or you could just post the link to your
playlists at your site.
Easy listening in the Big Easy
Chuck
--- Hemmel@gmx.net wrote:I also would like to see the tracklist
from Darrell Brogdons The Retro Cocktail Hour here. Why not ?
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From: "Rajnai, Charles, NNAD"
Subject: RE: (exotica) TIKI BARS
Date: 08 Feb 2001 11:19:53 -0500
There is the Tiki Bar review pages. I have an entry there for Chan's =
Dragon
Inn in NJ. It is a pretty nice list of places, mostly up to date, with
reviews by attendees. =20
http://www.tydirium.net/
=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=
=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=20
Charlieman=20
"Everything that can be invented, has been invented."
=A0=A0=A0=A0=A0=A0=A0 - Charles H. Duell, 1899=A0
=A0=20
>=20
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From: Eric Taub
Subject: Re: (exotica) Playlists for the Retro Coctail Hour
Date: 08 Feb 2001 11:30:52 -0500
If you sign up for emails from Darrell at the Retro Cocktail Hour website, =
you will get an email that lists the album that the cuts from his shows =
are from.
See format below:
THE RETRO COCKTAIL HOUR
Pgm. #239 - December 9, 2000
(* denotes LP)
Title: See the U.S.A. in Your Chevrolet
Artist: Mel Henke
Album: Dynamic Adventures in Sound
Label: Warner Bros. BS-1447 *
Title: Hell=92s Bells
Artist: David Carroll and his Orchestra
Album: Percussion in Hi-Fi
Label: Mercury SR-60003 *
etc.
Eric
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From: Paul Dean
Subject: (exotica) Mardis Gras / Mondo Kayo
Date: 08 Feb 2001 11:51:08 -0600
I met Chuck through this list, and attended my first Mondo Kayo parade
last year.
Thank you Chuck -- it was a blast!
This year I plan to dress up -- grass skirt and all . . .
paul dean
> >
> > At 8:00 am that morning, Mondo Kayo,(pronounced K-eye- Yo)
> > the only Tiki flavored carnival club, will take to the streets
.......
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From: "Domenic Ciccone"
Subject: Re: (exotica) Tiki Bars in Massachusetts?
Date: 08 Feb 2001 13:01:06 -0500
Gee, I should mention something about Tiki’s here in MA....not a wealth of
info here...apologies to the worldwide list members..Hit the delete key now!
I’ve seen a few abandoned Chinese restaurants with big Tiki’s out front here
in Centralish MA. I think there is one in Shrewsbury on Rt 9. And Rt 114
outside of Worcester. There is a restaurant in Chelmsford on Rt 119 with
this Tiki on the outside but I haven't been in in a couple of decades. It
might be a dive by now. Like the Tiki Room in Leominster.
The Jade Pacific in Billerica has retained their nice Polinesian mural
lighted in the back. Can you believe that a lot of these places just cover
these over?
As a kid in the mid 70’s I remember helping my dad install the tile floor in
the newly built Singapore restaurant near where we live in Leominster. Came
back one day to grout the tiles and the walls of the bar were painted with a
beautiful harbor mural. The Singapore is still there and the booths are all
decorated in that interesting carved wood. They put a lot of money into the
décor, but they covered the mural with wallpaper! This must happen all the
time.
If your interested in Tiki Mugs you must know about www.intothevolcano.com?
I just got my first Atomic Magazine and saw the ad. Only Tiki mugs for now.
At $10 a pop.
Should have went to the Kahini closing….. Maybe we should get together at
the Kowloon? A mini exotica summit? With the 2 Erics! And I still have to
meet you guys.
Whew!
Domenic Ciccone
"Martinis with Mancini" WJUL 91.5FM Friday’s 6-9AM EST
http://www.geocities.com/martinimancini/
http://wjul.cs.uml.edu/misc/wjul/wjul.html
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From: Johan Dada Vis
Subject: (exotica) Re: love letter to a mailing list
Date: 08 Feb 2001 17:10:44 +0100
maybe we're so tolerant regarding each other, because we're also very
tolerant when it comes to many different musical styles? the members
of this list probably have the most eclectic musical taste in the
universe!
Johan
-----
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From: "Magnus Sandberg"
Subject: (exotica) Aniara space opera
Date: 08 Feb 2001 20:12:17 +0100 (CET)
ANIARA, An Epic of Space Flight in 2083 A.D., 2 LP set by Columbia
records, 1959
This set is up on ebay and I have bid on it, now someone else has the
high bid, this Aniara was written by a swede so I thought it would be
funny to have it, me having established a small sci fi LP collection as
well. I dont know anything about it though. Anyone familiar with this
record?
Magnus
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From: "F. Cobalt"
Subject: (exotica) Danger Diabolik bootleg
Date: 06 Feb 2001 11:30:19 -0800
The reason that Danger Diabolik CD has poor sound, and is a bootleg, and is promoted as some sort of hokey "collectors" deal is because the masters of the soundtrack were destroyed in a garage fire. Unless Morricone re-scores the film for an official release, anything else is going to be something recorded from a print of the film with dialogue edited out in some way. You can find old copies of the theme on 45 floating around with a nice sleeve, but otherwise, you're most likely spending your money on something with questionable quality -- which is sometimes the best you can hope for with some things though, like jazz music documentaries.
Unlucky
---
Mr. Unlucky presents Shoot To Kill, a weekly set of jazz, soundtrack music, Now Sound, and the occasional foray into international territory on Supersphere.com, Thursdays 1-2 p.m. (CST). Many past sets are archived for future listening pleasure.
http://www.supersphere.com
Get your small business started at Lycos Small Business at http://www.lycos.com/business/mail.html
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From: Hemmel@gmx.net
Subject: (exotica) Big Ray & The Futuras(Boston,USA)SURF BAND
Date: 08 Feb 2001 21:44:12 +0100 (MET)
Big Ray & The Futuras(Boston,USA)SURF BAND
Has anyone of you seen em Live ?
Are they good?
forwarted to me:
> > Gert Geluykens wrote:
> >
> >>Aloha folks,
> >>
> >>From thursday the 30st of august till the 16th of september
> >>is Big Ray &The Futuras comin' to Europe for the 3rd time
> >>in 2 years.
> >>Check it out on their www.dblcrown.com/bigray.html
> >>This Ferocious High Octane Surf trio from Boston is very
> >>comparable with Los Straightjackets and Jon &Nightriders.
> >>They just released a brandnew cd called Desolation Planet
> >>out now one of the biggest major labels " Double Crown Records"
> >>"This is almost one of the best releleases this year" Sean(manager) from
> >>Double Crown !!!
> >>check it out www.dblcrown.com
> >>They also put a song on The Burt Bacharah tribute with other
> >>important Surf bands such as Fifty-Foot Combo,Apemen....
> >>Their shows are very explosif and energetic !!!!
> >>They're probably one of the most talented 3rd wave Surf-bands
> >>of their generation !!!!!!!
Martin
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From: nytab@pipeline.com
Subject: (exotica) fwd: Lounge Singer Performs for Jury
Date: 08 Feb 2001 18:43:23 -0500
February 8, 2001
By THE ASSOCIATED PRESS
ALLENTOWN, Pa. (AP) -- A 33-year-old lounge singer entered a courtroom and did what he does best -- perform for an audience. Only this time his audience was a jury.
Thad Schwenk, who sings under the name David Storm, defended himself Wednesday against charges of driving under the influence. He wore a bright yellow jacket, concluded his opening statement with a bow, and employed a dramatic cross-examination style reminiscent of Perry Mason.
Schwenk said that his ``mush mouth'' when he was pulled over was caused by tired singing muscles, not alcohol.
The evidence that Schwenk ran a stop sign and had a blood-alcohol level of .11 seemed irrelevant to the spectators who filled the courtroom.
``I'm not crazy about the canary sports jacket, but I have a lunch riding on this guy,'' said James Burke, one of nine public defenders watching in amusement. ``I'm pulling for him.''
The only person not amused was prosecutor Abraham Kassis, who feared he wouldn't be able to show his face if he lost.
``Confiscate all notebooks,'' Kassis said in jest to court officers ushering reporters into the courtroom. ``Isn't there something more important going on in this courthouse?''
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From: Sem Sinatra
Subject: (exotica) Anyone in Japan?
Date: 08 Feb 2001 11:14:40 +0900
Folks
OK, so no-one's in my neighbourhood. 2 more questions:
1. Is anyone on the list in Japan?
2. If you are, do you know of any Exotica friendly bars/clubs?
thanks
Sem Sinatra
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From: Jane Fondle
Subject: (exotica) of tikis and exotica!
Date: 08 Feb 2001 16:58:34 -0800 (PST)
Phallica! Now we are talking...Alright, already, so
I've been paged.
I can't off-hand name my Top 10 favourite exotica
rekkids...I have too dang many! And then we get into
that nettlesome question of "what is exotica" and Tiki
knows we've been down that path. Too many rekkids
make me, ahem, beat my chest anyway..
Regarding Tiki restaurants in MA., yes, Mo, there is a
Kowloon, and it, besides some of the hideous eighties
encroachment, still is amazing and will simply never
close! Weylus hath been closed for about two years.
Shame, too, as this replica of the Imperial City was
equisite. And DJJimmyBee is CORRECt that the Bali Hai
in Lynnefield has KICKIN' strong drinks and a decent
Tiki decor. I lament the death of the Aku Aku, but
happy for Jimmy and Cleve's castoffs of it. I have
been told a rumour of a Kahiki-like joint in Western
Mass with live hula and fire shows, but I'll believe
it when I see it.
And as a cryptic remark, I close with saying there
ain't nothing wrong with Cecil Taylor. NOTHING!
Love and missing you all pangs....from Jane Fondle
=====
"It's just my nature to do weird stuff." - Les Baxter
Buy the debut release from Astroslut: LOVE AT ZERO G at:
http://cdalley.com
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From: "m.ace"
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 08 Feb 2001 21:18:56 -0500
>Don't worry about picking the best ones. Just list some of your personal
>favorites. List the favorites that you think NO ONE ELSE WOULD LIST.
>For instance:
> >Living Brass - That's Life
>That's a cool choice. No one else would list a Living Brass record in
>their top anything. Let's see more lists like that.
Well, I had a go at that and posted it 24 hours ago, but it hasn't come
through the exotica pipeline yet.
Someday, maybe...
m.ace mace@ookworld.com
http://ookworld.com
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From: Paul Penna
Subject: (exotica) Scanners for Records
Date: 08 Feb 2001 18:36:49 -0800
Do like I do - collect reel-to-reel tapes instead; the boxes are only 7
inches square!
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From: "basic hip"
Subject: Re: (exotica) Danger Diabolik bootleg
Date: 08 Feb 2001 18:56:06 -0800
<>
Not to worry if anyone who buys this CD is disappointed. It is a hot item
on ebay and you'll have no problem recovering your money. I started mine at
five bucks with no reserve and it's at $46 with three days to go.
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From: "christie j. white"
Subject: (exotica) top 10 list
Date: 08 Feb 2001 22:48:17 -0500
I really don't have time to talk about all of my fav's and some out there
may not agree with this choice either, but there again what defines exotica
and the tiki world?
The Kodak Hula Show lp's - I love to get my hands on them since they all
usually have a different arrangement of " Lovely Hula Hands".
Kiliki
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From: "christie j. white"
Subject: (exotica) The Book of Tiki
Date: 08 Feb 2001 22:52:49 -0500
I'm interested in knowing what all you tiki lovers think of the new book The
Book of Tiki by Sven A. Kirsten. It's truly amazing. Love the page with
the tiki's used on different signs from the past! All those massage
parlours!!
If you don't have it - trust me - get it!
Kiliki
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From: bag@hubris.net
Subject: Re: (exotica) The Book of Tiki
Date: 08 Feb 2001 20:28:08 -0800
At 10:52 PM 08-02-01 -0500, you wrote:
>I'm interested in knowing what all you tiki lovers think of the new book The
>Book of Tiki by Sven A. Kirsten. It's truly amazing.
That it is! My girlfriend gave it to me for my birthday anniversary and it
is so jam packed with great photos and information. For tiki lovers this
is IT.
Byron
___...--''''***^^^^^^""""""^^^^^***''''---___
"You've got to stand for something or |||
you'll fall for anything." |||
||| ---John Mellencamp |||
||| |||
|||bag AT hubris DOT net Portland, OR, USA|||
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From: Paul Wages
Subject: (exotica) Trader Vic's - Atlanta
Date: 08 Feb 2001 23:50:31 -0500
I live in Atlanta and dine at our Trader Vic's semi-regularly. Indeed, it
has been noticably busier in the last six months or so.
A Don Ho tribute band calling themselves Don Horowitz performed there
recently. The event was hosted by Kamel Cigarettes and organized by a
fellow named Jim Stacey and a local surf band called The Penetrators who
also performed. Unfortunately, I couldn't attend the performance, but it
seemed cool.
I interviewed the manager of the location - Manzoor Haque - for a project I
was working on, and he implied that the restaurant wouldn't be going
anywhere anytime soon. Haque previously managed the Chicago location and
seems to run the place effectively.
BTW,
The great Japanese director Suzuki Seijun can be spotted at a LA tiki bar in
bonus materials on the Criterion Collection DVD edition of his film "Branded
To Kill". Judging by the skull mug he is drinking out of, I'll assume it is
the Beverly Hills Vic's.
Great film with an unexpected tiki connection!
Paul
> chuckmk@yahoo.com writes:
>
> << Matt I am surprised the Trader Vics in Atlanta was crowded. I
> heard from this list that the Atlanta Trader Vics was an endangered
> species. When I went to the Trader Vics in Chicago we were the
> only people in there.
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From: Chikaskia@aol.com
Subject: (exotica) early mediterranean (some of my favorites)
Date: 09 Feb 2001 02:25:10 EST
the rare ones:
bianchi & the jungle sex-tet 'music to play in the dark'
from the cover: for delightfully uninhibited males & females only
CAUTION! the pulsating rhythms in this album are primitive and basic. those unaccustomed (or accustomed) to dealing with aroused emotions are urged to listen with care!
les baxter 'the passions' featuring bas sheva (7" box set)
(stan) kenton showcase 'the music of bill russo' (10")
albums no console should ever be without:
getz gilberto
sergio mendes and brasil 66
frances lai 'a man and a woman' (original soundtrack)
these are all records that i have known since i were a baby, that were my parents, and now cherished by me.
just finished watching: "shakespeare wallah" merchant/ivory 1965 with soundtrack by satyajit ray, presenting a very young felicity kendal
now playing: hedninagarna 'kaksi'
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From: Chikaskia@aol.com
Subject: (exotica) hedningarna
Date: 09 Feb 2001 02:36:31 EST
spelling hedningarna wrong is impermissible ;-)
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From: "James"
Subject: Sv: (exotica) top 10 list
Date: 09 Feb 2001 09:44:30 +0100
A favorite of mine is Return To Paradise by The 50 Guitars Of Tommy Garret.
An album that I rarely see mentioned with great sound and a superb version
of Quiet Village.
The album has the all the exotica trademark percussion, and the guitars and
mandolins give it a
napolitan twist. I´ve cherished this album for 14 years.
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) Re: Top 50
Date: 09 Feb 2001 13:06:17 -0000
Hey, what about Robert Drasnin's 'Voodoo', absolutely beautiful classic
Exotica LP.
And for slightly more modern, without being new I'd add Piero Umiliani's 'Il
Corpo' OST, not classic, but wonderfully dreamy and exotic, from around
1970.
And which Denny and Lyman ones exactly?
I got a copy of Arthur Lyman's 'Taboo 2' over Christmas and am completely
mesmerised by it. It has such a great sound, full of space. It's almost
like dub or Detroit techno. Obviously they would have built the sound
around Lymans vibes, and the sound does take its lead from that. Spacey
rather than over-arranged with a sound in every nook and cranny of the
acoustic spectrum. The kind of thing you can play really loud, but still
talk over in a normal voice.
Hard to describe, but I know what i mean. Lovely in a way that not much
else is.
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Trader Vic's - Atlanta
Date: 09 Feb 2001 08:12:01 EST
In a message dated 2/8/01 8:52:34 PM Pacific Standard Time,
rewages@mediaone.net writes:
<< BTW,
The great Japanese director Suzuki Seijun can be spotted at a LA tiki bar in
bonus materials on the Criterion Collection DVD edition of his film "Branded
To Kill". Judging by the skull mug he is drinking out of, I'll assume it is
the Beverly Hills Vic's. >>
the BH Vic's is a place frequented a lot by Celebs. The Sat night I was
there a few weeks ago, Dana Delaney and Treat Williams were in the booth next
to us. The booths to be pretty "private" and can be reserved with some
notice so the celebs often go there.
Hey, I was there.
TB
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From: "Magnus Sandberg"
Subject: Re: (exotica) Trader Vic's - Atlanta
Date: 09 Feb 2001 14:21:06 +0100 (CET)
> The great Japanese director Suzuki Seijun can be spotted at a LA
tiki bar
> in
> bonus materials on the Criterion Collection DVD edition of his film
> "Branded
> To Kill". Judging by the skull mug he is drinking out of, I'll
assume it
> is
> the Beverly Hills Vic's. >>
On the DVD front, a tiki bar can also be spotted in the film "The
Apartment" by Billy Wilder, oh, just to let you know, the oscarwinning
documentary "Kon Tiki" by Heyerdahl has also been released on DVD.
Magnus
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From: "Robert McKenna"
Subject: Re: (exotica) Trader Vic's - Atlanta
Date: 09 Feb 2001 14:02:26
>On the DVD front, a tiki bar can also be spotted in the film "The
>Apartment" by Billy Wilder, oh, just to let you know, the oscarwinning
>documentary "Kon Tiki" by Heyerdahl has also been released on DVD.
>
And, more to the point, the Chinese piano player in the bar had an album
that features in the plot of the film. Did tiki bars frequently release
albums? Does anyone on the list collect them?
rob
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From: Ben Waugh
Subject: Re: (exotica) Trader Vic's - Atlanta
Date: 09 Feb 2001 06:27:02 -0800 (PST)
And also in Woman Chaser by Charles Willeford. I'm not
sure if this one has been mentioned on the list
before. The ST is all lounge/exotica of the 50s:
Denny, Baxter, etc. An unconscionable car salesman
decides to make a movie. Set in mid 50s or early 60s
LA. Should be part of the canon of exotica films... if
there is such a thing.
--- Robert McKenna wrote:
>
> >On the DVD front, a tiki bar can also be spotted in
> the film "The
> >Apartment" by Billy Wilder,
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From: Matthew Marchese
Subject: Re: (exotica) Trader Vic's - Atlanta
Date: 09 Feb 2001 08:44:50 -0600
Rcbrooksod@aol.com wrote:
>
>
> the BH Vic's is a place frequented a lot by Celebs. The Sat night I was
> there a few weeks ago, Dana Delaney and Treat Williams were in the booth next
> to us. The booths to be pretty "private" and can be reserved with some
> notice so the celebs often go there.
You were luckier than I was, Bob. The last time I was at the BH Vic's I
got seated next to Bruce Vilanch...he tried to hit on me.
http://people.aol.com/people/pprofiles/bvilanch/
--
Matt Marchese
mattm@sgi.com http://reality.sgi.com/mattm_americas/
Service Publications and Training, Silicon Graphics, Inc.
"If there's no ear then there's no sound if there's no tree
then there's no ground" -Imperial Teen
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Trader Vic's - Atlanta/Tiki and . . . .
Date: 09 Feb 2001 12:10:40 EST
In a message dated 02/09/01 8:21:44 AM Eastern Standard Time,
m.sandberg@telia.com writes:
<< On the DVD front, a tiki bar can also be spotted in the film "The
Apartment" by Billy Wilder, oh, just to let you know, the oscarwinning
documentary "Kon Tiki" by Heyerdahl has also been released on DVD.
Magnus
>>
And this one is funny: I hooked up a new Hi-Fi and turntable last night
(vintage) and gave my old Enchanted Tiki Room and Adventurous Jungle Cruise a
spin. While listening I looked at the pictures in the album cover "book."
And what do I see? On a page where it shows park-goers boarding the Jungle
Cruise boats, and I shit you not, I see a guy in the crowd wearing a fez!
Like the dude goes to Disneyland and wears his fez.
And when you combine Tiki surroundings with fezzes, it's gotta be a blast!
TB
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-------------------------------------------------------------------------------
From: "Rajnai, Charles, NNAD"
Subject: RE: (exotica) TIKI BARS
Date: 08 Feb 2001 11:19:53 -0500
There is the Tiki Bar review pages. I have an entry there for Chan's =
Dragon
Inn in NJ. It is a pretty nice list of places, mostly up to date, with
reviews by attendees. =20
http://www.tydirium.net/
=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=
=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=20
Charlieman=20
"Everything that can be invented, has been invented."
=A0=A0=A0=A0=A0=A0=A0 - Charles H. Duell, 1899=A0
=A0=20
>=20
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-------------------------------------------------------------------------------
From: Moritz R
Subject: Re: (exotica) Scopitones Party
Date: 08 Feb 2001 11:28:21 +0100
chuck schrieb:
> Thanks so much for this link. You just gotta love this list for
> the info thrown out at you on a variety of topics.
> The Night Train video was great as were all of them. Hope some of
> these videos end up in my dreams tonight.
has anyone figured how to download these scopitone video files? to me it looks you can only look at them online and that's it...
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: Moritz R
Subject: Re: (exotica) Re: Top 50
Date: 09 Feb 2001 18:32:51 +0100
G.R.Reader@bton.ac.uk schrieb:
>
> I got a copy of Arthur Lyman's 'Taboo 2' over Christmas and am completely
> mesmerised by it. It has such a great sound, full of space. It's almost
> like dub or Detroit techno.
> Obviously they would have built the sound around Lymans vibes, and the sound does take its lead from that. Spacey rather than over-arranged with a sound in every nook and cranny of the
> acoustic spectrum. The kind of thing you can play really loud, but still talk over in a normal voice.
You heard a recording made in Henry Kaiser's famous Aluminium Dome...
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: chuck
Subject: Re: (exotica) La Paloma IV
Date: 08 Feb 2001 07:18:23 -0800 (PST)
I heard about this being available in a BOX set of all 4 vols. I
love the first 3 vols and played vol 3 last night. I can't
recommend these enough!
Other Music has the US trikont rep in the same building or nearby
so I'm sure they also carry it as they carried the first 3 vols.
What an amazing label trikont is!
Thanks Mo I'll order this today.
Chuck
--- Moritz R wrote:
>
> has this been mentioned before?
>
> "La Paloma 4" is out now... check http://trikont.de
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From: chuck
Subject: (exotica) Neo-Exotica top 10 or 50 Exotica/Lounge records...
Date: 08 Feb 2001 07:39:03 -0800 (PST)
A Huge vote for Neo-exotica category!
Tipsy is a definite
Don Tiki is perhaps the BEST
Fantastic Plastic's "Luxury" still amazes me.
Combustible Edison are the least appreciated Neo-exotica band of
all time, even by exoticats. I would nominate "The Impossible
World"
Shots in the Dark a comp of Mancini covers will explode off your
speakers
The EXOTIC TRILOGY Vols 1 & 2 revoultionized my way of
understanding music. The same song done by a varity of artists in
a variety of ways is more fun and educational than different songs
in the same genre by different artists.
--- Ross Orr wrote:
> And hey, in the neo-exotica category, what about Tipsy's _Trip
> Tease_?
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From: Johan Dada Vis
Subject: (exotica) Re: top 10 or 50 Exotica/Lounge records: top 68
Date: 09 Feb 2001 16:45:40 +0100
is a top 68 OK? it also includes some novelty stuff... sorry
for overlaps with previous posts, i'm behind with reading digests...
* Leona Anderson: "Music To Suffer By"
One of the essential "awful vocal" LPs; I've heard crows with a
voice more pleasant than Leona's.
* Leo Arnaud and his Orchestra: "Marimbita"
Percussive exotica, but no wild "Bang Baaroom" stuff a la Dick
Schory. A very light sound, with accent on high tone instruments like
Vibraphone, xylophone, triangle, glockenspiel. Several tracks have
something cartoonesque, Harry Breuer style.
* Kali Bahlu: "Takes The Forest Children On A Journey Of Cosmic Remembrance"
if you own the "Incredibly Strange Music" cd with a track from
this lp, you know how the rest of it sounds.
* Les Baxter: "The Sacred Idol"
* Stanley Black Orchestra: "Exotic Percussion"
IMO, one of the best, if not THE best Exotic Percussion lp around!
* Harry Breuer & Jean Jacques Perrey: "The happy Moog"
Electronic Keystone Kapers in space. Six out of the 10 tracks
are (co-)written by Perrey.
* Miriam Burton: "African Lament"
Incredibly Strange Music vol.1, p104. A wordless female vocal
affair that is truly wonderful.
* Sebastian Cabot: "Sebastian Cabot, actor; Bob Dylan, poet. A
dramatic reading with music"
Needs reissuing badly! each track is as good as the few
featured on several comps
* Sam Chalpin: "My father the pop singer"
twice as hilarious as Mrs. Miller, I'm not kidding you! It's a
very short lp, but the worst singer in the "attrocious vocals
category" ever, doing Beatles and other 60's pop hits, like "Leader
of the Pack", "I Can't Stop Loving You", "I Want to to Hold Your
Hand", "Daydream", AND. the "Batman" theme! Incredibly bad!
* Sid Cooper: "Per-cus-sive Jazz. Doctored for super-sound"
best of both worlds: percussive crazyness meets crime jazz.
* Sid Cooper: "Per-cus-sive jazz vol. 2 - Doctored for super-sound"
best of both worlds: percussive crazyness meets crime jazz
* Lew Davies: "Strange Interlude"
All sorts of exotic percussion, plus Ondioline & Theremin.
* Martin Denny: "Exotic percussion"
I hope Scamp will reissue this LP too!
* Martin Denny: "Forbidden Island"
Exists on CD, see details in my "eXotica Releases Overview".
* Leo Diamond and His Orchestra: "Subliminal Sounds"
heavenly beautiful ISM. there are Zounds that you can only hear
when playing attention, like trains, ocean...
* Jonathan & Darlene Edwards: "Sing along with Jonathan & Darlene Edwards"
My favorite J&D album!
* Esquivel: "Latin-Esque"
* Ferrante & Teicher: "Blast Off!"
Exists on CD, see details in my "eXotica Releases Overview".
* Ferrante & Teicher: "Dynamic twin pianos"
Their most experimental album, with backward tape effects.
* Ferrante & Teicher: "Fireworks"
Electronically re-channeled for stereo reissue of
"Hi-Fireworks" with 2 tracks less.
* Ferrante & Teicher: "Heavenly Sounds In Hi-Fi"
Exists on CD (as "Easy listening favorites", minus 2 tracks),
see details in my "eXotica Releases Overview".
* Ferrante & Teicher: "Hi-Fireworks"
First there was this mono album, later it was re-issued in fake
stereo as "Fireworks", with 2 tracks less.
* Ferrante & Teicher: "Soundproof (mono)"
Soundproof in MONO has the same cover with the still from
Forbidden Planet as Soundproof in stereo, BUT different titles.
* Ferrante & Teicher: "Soundproof (stereo)"
SoundPROOF in STEREO has the same titles as SoundBLAST in MONO.
* Ferrante & Teicher: "With Percussion"
* Paul Frees: "Paul Frees and the poster people"
Hilarious! Voice impressionist Paul Frees "sings" popular songs
while imitating the voice of famous (poster) people. "Raindrops keep
falling on my head" as if sung by Humphrey Bogart, "Let it be" with
the voice of Warner Oland in the character of Charlie Chan, "The look
of love" as Boris Karloff, "Hey Jude" as Peter Lorre, "By the time I
get to Phoenix" as Clark Gable, etc. Hilarious, and incredibly well
done at the same time. The lastbtrack, "Everything is beautiful", is
done as if all those celebrities sang together.
* Marty Gold: "Moog plays the Beatles"
Excellent and varied arrangements, one of my all-time favorite
Moog albums, also includes sitar on (at least) 2 tracks! (the series
"The exotic Beatles" has a track from this LP, but the performing
artist is called "the Moog Beatles")
* Bernie Green: "Futura"
* Bernie Green: "Musically MAD. Mis-led by Bernie Green with the
Stereo Mad-Men"
* Jimmie Haskell: "Countdown"
Electronic space rock 'n roll, quite rare, and
beautiful/funny/way out there! originally issued on Imperial in 1959.
* Richard Hayman: "Genuine Electric Latin Love Machine. Persuasive
electronics by Richard Hayman"
Considered to be one of the greatest Moog LPs of all times.
Incredibly funky drum section too!
* Richard Hayman: "Voodoo!"
* Frank Hunter & Orchestra: "White Goddess"
As featured on DCC's "Music for a bachelor's den vol. 2: exotica".
* Dick Hyman: "The Age of Electronicus"
Classic Moog album
* Dick Hyman & Mary Mayo: "Moon Gas"
Sampled by Tipsy. There are some truely strange and outer space
organ sounds happening here! A classic.
* Spike Jones & The band That Plays For Fun: "In Stereo (A
spooktacular in screaming sound!)"
One of my favorite Spike LP's! Produced by Alvino Ray, arranged
by Carl Brandt; voices by Luli Jean Norman, Paul Frees, Thurl
Ravenscroft, George Rock, Ken Stevens. Must be the best novelty
horror concept album ever.
* Gershon Kingsley: "Music to moog by"
ISM vol.1, p91
* The Exotic Sounds of Rex Kona and his Mandarins: "Wild orchids"
* Enoch Light: "Spaced Out"
Exploratory trips through the music of Bach, Bacharach and The
Beatles, integrating the Moog, The guitar scene, electric
harpsichords, flugelhorns etc. "Spaced Out" is also the name of the
ultimate Enoch Light and Command Records discography on the web. Go
to the links page of my site for its URL.
* Lord Sitar: "Lord Sitar"
sitar pop
* Arthur Lyman: "Taboo!"
* Arthur Lyman: "Taboo vol. 2"
* Mandingo: "Sacrifice"
Exists on CD, see details in my "eXotica Releases Overview".
* Marty Manning: "The Twilight Zone"
heavenly beautiful, mysterious outer space exotica, with
wordless vocals and lots of electronics.
* Muzzy Marcellino and his House Party Group: "House Party Music Time"
Whisling record.
* Ray Martin: "Comic Strip Favorites"
* Ray Martin: "The Sound of Sight"
Music creating vision, forming pictures, through lots and lots
of Zound effects.
* Mike Melvoin: "The Plastic Cow Goes Moooooog"
about the same sound and quality as "Moog groove" by the
Electronic Concept Orchestra: pop covers done with Moog up front,
backed by a rock band. Recommended. at least 4 points on 5, maybe
even 5
* Mrs. Miller: "Will succes spoil Mrs. Miller?"
I like this LP of Mrs. Elva Miller as well as her "Greatest
hits"! Hilarious; you will be rolling over the flour when hearing her
ultra-vibrato versions of "Strangers in the night", "Girl from
Ipanema", "Yellow submarine", "Moon river", "Monday monday" 7 others.
* The Mindexpanders: "What's Happening!"
* Phil Moore featuring Leda Annest: "Portrait of Leda"
Read about it in ISM vol.1, page 104.
* Ken Nordine: "Son of Word Jazz"
"Outer space" combines the genius of Nordine's Words with cool
electronic noises in a conversation between a man and a Martian.
* The Nutty Squirrels: "Bird Watching"
A unique combination of cool & crazy! Chipmunk scatt jazz with strings.
* Elsa Popping: "Delirium in Hi-Fi"
* The Portsmouth Sinfonia: "20 Classic Rock Classics"
they play incredibly bad, but they say the do try! their 2
oth
-------------------------------------------------------------------------------
From: Johan Dada Vis
Subject: (exotica) Re: top 10 or 50 Exotica/Lounge records: eXotica Releases Overview
Date: 09 Feb 2001 16:45:14 +0100
"Dr Chris R. Tame" wrote
>It would also be very helpful to have some evaluations of the many
>lounge/exotica compilations (like the UltraLounge series) now available.
looking for info about some exotica CD?
check it out at the "eXotica Releases Overview":
http://www.geocities.com/SunsetStrip/Lounge/1936/disq/disq.htm
a searchable and annotated hyperdiscography
of more than 2500 "exotica" & related CD's and new LP's.
With hundreds of ratings, comments, and reviews by dozens of people.
The next best thing to a truly searchable Exotica List archive!
Johan
-----
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er LP's are classical massacres only, but this one is filled with
1960's Rock Classics.
* Gene Rains: "Far Across The Sea"
Beautiful, classic exotica.
* Gene Rains: "Lotusland"
Beautiful, classic exotica. ISM vol.2, p16.
* Milt Raskin: "Exotic percussion. Exotic Sounds of Milt Raskin"
Also released as "Kapu" (Eros ERLS 5002, UK) and as "Exotic
Tahiti". Wonderful, often overlooked, classic exotica masterpiece,
with exotic instrumentation, some bird sounds too I think.
* Milt Raskin: "Kapu"
Beautiful, classic exotica, with lots of exotic percussion,
some bird sounds, Novachord, organ, celeste, accordion, harp, flute.
and heavenly melodies. Also released as "Exotic percussion. The
Exotic Sounds of Milt Raskin" (Crown Records CLP5110), and as "Exotic
Tahiti".
* Sam Sacks: "Sing it again, Sam! (The Inimitable Song Stylings of Sam Sacks)"
He sings - well, tries to, at least - old show tunes like "that
old black magic", introducing each song with: "[song title] by Sam
Sacks", as if he's the world's greatest singing star; but he can't
sing of course; if you like Jack Mudurian of "Downloading the
repertoire" fame (CD on Arf! Arf! records), then try to find this LP!
* Dick Schory: "Wild percussion and horns a'plenty"
* Mike Simpson: "Jungle Odyssey"
Beatnik/beat pop with real wild animal sounds mixed in! An
incredible, cool & crazy record that is, the animal zounds are
well-balanced, it's not over the top at all.
* Frankie Stein and His Ghouls: "Introducing (Monster sounds and dance music)"
Novelty instro twist and hully gully and other crazy dances
with lots of zany sound effects.
* The Surfmen: "The sounds of exotic island"
* The Creed Taylor Orchestra: "Lonelyville: The Nervous Beat"
* The Three Suns: "Movin' 'n' Groovin' "
Rare first edition in thick, gold cardboard sleeve with
cut-out; as heard on RCA's History of Space Age Pop; this is by far
their best, most imaginative and wackiest album.
* Woofers & Tweeters Ensemble: "Beatle Barkers"
Highly hilarious variation on the Singing dogs gimmick: dogs,
cats, sheep and chicken bark, meow, bleat and cackle your favorite
Beatle tunes, backed by a sixties drums & guitar combo. As featured
on the 2 "Exotic Beatles" compilation CDs.
* The Bob Crewe Generation Orchestra: "Barbarella"
Classic and highly collectable outer space "now" sounds.
Johan
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From: Johan Dada Vis
Subject: (exotica) more or less recent akwisitions: LPs
Date: 09 Feb 2001 16:45:47 +0100
ALBUMS:
* Al Anthony (Wizard of the Organ): "Swingin' Hi---fi"
o LP, Liberty LST 7021 stereo, USA, end 1950's
o appreciation: 3
o note: Good Hammond organ record, not too cheesy, and with a truly
"Incredibly Strange Music" version of Sabre dance!
* Bones Galore: "Bones Galore"
o LP, Polydor 583 078, UK, 1969
o appreciation: 3
o note: Brit Big Band, some very good cuts, the rest is just plain
good but nothing really special, not even their cover of Light my
fire.
* Chango and The Polynesians: "Polynesian Percussion"
o LP, Directional Sound DS 5012 stereo
o appreciation: 4
o note: Not the same as the George Cates LP on Dot Records of the
same title. And the focus is not really on Polynesian PERCUSSION
either, but Polynesian multi-voice vocal music, backed by guitar
and subtle percussion. Very nice, and funny in a way, especially
the track "Cafe au lait".
* Martin Denny: "20 Golden Hawaiian Hits"
o LP, Liberty SLBY 1276 stereo, UK, 1965
o appreciation: 4
o note: These 20 Hawaiian tunes sound like new arrangements of tunes
he did before, but this time without the bird calls and exotic
percussion. Maybe it's one of the "ghosted" Denny albums. Anyway,
I like it very much: very good cocktal music, whether Denny was
involved or not.
* Gil Evans: "Plays The Music Of Jimi Hendrix"
o CD, BMG Jazz! 7432125755, France, 1995, deleted?
o appreciation: 3
o note: Hard jazz rock, originally issued in on Verve in 1974.
* Mort Garson: "Black Mass Lucifer"
o LP, Uni records Stereo 73111, USA, 1971
o appreciation: 3
o note: Half of it is groovy Moog, the rest is rather dark stuff
* Johnny Gunn & Don Ralke: "Introspection IV"
o LP, Warner Bros. 1372 stereo
o appreciation: 3
o note: I found the musical content, or the result of story+music,
not as compelling as with Ken Nordine. Some stories are also
difficult to follow and understand if your English is not very
good.
o quotes:
+ Brian Linds: Wierdos From The Uncommon World of Johnny Gunn
With The OUtre Musical Sounds Of Don Ralke . Ken Nordine-ish
coffee house tales. Musicians include: Milt Raskin/Shelly
Mane/Marshall Cram/Plas Johnson/Buddy Collette/Ed
Kusby/Howard Roberts/Larry Bunker. It's way cool!!!
* Mel Henke Group: "Shock Treatment"
o LP, Tempo Records 7003 mono
o appreciation: 3
o note: Beatnik jazz meets Stravinsky
o quotes:
+ Brian Linds: intense flying finger piano with bongos, guitar
and bass. I guess recorded as if they were in a madhouse or
something? It's pretty wild.
* Roger Roger & Nino Nardini: "Gags A Go Go"
o LP, Crea Sound MC 80 18, France/ Canada, 19??
o appreciation: 4
o note: Hilarious, JJ Perrey like electronic (probably Moog) gag
music. The melodies are very simple, like kid songs, "Keystone
Capers", or circus or fairground organ music, played with all
kinds of silly sounds, including some animal noises. In mono, so
maybe recorded in the first half of the 1960's.
o quotes:
+ Brian Karasick: It sounds so much like Perrey & Kingsley you
would think it was them! But then I believe Roger Roger was
their main influence so... I don't believe he ever made any
record outside library music. The surprise for me was Nini
Nardini as I always though the that release by this person on
Desco was another fake. Of course it could be another Nini
Nardini but...
* Living Guitars: "Let it Be and Other Hits"
o LP, RCA Camden CAS-2425 stereo, USA, 1970
o appreciation: 4
o note: sitar on 1 track only, I think, yet still a very nice
instrumental covers album, with some surprising material: "Spirit
in the sky", "American woman"; plus 7 more.
* Living Guitars : "Play Songs Made Famous By The Rolling Stones"
o LP, RCA Camden CAS-2521 stereo, USA, 1971
o appreciation: 3
o note: Nine Stones instrumental covers, sitar on 1 track only, I
think
* Marcy: "Let The Sun Shine In"
o LP, Corner Stone MT 112
o appreciation: 2
o note: Not really the "best" Marcy album I've heard yet.
* Peter Matz and His Orchestra: "Brings 'em Back"
o LP, Project 3 Stereo PR5007SD, USA, 1966
o appreciation: 4
o note: Typical Enoch Light "Now" sound from 1966, with some
surprisingly cool & swingin' stuff on it!
o quotes:
+ Will Louviere: Rare title from Enoch Light's Project 3 label.
Billed as a Big Band record "updated" with the "sound of
TODAY". i guess this one technically qualified as big band,
but i dunno. sounds more like a whacked out Now Sound lp to
me. 3 tracks highlight Vinnie Bell's electric sitar which
ends up sounding like a skillsaw in an echo chamber. Plus
goofy wah-wah guitar etc. Pretty awesome.
* Billy Mure: "Fireworks"
o LP, RCA 1694, USA
o appreciation: 4
o note: Five tracks with wordless vocals. The best Billy Mure LP
I've heard so far.
o See _Cool And Strange Music Magazine_ issue 5 p22
* The Out-Islanders: "Polynesian Fantasy"
o LP, Capitol T 1595 mono, USA, 1961
o appreciation: 4
o note: "Cocktail exotica", as featured on the first "ultra-lounge"
cd
* Dick Schory's Percussion Pops Orchestra: "Supercussion "
o LP, RCA LSP-2613 stereo, 1963
o appreciation: 4
* The Voices of Walter Schumann: "Scrapbook"
o Lp, RCA Victor LPM-1465 Mono Only, USA, 1957
o appreciation: 2
o note: Most of it is very boring EZ choir stuff, but a wordless
classical piece by Tchaikovsky, a "Choir blues", and a heavenly
"Blue Moon" make it a keeper.
* Bobby Shad and the Bad Men: "A 65-piece Rock Workshop"
o LP, Mainstream Records MRL-306 stereo, 1970's
o appreciation: 5
o note: Big symphonic instro rock, absolutely incredible. Sounds
like a hard rock version of Michael Nesmith's "Wichita Train".
Covers of Whole lotta love, Pinball Winzzard and 4 others. woow.
* Jimmy Smith: "Organ Grinder Swing"
o LP, Verve V6-8628
o appreciation: 3
* The Soulful Strings: "String Fever"
o LP, Cadet LPS-834 stereo, USA, 1969
o appreciation: 4
o note: Strings band, with flute, harmonica, guitar, cello, what a
combination, but the result is very nice, smooth, soulfull, even
funky, and on a couple of tracks they even throw in some blues!
* Uakti: "Uakti"
o cd, Verve 831 705, USA, 1987, deleted
o appreciation: 4
o note: The back says that Uakti is a "Instrumental workshop". A mix
of folky Brazilian traditions, exotic adventure, and new age
spirit. One folky track reminded me a bit of Elizabeth Waldo;
another one, with tuned percussion, of Harry Partch, and yet
another even of Pink Floyd in their "Animals" period. Quite some
variation, you might say, and yet it all makes sense because the
Brazilian roots are always there. Most compositions by one of the
members, but also 1 by Milton Nascimento, and another by
Nascimento/Chico Buarque. The front cover shows a picture of a
self-made instrument that produces sounds of TUNED water!
wonderful to hear.
* Los Vegas: "The Newest Sound in Sounds, The Fantastic Los Vegas"
o LP, Columbia CS9322 360 Stereo, USA, 19??
o appreciation: 2
o note: Mexico's answer to The Sandpipers. Some songs are a bit
funny due to their not-so-perfect English, especially "Sunshine",
but most are forgettable. One big exception: "A taste of honey" in
a very adventurous arrangement that surprises you by jumping from
one style to another: Sandpiper-like vocals, salsa, bebop
vocalese, and back again.
* John Bunyan's Progressive Pilgrims: "Apricot Brandy and Albatross (The
Sound that Sent the Pilgrims on a Trip)"
o LP, Alshire S-5154 stereo
o appreciation: 4
o note: It's not really like the "Astrosounds" because there are no
strings. It's more like The Animated Egg. But not as good
melodies/arrangements IMO. Only 1 track has something that COULD
be a Moog, several the others have great organ playing. I'd give
it a "good" rating, if not for their incredible version of "Sabre
dance". Side A is the psychploitation side, whit lots of fuzz
guitar and flanging, while side B is more organ blues-rock
groovers, a bit like early Pink Floyd at times.
o quotes:
+ Stefan Kery of _Subliminal Sounds_: This is the awesome
Alshire LP up there with "Astro Sounds" for fuzzed out,
effect treated, moog induced weirdo 60s psych and hot dance
floor action. Killer fuzz-out guitar wranglers yeah every
track! Weird sleeve. Good stuff! Groovy! It's totally
instrumental and very cool (and pretty rare) like the Astro
Sounds lp.
* Wilson Neves e seu Conjunto: "Juventude 2000"
o LP, Parlophone Nova Fase PBA 13.008 reissue, Brazil, 199?
o appreciation: 4
o note: very good Bossa Nova, sounds somtimes as if mixed with
"twist". Notbas goofy as "Samba - Tropi" or "O Som Quente E O Das
Neves". The last 2 tracks sound completely different: on one,
Wilson tries something exotic with solo percussion, and the other
sounds like instrumental 60's pop.
* Lochiel And South Carvolth Schools: "Lochiel And South Carvolth
Schools"
o LP, Glenwood Region Music Group, Canada, 1970's
o appreciation: 5
o note: A school kids choir + guitar + wood blocks and drums
sing/play 70's hits: the result is simply amaaaaazing "Outsider
music", especially "space oddity"; man o man, i listened to that
time after time, and it is simply the most astaunding, incredible
cover anytime! pure (amateur) genius at work! And the other 8
tracks are very good too.
o quotes:
+ Brian Linds: I sent Irwin Chusid a copy of their version of
Space Oddity and it has caused so much excitement at WFMU, it
charted on their top 30 list at #25. The album includes:
Little Duece Coup; Space Oddity; Band On The Run; Saturday
Night; You're So good To Me; To Know Him Is to Love Him; Help
me Rhonda; Something Good; Riannon. They really rock!!!
* Mother Earth (Mort Garson): "Plantasia (warm earth music for plants.
and the people who love them)"
o LP, Homewood Records stereo H-101, USA, 1976
o appreciation: 4
o note: Gentle and bubbling EZ Moog Muzak; DJ's should play it next
to Gentle People's "Soundtracks For Living" CD: plenty
resemblance!
* Billy Mure: "Pink Hawaii"
o LP, Strand SLS 1070
o appreciation: 3
* Billy Mure: "Supersonics in flight"
o LP, RCA LSP-1869
o appreciation: 3
* Os Mutantes: "A Divina Comedia Ou Ando Meio Desligado"
o LP, Polydor LPNG 44.048, Brazil, 1997 | LP, UK, ?, 1999
o appreciation: 3
o note: From 1970. Brazil's answer to the Bonzo Dog Band!
COMPILATIONS:
* Les Plus Belles Chansons & Musiques Des Films De Jean Gabin Volume 2
(Collection Play Time - Les Acteurs)
o CD, FGL Playtime PL 9519, France, 1995
o appreciation: 1
o note: Disapointing, old-time French music. Only at the end, about
5 (more recent) tracks are quite cool and sound more like Raymond
Lefevre's "Les Plus Belles Musiques Des Films De Louis De Funes",
also in this "Collection Play Time - Les Acteurs" series.
* Mondo For Space Age
o CD, Capitol/Liberty TOCP-8971, Japan, 1996, deleted
o appreciation: 5
o note: I've always thought this was some Japanese variation on
"RCA's History Of Space Age Pop". Wrong, it seems. Half of it is
NOVELTY, hooray! Even Spike Jones is on it, disguised as Hangnails
Hennessey, with a track from his "Rides, rapes & rescues" LP. Then
there's the Chipmunks, but also Ross Bagdasarian's "Gotta get to
your house", which sounds a bit like Mel Henke's mad musical
adventures on "La Dolce Henke". Several artists I've never heard
of, like Roy Harte & Milt Holland, who's "The kick" sound as great
and over the top as any track from Magne's "Tropical Fantasy"; The
Invitations sing a wonderful Hawaiian song; and who is Mr. Gasser?
John McFarland? Ethel Azama? The other half, not novelty, is
filled with well-known greats like Baxter, Dean Elliott, Jack
Fascinato, Harry Revel, Jimmie Haskell, Muzzy Marcellino, and
Augie Colon with "Witch Doctor"!! A fantastic CD. long deleted
alas.
* Wendy Mae Chambers: "Car Horn Organ"
o single, 7" single, Artmusic Inc. Artmus 001A
o appreciation: 4
o note: Four short but very funny car horn organ pieces: Star
Spangled Banner, Dixie, When Johnny Comes Marching Home, and an
improvisation.
o Read article in "_Cool And Strange Music Magazine_" issue 16
Johan
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From: Johan Dada Vis
Subject: (exotica) Re: top 10 or 50 Exotica/Lounge records: 78 fave comps
Date: 09 Feb 2001 16:48:01 +0100
"Dr Chris R. Tame" wrote
>It would also be very helpful to have some evaluations of the many
>lounge/exotica compilations (like the UltraLounge series) now available.
my faves:
* "Barnyard Beat. Livestock Rock And Jungle Jams (A Parody Album)"
Animals doing rock classics.
* "Beat At Cinecitta Volume 1"
A sensual homage to the most raunchy, erotic filmmusic from the
vaults of Italian 60s & 70s cinema. One of the best, if not THE best,
Italian loungecore soundtrack compilation around.
* "Beat Psichedelico Alla Celluloide (Vol.2 In The Celluloide Series)"
I'm drowning in the Easy Tempo series, they all start to sound
alike. and then arrives this wonderful CD, with a totally NEW sound
from Italy, not yet featured much on other comps. This is not funky
or jazzy music, but - as the title sugests - BEAT, the late 60's,
instrumental kind. Not really very Psichedelico I think, but very
bright and fun, with great catchy, mostly uptempo "pop" melodies that
sound like they were all used as TV theme tunes. Everything played by
small bands, with very little use of electric guitar as front
instrument, but plenty of electric organs. The sound constantly
reminded me of Vic Mizzy's "Addams Family" soundtrack, because
there's lot's of harpsichord here. Neil Hefti's 2 Batman LP's also
came to mind, but without the jazz element. A bit of spaghetti
influence on 1 track, another sounded a bit like Duke Of Burlington
on his "The Pressed Piano" LP. Just like in the "Schulmadchen Report"
CD, there's also a lot of plagiarism here, which seems to be an
essential part of late 60's-early 70's "loungecore". One of the best
Italian comps I've heard so far, highly recommended, and it really
deserves better distribution channels! (Jack, Preston, Stefan,
include this one in your sale catalog, that's an order! ;-)
* "Beat Vol. 2 - Lounge At Cinevox"
16 more groovy "now", beat, jazzy, funky, and/or
psychploitation tracks from the Italian Cinevox Record Archives,
starting with a truly psychotic masterpiece by Morricone. 5 tracks
prev. unreleased, 10 for the first time on cd.
* "Bent, Batty And 'bnoxious!"
Highly recommended, if you like stupid "Wavy Gravy" stuff. I
actually think this is far better than "Wavy Gravy", much more
"demented".
* "Betty Page, Danger Girl. Burlesque Music"
Really great spy and crime sounds, from the Chappel and
Marlowlynn music libraries
* "Blow Up Presents Exclusive Blend Volume 3"
For this 3rd volume, Paul Tunkin croossed the channel, and
visited the French music library "Telemusic". The result is a
loungecore collection with a definite French flavor, and much more
variation than the previous 2 volumes. Sometimes funky, on 1 sitar
track slightly oriental, and on another 13+ minutes of prog EZ, but
always with a big production sound. Also includes 2 very French,
heavenly female wordless vocal tracks. Compositions by Guy Pederson
and Bernard Estardy fill most of this CD. Pederson is better
composition-wise, writing better melodies arrangements, while Estardy
sounds remarkably modern, groovy in a repetitive way, with Moogish
effects, and a total sound not unlike today's "breakbeat" artists. 16
tracks, 55 minutes total. Highly recommended!
* "Blue Brazil 2 (Blue Note In A Latin Groove)"
Even better than volme 1, much more exotic! Wonderful & pure
Brazilian music, almost all 18 tracks by artists new to me.
* "Blue Juice"
* "Blue Juice Volume 3"
The smoothest and mellowest volume yet, which is meant as a compliment!
* "Cocktail Mix Volume 1: Bachelor's Guide To The Galaxy"
my favorite volume of the series
* "Cocktail Mix Volume 2: Martini Madness"
* "Cocktail Mix Volume 4: Soundtracks With A Twist!"
* "Crime Jazz: Music In The First Degree"
* "Dig It - The Sound Of Phase 4 Stereo"
* "The Easy Project 2 - House Of Loungecore"
* "The Easy Project - 20 Loungecore Favourites"
I liked this even better thatn"The Sound Gallery"! Super cool
collection of production music and rare tracks of British loungecore.
* "Easy Tempo Volume 1 (A Cinematic Easy Listening Experience)"
* "Easy Tempo Volume 2 (The Psycho Beat)"
One of the best in the series.
* "Easy Tempo Volume 3 (Further Cinematic Easy Listening Experiences)"
Italian soundtrack music by Armando Travajoli, Augusto
Martelli, Piero Piccioni, Piero Umiliani, Francesco De Masi, Sergio
Nilo, Attilio. Lots of Latin rhythms.
* "Espresso Espresso. A Lightly Latin Brazillian Blend"
* "The Exotic Beatles Part 1"
* "The Exotic Trilogy Vol. I"
* "Further Inflight Entertainment"
Not as amazing and surprising as volume 1, but still highly
recommended, if you don't mind the disgustingly high price...
* "Get Easy! Vol.1: The Classic Collection"
"Tempo Easy Listening Collection 1". My favorite of the whole
series; it's an overview of the Easy Listening greats: Wanderley,
Mancini, Astrud, Montenegro ("Lady in cement"!), Lalo, Peter Thomas,
Sandpipers, Ray Conniff, Denny, Bottcher, Kaempfert, Bacharach, Herb
Alpert and others. all COOL tracks!
* "Golden Throats 2: More Celebrity Rock Oddities!"
* "Golden Throats 4: Celebrities Butcher Songs Of The Beatles"
Alan Copeland's "Mission: Impossible Theme/Norwegian Wood" is
THE surprise killer track for me on this comp; it's exactly what the
tile says: a combination of the 2 songs in ONE, and extremely well
done, brilliant! Others: Day Tripper (Mae West), Michelle (Xaviera
Hollander), Something (Telly Savalas), Lucy in the Sky with Diamonds
(William Shatner), Revolution (Brothers Four), etc.
* "Hollywood Hi-Fi"
"18 Of The Most Outrageous Celebrity Recordings Ever!": that
sub-title is true!
* "I Hate The Beatles"
* "Incredibly Strange Music Volume 1"
* "Incredibly Strange Music Volume 2"
* "Inflight Entertainment"
As good as "The Sound Gallery" or "The easy project".
* "Instro Hipsters A-go-go"
Woow! I say, woooooooooooooow!! Incredible, the CD starts with
about 5 really loud and fast and boisterous big band "now" tracks,
some of them a bit jazzy, with raw electric guitars, organs; think
Peter Thomas at his wildest! This must be "the hard rock of EZ".
Then, just when I thought "hmm, this starts to get a bit too much of
the same thing", the rhythm slows down a bit, you get a
Hefti-Batman-like theme, Barry-Bond-twang, boogaloo, funk,
spaghetti-Bond, all still quite energetic, then, at last, a slow
track with heavenly wordless vocal and harpsichord, but not for long,
they go into higher gear again! All first-class meodies (well, except
for a 8 minute psych guitar work-out with hypnotic and slightly
exotic percussion) and arrangements and very well played. Only a
couple of well-known names pop up: John Shakespeare, Johnny Keating,
Dave Pike Set ("Mathar", again...), and 2 Pierre Henry tracks from
"Messe pour le temps present" played by Les Yper Sound (?)
* "Instrumental Favourites: Exotic Moods"
* "Jazz 'round Midnight: Bossa Nova"
this one doesn't give you the most obvious selections, and it
mentions the original albums tracks were taken from AND if they are
available on cd.
* "Jungle Exotica"
great, but rather loud, fun. not just primitive rock and roll,
closer to what you hear on "Las vegas grind". it's a mix of R&B, R&R,
exotic elements, with a very novelty approach.
* "Jungle Exotica Volume 2"
no duplicates with the lp's
* "Las Vegas Grind Volume 1"
* "Las Vegas Grind Volume 2 - Louie's Limbo Lounge"
* "Las Vegas Grind Volume 3"
* "Las Vegas Grind Volume 4"
* "Las Vegas Grind Volume 5"
* "Las Vegas Grind volume 6"
A very strong volume! Plenty of wacky and trashy mixes of R&B,
doo-wop, beatnik, R&R, twist and funk, with lots of sax and organ
upfront, and of course -- the trademark of this series: nonsens talk,
scats and crazy human zounds.
* "Metti Una Bossa A Cena"
The best of 2 worlds: bossa nova from Italy!
* "Monster Rock 'n' Roll Show"
* "The Mood Mosaic 4: Les Yper Sound!"
* "Music For A Bachelor's Den Volume 2: Exotica"
Great introduction to classic exotica, with several tracks from
very rare LP's.
* "Music For A Bachelor's Den Volume 3: Latin Rhythms In Hi Fi"
* "Music For A Bachelor's Den, Volume 4: Easy Rhythms For Your Cocktail Hour"
* "Only In America"
* "Ready Steady Boogaloo! (Amphonic Grooves For Carnaby Chicks And
Cool Steppers)"
This is maybe how volume 3 of "The Sound Gallery" might have
sounded like! Eighteen excellent late sixties/early seventies
production music from the Amphonic music library, founded by Syd
Dale, who worked for KPM during the sixties. Contrary to the title,
and though a bit funky at times and with a bit of Latin percusion,
there's no real boogaloo here, but - quote - "hard-beating acid-pop
and funky Hammond grooves". Some tracks have a touch of Latin, jazz
and funk; most are of that typical British combination of
sophisticated groovy Hammond + big band horns + strings here and
there, with happy melodies and lush arrangements. At only GBP 5-,
this must be the best deal of the year!
* "Real Gone Garbage"
* "Shake Sauvage (french soundtracks 1968-1973)"
The cd has 3 extra tracks not on the vinyl.
* "Shaken Not Stirred"
A bit on the short side, but still great lounge comp. The
unlisted bonus track -- a jazz version of the James Bond Theme -- is
by James Bond & His Sextet
* "The Soul Of Jazz Volume 1 (Gitannes Jazz Productions)"
Great dancefloor jazz with Hugh Masekela; Jimmy Smith (2
tracks, 1 of them from "The cat"); Cal Tjader; Quincy Jones; James
Taylor Quartet; and others. There are more volumes, though don't know
how many. I prefer this over the "Mojo" dancefloor jazz" cd series
because that has lots of vocal tracks, and I prefer instro jazz.
* "The Sound Gallery"
Essential UK Loungecore comp.
* "The Sound Gallery Volume 2"
* "Sushi 3003"
* "Talkin' Verve Groovy"
Verve artists do groovy jazz covers of 60's soul, R&B, and pop
songs; they sound more pop or "Now" than jazz, which I think is good!
Oscar Peterson's "Satisfaction" is about the only "real" jazz track,
which means that you can't recognise the original melody ;-)
* "Talkin' Verve With a Twist"
This was Verve's "Space Age Pop/Lounge" hit compilation, irts
reply to Capitol's Ultra-Lounge series I guess. Very much like
Rhino's "Cocktail Mix" Volumes 2 & 3, so if you liked those, be sure
to check these out! Lots of cool tunes, mostly from the Mercury
archives: Charade, Pink Panther, Tequila, Walk on the wild side,
Peter Gunn, James Bond theme, What's new pussycat, Girl from Ipanema,
One mint julep.
* "Television's Greatest Hits (65 TV Themes From The 50's And 60's)"
* "Television's Greatest Hits Volume 2 (65 More TV Themes Fro The
50's And 60's)"
* "Themes Like Old Times"
"90 Genuine Original Program Openings From The Most Famous
Radio Shows." highly recommended! There's a lot of use of a Theatre
organ on these themes compilation, many themes from mystery and
adventure series. E-mail contact: _mailto:video@yesteryear.com_
* "The Thriller Memorandum. Mood Mosaic Volume 2"
1960's spy jazz
* "A Trip To Brazil - 40 Years Of Bossa Nova"
* "A Trip To Brazil vol. 2: Bossa & Beyond"
Excellent second volume, with 38 tracks in total, this time
offering more than just classic bossa nova. Disc 2 offers acts who
mix samba and other Brazilan sounds with elements from jazz, funk and
psychedelia. Highly recommended! Don't confuse with the double vinyl
"A Trip To Brazil: Bossa & Beyond", which features exactly the same
front cover, and is really a "best of" compiled from "A Trip To
Brazil - 40 Years Of Bossa Nova" and this very "vol. 2: Bossa &
Beyond".
* "Ultra-Lounge On The Rocks Part 1: Rock'n'roll Distilled For Easy Listening"
I absolutely LOVED this! (Vol 2 a bit less). You shouldn't
compare them to Rhino's "Golden throats", as this is not as much
atrocious music, it's just easyfied (instrumentalised) pop classics;
a few are silly, but a lot have that "now sound". Very interesting. A
friend dj who's very much into dub/techno/drum & base/acid jazz and
who also likes some of the stuff I play for him (like the "Sound
Sallery" and the Crippled Cick soundtracks) found it very groovy
indeed!
* "Ultra-Lounge Vol. 1: Mondo Exotica"
A perfect volume to start with, if you don't have anything from
this series yet.
* "Ultra-Lounge Vol. 2: Mambo Fever"
* "Ultra-Lounge Vol. 3: Space-capades"
* "Ultra-Lounge Vol. 4: Bachelor Pad Royale"
* "Ultra-Lounge Vol. 6: Rhapsodesia"
* "Ultra-Lounge Vol. 7: The Crime Scene"
The uncredited mystery bonus tracks at the end of several of
the "Ultra-Lounge" volumes are by Renzo Cesana, also known as "The
Continental".
* "Ultra-Lounge Vol. 8: Cocktail Capers"
* "Ultra-Lounge Vol. 9: Cha Cha De Amor"
* "Ultra-Lounge Volume 11: Organs In Orbit"
* "Ultra-Lounge Volume 17: Bongoland"
One of the numerous delights of the "Ultra-Lounge" series are
the previously unreleased tracks, like Denny's version of "The young
savages".
* "Wanted Dead Or Alive"
The best from the original soundtracks of the Italian
westerns. The sound of spaghetti westerns from Morricone to Morricone
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From: "NIELS KREISHOLT"
Subject: (exotica) The Unusual We
Date: 09 Feb 2001 19:23:52
Hi there,
Can anyone tell me about an early 70ies group called "The Unusual We"?
What were they like?
Where can I get their records?
best regards
Niels
_________________________________________________________________________
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From: "NIELS KREISHOLT"
Subject: (exotica) Bacharach solo album question
Date: 09 Feb 2001 19:27:34
Hi,
Is it true that Burt Bacharach recorded a couple of solo (just piano and
singing) albums in the late 60ies?
If so - what are the titles of these albums? Are they available as CD
re-issues?
best regards
Niels
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From: "Darrell Brogdon"
Subject: (exotica) Pronouncing Exotica
Date: 09 Feb 2001 13:52:25 -0600
I recently acquired a copy of "Hawaii Right Now!" by The Aliis, and
I'm curious how you say their name. Anybody know?
And while we're at it...how the hell do you pronounce "Misirlou"?
I've heard it mangled ten different ways. Does anybody know the
for-sure, definitive pronunciation for this tune?
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro/retrolisten.htm
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From: Will Straw
Subject: Re: (exotica) Danger Diabolik bootleg
Date: 09 Feb 2001 14:57:25 -0500
>And now it's at $81. Incredible,
Will
Will Straw,
Acting Chair,
Department of Art History and Communications Studies
McGill University
853 Sherbrooke Street W.
Montreal, QC H3A 2T6
Canada
Phone: (514) 398 7667 Fax: (514) 398 7247
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From: "Rajnai, Charles, NNAD"
Subject: RE: (exotica) Pronouncing Exotica
Date: 09 Feb 2001 15:03:07 -0500
>=20
> And while we're at it...how the hell do you pronounce "Misirlou"? =20
Dick Dale, the guy who claims he made the song famous, pronounced it
MIZ-er-loo.=20
Rhymes with 'kiss her too'. (was that a stretch!)
=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=
=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=20
Charlieman=20
"Everything that can be invented, has been invented."
=A0=A0=A0=A0=A0=A0=A0 - Charles H. Duell, 1899=A0
=A0=20
=20
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From: alan zweig
Subject: Re: (exotica) Neo-Exotica top 10 or 50 Exotica/Lounge
Date: 09 Feb 2001 15:49:33 -0500
At 07:39 AM 2/8/01 -0800, chuck wrote:
.>
>A Huge vote for Neo-exotica category!
>
>Tipsy is a definite
>
>Don Tiki is perhaps the BEST
Yesterday at the used CD store, I heard this thing. Couldn't believe how
utterly neo exotica it was. It was on one of those "Served Chilled"
compilations. I'm pretty sure the cut that blew me away was by MANDALAY
but I can't totally trust the clerk. Anyway I sat there listening to the
next three tracks just to see if they sounded anywhere near as perfect as
that one cut, in which case I would have bought it. But they didn't. One
cut came close but that's all.
I guess it vaguely fit into "electronica" in that it had the quality of
being "looped" or sampled and there was a very low-key repeated beat in the
deep background but mostly what you heard was this lovely exotic
soundtrackish string section sounding like something out of one of those
"Exotic Strings" records (by Percy Faith or Michel Legrand).
So does anyone know this compilation or these comps in general? Does
Mandalay exist or is it just some name chosen for this compilation? Is
there a whole CD by Mandalay out there?
And one more thing about neo-exotica. I just bought a Francis Lai record
that sounded exactly like Air.
AZ
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From: "Magnus Sandberg"
Subject: Re: (exotica) Pronouncing Exotica
Date: 09 Feb 2001 21:50:03 +0100 (CET)
citerar Darrell Brogdon :
>
> I recently acquired a copy of "Hawaii Right Now!" by The Aliis, and
> I'm curious how you say their name. Anybody know?
In Sweden we call them the Alees, like in "Lee" Hazelwood. Looks like a
question for Fluid Floyd, also what does it mean? I know I have heard
it sometime, either "the high priests" "the Kings" or "gods sons" or
something other solemn.
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From: alan zweig
Subject: Re: (exotica) Re: top 10 or 50 Exotica/Lounge records: top 68
Date: 09 Feb 2001 16:16:19 -0500
At 04:45 PM 2/9/01 +0100, Johan Dada Vis wrote:
>
> is a top 68 OK? it also includes some novelty stuff... sorry
>for overlaps with previous posts, i'm behind with reading digests...
>
>* Lew Davies: "Strange Interlude"
> All sorts of exotic percussion, plus Ondioline & Theremin.
Johan owns everything and if anyone can come up with a list, it's him and
it's silly to argue with these lists since it's all personal taste.
Having said that, I think Strange Interlude is a very very disappointing
record. First of all, there's very little theremin on it. And some of the
cuts are simply boring. I guess that the best cuts on it may deserve to be
on a list of the great exotica cuts but the album as a whole is a snooze.
Just warning anyone who keeps seeing it on lists and has it on their list
of holy grails. If you find it for a couple of bucks, be my guest. I
bought it once too. But in my opinion you shouldn't make this a "must-have".
Unless you must have everything.
I guess that's why some of us were reluctant to make lists. It's different
with a CD. Someone can tell you they like a CD and you can find it and buy
it. But with LP's you usually can't do that. And you build up a
fascination for the thing and you think "IF I ever find that, I'll buy it
no matter what". In the meantime there are records languishing in
junkstores that no one is putting on their list and they're just as good as
anything you're dying to find.
This is not true across the board. I wish it was. But there ARE records
you hear about all the time which really are as great as you're hoping they
are.
But unless you've heard the record already and you know you love it, I
suggest you ignore these lists and just buy whatever you see that's cheap
and looks interesting.
I put this Axel Stordahl "Lure of the Blue Mediterranean" on my list. It's
probably not on anyone else's list and it probably doesn't deserve to be.
On the surface, it's this run-of-the-mill "exotica travelogue" record, this
gatefold thing with great pictures inside and beautiful packaging all around.
I was pretty sure I knew what it would be but I took a chance on it anyway.
The first couple of cuts were pretty run of the mill. But there are these
two "hidden cuts" that are like crime jazz suites or something. They
totally don't fit the rest of the record but who cares????
The lists are good. When I first joined this list, you were always seeing
records referred to. It was like a de facto list was being created. And
it helped you form a mental list. And a mental list is good, as long as
you don't really think that these are the best.
AZ
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From: Moritz R
Subject: Re: (exotica) Pronouncing Exotica
Date: 09 Feb 2001 22:28:16 +0100
Aliis = Uh-Lee-Ees
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: "Benito Vergara"
Subject: RE: (exotica) Neo-Exotica top 10 or 50 Exotica/Lounge records...
Date: 09 Feb 2001 13:46:52 -0800
> -----Original Message-----
> From: owner-exotica@lists.xmission.com
> [mailto:owner-exotica@lists.xmission.com]On Behalf Of alan zweig
> Sent: Friday, February 09, 2001 12:50 PM
> Yesterday at the used CD store, I heard this thing. Couldn't believe how
> utterly neo exotica it was. It was on one of those "Served Chilled"
> compilations. I'm pretty sure the cut that blew me away was by MANDALAY
> but I can't totally trust the clerk.
I believe Vol. II of the Serve Chilled series has the Mandalay track.
> I guess it vaguely fit into "electronica" in that it had the quality of
> being "looped" or sampled and there was a very low-key repeated
> beat in the
> deep background but mostly what you heard was this lovely exotic
> soundtrackish string section sounding like something out of one of those
> "Exotic Strings" records (by Percy Faith or Michel Legrand).
> So does anyone know this compilation or these comps in general?
I used to own both Vol. 1 and 2 of Serve Chilled (I think they're part of a
bigger series called Hed Kandi or something) -- bought 'em (all 4 discs!)
for $16 in total at one of those outlet mall places.
I found them kind of dull, I'm afraid. Not that I didn't have an affinity
for so-called downtempo music, but many of the tracks suffered from a
sameness (the somewhat interchangeable names of the unfamiliar artists only
heightened this feeling): the same head-noddin' tempo, some sample looped
endlessly, etc. The best tracks were, for instance, by Thievery Corporation,
and since I already owned them, there didn't seem much reason to hang on to
the comps for much longer.
I suspect you'll get a higher neo-exotica / chillout quotient from those
Ursula 1000 comps, or the Thievery Corp's DJ Kicks CD.
> And one more thing about neo-exotica. I just bought a Francis Lai record
> that sounded exactly like Air.
Give it up, Alan -- what was the title?
Later,
Ben
np: mark kozelek, "rock n' roll singer"
http://www.bigfoot.com/~bvergara
ICQ: 12832406
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From: "Dr Chris R. Tame"
Subject: Re: (exotica) Re: top 10 or 50 Exotica/Lounge records: eXotica Releases Overview
Date: 09 Feb 2001 23:56:36 +0000
In article , Johan Dada Vis
writes
>
>"Dr Chris R. Tame" wrote
>
>>It would also be very helpful to have some evaluations of the many
>>lounge/exotica compilations (like the UltraLounge series) now available.
>
> looking for info about some exotica CD?
> check it out at the "eXotica Releases Overview":
> http://www.geocities.com/SunsetStrip/Lounge/1936/disq/disq.htm
> a searchable and annotated hyperdiscography
> of more than 2500 "exotica" & related CD's and new LP's.
> With hundreds of ratings, comments, and reviews by dozens of people.
> The next best thing to a truly searchable Exotica List archive!
>
> Johan
>
> -----
>
>
Fantastic - just the sort of thing I was after. Many thanks indeed.
--
Dr. Chris R. Tame, Director
Libertarian Alliance | "The secret of Happiness is Freedom, |
25 Chapter Chambers | and the secret of Freedom is Courage" |
Esterbrooke Street | Thucydides, Pericles' Funeral Oration |
London SW1P 4NN
England
Tel: 020 7821 5502
Fax: 020 7834 2031
Email: chris@rand.demon.co.uk
LA Web Site: http://www.libertarian-alliance.com/
Free Life Web Site: http://www.whig.org.uk
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From: tikiman
Subject: (exotica) Ali'i
Date: 09 Feb 2001 16:59:13 -0800 (PST)
> > I recently acquired a copy of "Hawaii Right Now!"
> by The Aliis, and
> > I'm curious how you say their name. Anybody know?
>
> In Sweden we call them the Alees, like in "Lee"
> Hazelwood. Looks like a question for Fluid Floyd...
FF to the rescue. Ali'i (ah-lee-ee) means royalty...
chief, chiefess, king, queen, noble.
welcome back, Magnus... the original midnight son!
ever heard June Christy's version of "Midnight Sun?" I
love that.
Top 50 list- exotica for me is music of many genres
that evokes the jungle and/or other worldiness. for
jazz, this includes anything from Eric Dolphy's
"Feathers" to Alice Coltrane's "Blue Nile" to Rahsaan
Roland Kirk's "Serenade to a Cuckoo" or "Inflated
Tear" to Yusef Lateef's "Eastern Sounds" album.
polynesian exotica musts are Martin Denny (Exotica,
Hypnotique, Afro-Desia, and all the rest), Les Baxter
(Ritual du Savage, Tamboo, Capitol's "Exotic moods
of.."
is a great start), Arthur Lyman (Taboo 1 & 2), Eden
Ahbez, Robert Drasnin and many more already mentioned
by this erudite exotic crowd.
for neo-exotica there's Tipsy (great review of "Uh-oh"
in new Wired mag... haven't heard it yet, anybody?),
Montefiori Cocktail, AstroSlut, Action Plus, Joey
Altruda, Thievery Corp (DJ Kicks), Amon Tobin's "Nova"
track off the "Permutations" CD (same track that Bebel
Gilberto sings over on her fab "Tanto Tempo" release),
"Minitoka" track on DJ Food's "Kaleidoscope" and on +
on. Of course, tons of wonderful Brazilian music,
dubby reggae like Augustus Pablo, odd rock like the
Rascals "Little Dove" (Peaceful World lp w/ Alice
Coltrane!), even the Beach Boys ("Til I Die", "Feel
Flows").
i could go on, but just wanted to mention a few things
i didn't see covered. many mahalos for everyone's
contribution to this topic... i learned alot. the
depth of your knowledge is a constant source of
inspiration.
'A'ohe loa i ka hana a ke aloha,
( Distance is ignored by love )
Fluid Floyd
Don Tiki/Taboo Records
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From: Matt Marchese
Subject: (exotica) GYBE: Interview
Date: 09 Feb 2001 19:52:08 -0600
Interesting prank interview with Godspeed, You Black Emperor.
http://www.cstrecords.com/html/efrim.html
--
Matt Marchese
"I've been havin' this nightmare.......a real swinger of a
nightmare, too." -Frank Sinatra (The Manchurian Candidate)
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: "william"
Subject: (exotica) re: japan
Date: 10 Feb 2001 14:04:52 +0800
>
> 1. Is anyone on the list in Japan?
> 2. If you are, do you know of any Exotica friendly bars/clubs?
>
well, i'm sure others have more traditional exotica bars to mention.
maybe taro will delurk to give you some ideas or p.g. will since he was just
there on vacation. i believe that members of united future organization d.j.
at the liquid room in shinjuku quite regularly. and konishi has been popping
up at the organ bar in shibuya recently. i haven't been to either place so i
don't know how exotica friendly they or what have you. some members of the
pizzicato five english mailing list have put together a travel site and
there might be something of interest for you on that site. here's the url:
http://homepage.mac.com/pizzitravel/main.html
william in taipei.
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From: "Daniel"
Subject: (exotica) For sale..Martelli/Pete Pearl/Pezzotta/Sciascia/De Angelis
Date: 10 Feb 2001 10:28:49 +0100
Hello all, if are are interested in....
-Augusto Martelli - Music In Love
(Five Fm 1982 13507) (electronic...)
phase 6 superstereo...
-Pete Pearl with Strings - La Notte e'Fatta Di Sogni (Night is made for
dreaming)
(vedette 1969) cover ex
-Mario Pezzotta e i suoi solist - Sophisticated Lady
(vedette 1975)
-Armando Sciascia - Largo e Appasionato
(vedette 1972)
-OST "Formula Uno" by Guido & Maurizio De Angelis (KTR, Stereo 13900 1979)
cover ex
+ bonus! singel (in fair condition)
OST Bruno Nicolai "Ringo Dove Vai" (Ringo Come To Fight)
...write me. I wish to sell all at once.
Daniel
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From: "Magnus Sandberg"
Subject: Re: (exotica) Ali'i
Date: 10 Feb 2001 11:35:30 +0100 (CET)
> welcome back, Magnus... the original midnight son!
> ever heard June Christy's version of "Midnight Sun?" I
> love that.
No, which record is it on? A favorite "Midnight sun" recording for me
is featured in the film "Invasion of the Animal People"
AKA
Horror in the Midnight Sun
Space Invasion from Lapland
Space Invasion of Lapland
Terror in the Midnight Sun
One of those really fun sci fi extravaganzas from the fifties, and one
of the few swedish produced science fiction /horror films. Since it is
swedish it is nudity in it too, so you see you must watch it. To hear
the laps talk their fake voodoo language: "Du i eou i du du ie ee ou
ed" is worth the price for renting the vhs.
Magnus
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From: "The Workmans"
Subject: (exotica) exotica lists
Date: 10 Feb 2001 10:15:37 -0500
I won't belittle any ones choices for their favs, but it is fun to see what
you all think. I agree whole-heartedly with the Sergio/Brazil 66 choice,
though. I don't think they release a clunker in the first 7 lps or so. I
could listen to Reza, Moanin' or Pretty World for hours on end (and
sometimes do...). Any other Brazil 66 fanatics out their? Favorites? Keep me
posted.. Cold and Snowy in Dayton J Workman
theworkmans@mics.net
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Pronouncing Exotica
Date: 10 Feb 2001 10:38:43 EST
In a message dated 2/9/01 12:03:55 PM Pacific Standard Time, crajnai@att.com
writes:
<< Dick Dale, the guy who claims he made the song famous, pronounced it
MIZ-er-loo.
Rhymes with 'kiss her too'. (was that a stretch!)
>>
i agree.
tb
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Pronouncing Exotica
Date: 10 Feb 2001 10:42:04 EST
In a message dated 2/9/01 12:03:55 PM Pacific Standard Time, crajnai@att.com=
=20
writes:
<< Dick Dale, the guy who claims he made the song famous, pronounced it
MIZ-er-loo.=20
=20
Rhymes with 'kiss her too'. (was that a stretch!)
=20
=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=
=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=20
Charlieman >>
my earlier post just said "i agree." and i got to thinking someone might hav=
e=20
thought that a smart ass remard to the "that was a stretch". it wasn't. i=20
meant i agreed with the MIZ-er-loo.
being careful to not offend,
tb
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From: Rcbrooksod@aol.com
Subject: (exotica) RE: Trader Vic's
Date: 10 Feb 2001 10:52:16 EST
In a message dated 02/09/01 9:45:09 AM Eastern Standard Time,
mjmarch@charter.net writes:
<< > the BH Vic's is a place frequented a lot by Celebs. The Sat night I was
> there a few weeks ago, Dana Delaney and Treat Williams were in the booth
next
> to us. The booths to be pretty "private" and can be reserved with some
> notice so the celebs often go there.
You were luckier than I was, Bob. The last time I was at the BH Vic's I
got seated next to Bruce Vilanch...he tried to hit on me.
http://people.aol.com/people/pprofiles/bvilanch/
--
Matt Marchese >>
that is so funny matt. actually i like vilanch because i like hollywood
squares. some may remember that last season goldberg had two Shag cat
paintings in her square.
on that subject, Shag had a show at La Luz de Jesus gallery while i was in
LA. he and his wife (glendele) and i have gotten to be sort of good friends.
one of the highlights of my LA trip was having them join me and my friend
michele (that is micheleflp who used to be on the list) at The Dresden Room
for Dinner. Shag and his wife actually met me at Vic's before the Dresden
and that is where we saw Dalaney and Williams.
oh the other "treat" was meeting Sea and Tea from Luxuria Music.com. a
couple of really swing chick DJs. i met them at Vic's on friday and after
getting blasted there we went to the Polo Lounge at the Beverly Hills Hotel
and got blasted some more. btw, they have a fun interactive show on tuesday
nights at 6:00 pacific time. and they are just plain neat!
that LA is one hap-nin scene baby.
TB
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-------------------------------------------------------------------------------
From: Johan Dada Vis
Subject: (exotica) Re: Ennio Morricone
Date: 10 Feb 2001 16:06:37 +0100
Moritz wrote:
>But speaking of Morricone... is there anybody in this list, who has
>been dipping deeper into the sheer unlimited record output of this
>amazing musician?
i tried out several full scores (see below) that had good
tracks featured on comps like "mondo M" and all were disappointing!
not one CD was so good i'd recommend it.
Holocaust 2000
Sesso In Confessionale
I Malamondo
La Tarantola Dal Ventre Nero
Il Prefetto Di Ferro
Il Mostro
L'antichristo
Sepolta Viva
L'Istruttoria E' Chiusa: Dimentichi
Il Serpente (The Case Is Closed, Forget It)
Le Foto Proibite Di Una Signora Per Bene
Johan
-----
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-------------------------------------------------------------------------------
From: "Brian"
Subject: Re (exotica) Mardi Gras
Date: 08 Feb 2001 23:11:18 -0500
> Sounds like BIG FUN, I wish I coud be there! Please give us after it a
> report (In germany we only have street parades with stupid commercial
techno and
> house music. (i like a lot of the real techno and house stuff, but you
will
> never hear it on these parades)
Say don't you have that strange event in Germany where people dress up like
forest creatures. Saw it once in a German (or maybe Austrian?) film and it
was one mighty surreal looking event. I think I remember Moritz once
explaining what it was all about.
Brian
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-------------------------------------------------------------------------------
From: "Darrell Brogdon"
Subject: (exotica) Retro Cocktail Hour
Date: 10 Feb 2001 12:51:02 -0600
Tune in this week's Retro Cocktail Hour webcast as we serve up
music for belly dancing from Sonny Lester's "How To Belly Dance
for Your Husband" and the movie "1001 Arabian Nights". Also on
the menu, stereo overstimulation by Bernie Green and The Three
Suns; Mike Hammer creator Mickey Spillane in a noir-ish (and
rare) crime jazz adventure from the 1950s; outer space exotica
from "A Child's Introduction to Outer Space" and theremin virtuoso
Paul Tanner; bossa nova by Les Baxter and Dick Hyman; plus new
tunes by the Hypnomen and Stereo Action Unlimited, among
others.
To hear The Retro Cocktail Hour on the web, just visit:
http://kanu.ukans.edu/retro.html
Or tune in tonight (Saturday) at 7:00pm Central time for the live
stereo webcast at:
http://kanu.ukans.edu/realaudio/index.htm
At our website, you can view playlists from the show, or sign up for
our weekly playlist mailing service (receive a detailed playlist every
Monday).
Also this week, a new exhibit in the Cover Gallery -- great Exotica
album covers for the '50s and '60s. Check it out!
As always, comments and requests are welcome.
Thanks for the space!
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro/retrolisten.htm
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-------------------------------------------------------------------------------
From: Chris Kovin
Subject: Re: (exotica) Ali'i
Date: 10 Feb 2001 11:25:25 -1000
Magnus Sandberg wrote:
>=20
> A favorite "Midnight sun" recording for me
> is featured in the film "Invasion of the Animal People"
> AKA
> Horror in the Midnight Sun
> Space Invasion from Lapland
> Space Invasion of Lapland
> Terror in the Midnight Sun
Is this a new El=E4kel=E4iset recording then?
;-0
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From: "Domenic Ciccone"
Date: 10 Feb 2001 17:47:56 -0500
So I finally found Los Brasilios’s Brasilian Beat 67 LP…on Pickwick Records.
I thought it was going to be a lousy rip off record of the Brasil 66 sound
and after a few a few cuts I stopped it and plugged the LP into the
computer. Burning this baby on CDr to listen in the car for those nasty
commutes.
A question: Since its on Pickwick and these budget records have a reputation
for issuing LP with fewer cuts I wonder if I have the whole LP. There are 10
tracks on the LP.
The first cut on side 2, Brasilian Beat, I recognized from hearing it on
Luxuria music. Luxuria is turning a year old in a few days, and if I may
mention it, my own program is turning 2 years old a few days later. Still
having a blast. And making a dent for the exotica community. Next post
questions!
Domenic Ciccone
"Martinis with Mancini" WJUL 91.5FM Friday’s 6-9AM EST
http://www.geocities.com/martinimancini/
http://wjul.cs.uml.edu/misc/wjul/wjul.html (On Real Audio)
_________________________________________________________________
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From: "Domenic Ciccone"
Subject: (exotica) Project Pimento/ Leningrad Cowboys
Date: 10 Feb 2001 17:58:38 -0500
Does anyone know what's happening with Project Pimento?
I haven't played them on my program for a while and yet I just got an email
from a listener wanting to know about them since on their web page "Nothing
has been updated since August and they don't respond to email." They never
responded to mine.
Also. I got a single cut of the "Leningrad Cowboys" from a friend on the
list. "These Boots Are Made For Walking". Is the rest of their output as
entertaining? And what would you recommend? There web page is too strange to
pick up any real information. I got one listener who went bug nuts over the
song so I got to play more of them.
Domenic Ciccone
"Martinis with Mancini" WJUL 91.5FM Friday’s 6-9AM EST
http://www.geocities.com/martinimancini/
http://wjul.cs.uml.edu/misc/wjul/wjul.html (On Real Audio)
_________________________________________________________________
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From: HEDCANDY@aol.com
Subject: (exotica) Who Are We / Tampa Bay Clubs
Date: 10 Feb 2001 20:28:05 EST
Hi,
I've lurked here for about 3 years and periodically post. Just wondering:
A: Where is everyone from and what do we do?
My name is Chris. I'm 32 and live in Tampa; moving to Seminole shortly.
I teach
Commercial Arts to 9th-12th grade High Schoolers at a Vocational School.
Turn On's are: Music, Exotica Culture, moog, gourmet popcorn, Quantum
Mechanics, the Holographic Universe Theory and 24K gold Martinis (Grand
Marye'(sp?) and Gin)
B: Anyone know of some lounge / tiki spots in Tampa Bay Area?
There used to be a great place in Clearwater called The Neon Rose. Every
Sunday from 4 to 8 an act called "Jazz & Connie" would perform. The "Jazz"
was a revolving rhythm section of senior citizens playing slide trombone,
trumpet, electric guitar, and even oboe! They also had an upright bass,
synth, drums and bongos. Connie was about 80+ years old and wore off the
shoulder sequin gowns with a giant beehive powdered wig! She would sing and
sometimes play maracas as well. I started going and would revel in the $3
Long Island Ice Teas (2 and you were F'd Up!), the cheap dinner menu (Nachos
were a must) and the wonderful wonderful people. I dug the sound so hard
they started inviting me out of the crowd to play bongos! I never missed the
chance and would play my heart out. About the 3rd time there they let me solo
and the elderly crowds were yelling GO! GO! What a treasure!
I LOVED IT. The place was always packed and the crowd was never under 60+.
(Except for me and my wife)These were the real swingers of the Florida scene.
Grandma ain't so pure when she's sucking on a Pall Mall while eyeing the room
for a gentleman caller. There was even a greaser dude in his late 70's who
used to dress (for real) in jeans and a whte t-shirt. He would role no filter
Lucky Strikes up in the sleeve. One night we all got tanked and he let us
drive his kick ass 1962, jet black Lincoln Continental with suicide doors.
THAT was a club. Sadly, the Neon Rose closed in 1997 and it's clients
scattered.
I have to say that without a doubt that was the most relaxed and enjoyable of
the club experiences I have ever had. Great people. Great stories. Great
music like "All of Me, Take The A Train, Corcovado, Summer Samba, Sinatra,
Dean Martin, Cole Porter...
*sigh...*
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From: "cheryl"
Subject: Re: (exotica) Project Pimento/ Leningrad Cowboys
Date: 10 Feb 2001 21:12:45 -0500
> Also. I got a single cut of the "Leningrad Cowboys" from a friend on the
> list. "These Boots Are Made For Walking". Is the rest of their output as
> entertaining? And what would you recommend? There web page is too strange
to
> pick up any real information. I got one listener who went bug nuts over
the
> song so I got to play more of them.
Yes, all of their output is as "entertaining" - they're an acquired taste,
but I just love their music! They have a few releases out, and star in
quite a few of Aki Kaurismaki's films (including "Leningrad Cowboys Go
America") (great film, and bizarre music - what more could you ask for?) I
believe the single you have is from the "Leningrad Cowboys and the Red Army
Chorus" (not sure if that's the correct title) and it's also a full-length
concert film, which is really worth watching, if you've never seen it!
cheryl
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-------------------------------------------------------------------------------
From: alan zweig
Subject: (exotica) Cool it Carol!
Date: 10 Feb 2001 22:45:57 -0500
I saw the most bizarre film last night on Bravo.
"Cool it Carol!" Absolutely never heard of it.
It was a British, made in 1970 and starred Janet Lynn as Carol. She didn't
look familiar but the male lead, whose name I don't know, was very
familiar. He had a Brian Jones haircut but was a little tougher looking
than Brian.
I mention it on this list because it reminded me of the kind of swinging
movie that gets mentioned here.
BTW the really quite impressive, sometimes swinging score was by Cyril
Ornadel.
I did write down that name because I'd never heard it before.
It's a movie about a girl that goes to London to become a model and in the
process of becoming very successful, very quickly, she also becomes a
prostitute and stars in a porn film with her boyfriend/manager.
The porn shoot is a pretty great scene.
What's most striking about the film is how light it manages to remain even
while going into the areas it enters. It feels like a Carry On film all
the way through and the music actually contributes to that feeling.
The second really striking thing is the ending. Just at the point where
most films would start the tragic slide downwards for our two naive
characters (Carol and her manager Joe), Carol asks Joe if he's happy. "Is
this what you always wanted Joe?" and he says no.
Next scene they're back home. She's back at her mother's station, pumping
gas. He's back at his old job delivering meat.
No one is the wiser. It's like it never happened. He pulls up for gas and
they make a little private joke and the film ends.
It just kills me that these things exist.
There's a connection to finding surprising records. Right now I'm
listening to an amazing almost indescribable record called "Communications
72" which is a collaboration between Stan Getz and Michel Legrand. It's
all over the place but I have to say I've never heard a record quite like
this.
I guess these are the kinds of "discoveries" we're obsessed with.
AZ
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-------------------------------------------------------------------------------
From: alan zweig
Subject: (exotica) Re:
Date: 10 Feb 2001 22:47:42 -0500
At 05:47 PM 2/10/01 -0500, you wrote:
.>
>A question: Since its on Pickwick and these budget records have a reputation
>for issuing LP with fewer cuts I wonder if I have the whole LP. There are 10
>tracks on the LP.
I've had two versions of that record - with two distinct covers, one
showing a "band" and one showing a covergirl (guess which one I kept) - and
you've got all the cuts.
If I was more obsessive or more diligent, I could tell you the cuts that
are duplicated on other records and what those records are but all I can
remember is that you'll find at least one of those cuts duplicated on a
Design record with a picture of Robert Redford on the front and the words
"Downhill Skier" prominent.
I'm pretty sure I included one or more cuts from this record on my "Clark
Kent's Secret Identity" CD in the exoticaring.
AZ
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From: Eric Taub
Subject: Re: (exotica) Cool it Carol!
Date: 10 Feb 2001 23:22:28 -0500
Hmmm.=20
She's...pumping gas. He's back at his old job delivering meat.
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From: Philip Jackson
Subject: Re: (exotica) Cool it Carol!
Date: 11 Feb 2001 20:52:07 +1100
on 11/2/01 2:45 PM, alan zweig at azed@pathcom.com wrote:
> BTW the really quite impressive, sometimes swinging score was by Cyril
> Ornadel. I did write down that name because I'd never heard it before.
I have some 7" childrens discs with music and conducting by Cyril Ornadel.
Beatrix Potter stories/songs and the AA Milne "When We Were Very Young"
poems etc. set to music. Had them from my childhood in England late '50's
early '60's.
Philip
--
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From: "cheryl"
Subject: Re: (exotica) Cool it Carol!
Date: 11 Feb 2001 10:56:25 -0500
Okay, so we weren't the only ones watching movies at 1 am Friday night! We
caught this film, too, and it wasn't bad (aside from the rather lame
ending...) Groovy fashions (especially the men, with their tacky suits and
bad haircuts) and some pretty decent music, too. You know a film's obscure
when there isn't even a reference to it in the "Time Out" film guide...
cheryl
> I saw the most bizarre film last night on Bravo.
> "Cool it Carol!" Absolutely never heard of it.
> It was a British, made in 1970 and starred Janet Lynn as Carol. She didn't
> look familiar but the male lead, whose name I don't know, was very
> familiar. He had a Brian Jones haircut but was a little tougher looking
> than Brian.
> I mention it on this list because it reminded me of the kind of swinging
> movie that gets mentioned here.
> BTW the really quite impressive, sometimes swinging score was by Cyril
> Ornadel.
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-------------------------------------------------------------------------------
From: "Colleen Pyles"
Subject: (exotica) Introductions are in order.
Date: 11 Feb 2001 09:55:06 -0600
Hi Chris,
I am a lurker also, mainly because these people are so smart there is
nothing I can add that these people don't know!!! Plus, I am not in
the "music" business. My name is Colleen, I am a nurse in a
urologist's office (Viagra and vasectomies are our specialties!) I
live in a small town south of Ft. Worth, Texas. I love the exotica
genre and discovered a whole new world by entering "lounge music"
into a search engine, which led me to the Retro Cocktail Hour, which
in turn led me to this list. Much of the music I loved, I didn't
know the names of, didn't know who to ask...etc. Darrell Brogdon has
been a great help...he knows everything! Finding the list was great,
the discussions are priceless...I learn something everyday.
There are no exotica lounges or bars here in Ft. Worth, home of the
largest "honky-tonk" in Texas (Billy Bob's), so this list is a
godsend to me. I try to listen to all the web programs offered and I
DO enjoy the playlists. I post a little, but not much, Mama taught
me to keep your mouth shut if you don't know what you're talking
about. A lot of the people here are very opinionated, which I don't
mind at all, just very reluctant to post, if I'm not sure of my
facts.
I'm glad you offered this introduction, I would like to know who
everyone is also, but was too afraid to ask.
Thanks,
colleenintexas.
Colleen
_____________________________________
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-------------------------------------------------------------------------------
From: Matt Marchese
Subject: Re: (exotica) Introductions are in order.
Date: 11 Feb 2001 10:32:42 -0600
From my NetNet.com bio:
"Matt Marchese lives in the alternately boiling and freezing timberlands of
Northwestern Wisconsin. He is married, gainfully employed, and busy nuturing
miniature genetic replicas of himself who will, one day, be released upon an
unsuspecting world."
'Nuff said.
What got me interested in Exotica? Probably all those teenage Saturdays I spent
hanging out at Drive-in theater swap meets in Los Angeles and being surrounded
by loud rayon shirts, crates of old LPs, giant cannibal flatware made of
mahogany, and velvet paintings of dogs playing poker, the Virgin Mary, and
Elvis. I also took a tour through Southwest Asia and the South Pacific with my
parents when I was 11: Thailand, Singapore, Penang, Bali, Fiji, Tahiti,
Australia, and Hawaii of course.
--
Matt Marchese
"I've been havin' this nightmare.......a real swinger of a
nightmare, too." -Frank Sinatra (The Manchurian Candidate)
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: Matt Marchese
Subject: Re: (exotica) Cool it Carol!
Date: 11 Feb 2001 10:39:20 -0600
The last couple of weeks have been a veritable teevee goldmine of Swingin' 60's
and Swingin' London flicks. Last night I watched BBC America's Michael Caine
extravanganza featuring, "The Italian Job" and "Alfie". I also taped the second
installment of AMC's Ann-Margaret fest, "Bye Bye Birdie" (it's no Kitten With A
Whip, but...). AMC's American Pop is doing a commendable job of resurrecting
period films from the 50's and 60's. They're also to be congratulated for
reviving those great Louis Prima flicks along with other swinging flicks like
"To Sir, With Love" and "The Girl Can't Help It."
How did I ever live before digital cable came along?
--
Matt Marchese
"I've been havin' this nightmare.......a real swinger of a
nightmare, too." -Frank Sinatra (The Manchurian Candidate)
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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-------------------------------------------------------------------------------
From: "cheryl"
Subject: (exotica) Playlist for Space Bop, February 11
Date: 11 Feb 2001 12:04:24 -0500
Beyond kitsch, Space Bop is one hour of full galactical wonder, and can
be heard every Sunday from 4 to 5 pm Eastern time on CKUT 90.3 FM in
Montreal, Canada, and on RealAudio (real time only, for now) at:
http://www.ckut.ca
As usual, all comments, questions, and feedback welcome.
Space Bop #129 Br. Cleve's New Mix
This week, we're playing Br. Cleve's latest mix, which is a wonderful mix of
non-stop dance beats - we can't fit all of it in, but we will play as much
as one hour of airtime allows! We've heard of some of these pieces before
(and played them), but most of them are new discoveries for us - and
hopefully, for our listeners too!
Mr. Bongo: Lemon
Skeewiff: Skeewiff Vs. Big Les
Freddy Fresh: La Chunga
Tim "Love" Lee: One Night Samba
Pepe Da Pimp: FF3 + MF4 = Rehab Mix
Los Chicharrons: East Meets West
Mary & The Pop Shots: Come Play Me
C-Mos: La Salsa
Fluide: Voce (E O Meu Amor)
Ian Pooley: Coracao Tambor
Lego: El Ritmo De Verdad
Brother Cleve: Boogaluze Boomba
Thanks for reading, and thanks for listening.
cheryls@dsuper.net
brian@phyres.lan.mcgill.ca
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From: Will Straw
Subject: Re: (exotica) Introductions are in order.
Date: 11 Feb 2001 12:13:31 -0500
Welcome, Colleen, and the other lurkers who have come forward.
I live in Montreal, like Brian and Cheryl, and work at McGill University
(like Brian.) I've been on the list for, oh, four or five years, but
haven't been posting much of late.
On Cool It, Carol! -- I taped this, and skipped through parts of it, but
will watch in full at some later date. Weird to see Stubby Kaye in there,
though, his career obviously in the deep south at this point.
Cheers,
Will
Will Straw,
Associate Professor and Acting Chair,
Department of Art History and Communications Studies
McGill University
853 Sherbrooke Street W.
Montreal, QC H3A 2T6
Canada
Phone: (514) 398 7667 Fax: (514) 398 7247
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-------------------------------------------------------------------------------
From: Moritz R
Subject: Re: (exotica) Mardi Gras and Fasching
Date: 11 Feb 2001 20:12:52 +0100
Brian schrieb:
> Say don't you have that strange event in Germany where people dress up =
like
> forest creatures. Saw it once in a German (or maybe Austrian?) film an=
d it
> was one mighty surreal looking event. I think I remember Moritz once
> explaining what it was all about.
There are different kinds of archaic carnival celebrations, in Southern G=
ermany and Switzerland called Fasching. The one you refer to could be fro=
m one of these regions related to the famous Fasenacht of Basel. The area=
on the German side is called the Allgau, all around the Bodensee (it's w=
here Frank runs the hotel with Christine). This year Fasching takes place=
around the 24th of february. Each town has its own costumes, that didn't=
change for centuries. It's an unforgetable event: thousands of people, w=
ith face masks, all dressed up alike, dancing in the streets. In Frank's =
town they have black costumes with colorful rags attached; looks pretty m=
uch like a S/M dress. Each town also has its own song and dance. During t=
he parade every once in a while they play this song and everybody dances =
this dance. I might go there this year - and while so close to Zurich may=
be visit the Kontiki Bar, that someone recently recommended to me. Appare=
ntly it's an old exotic bar - from 1955 - and still pretty much unchanged=
=2E Should be worth a little expedition.
Mo
--
studio R
senses for a senseless world
http://moritzR.de
=2E......................................................................=
=2E.
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: DJJimmyBee@aol.com
Subject: Re: (exotica) Introductions are in order.
Date: 11 Feb 2001 14:12:24 EST
In a message dated 2/11/1 12:14:34 PM, wstraw@po-box.mcgill.ca wrote:
>Welcome, Colleen, and the other lurkers who have come forward.
>I live in Montreal, like Brian and Cheryl, and work at McGill University
>(like Brian.) I've been on the list for, oh, four or five years, but
>haven't been posting much of late.
I'll follow up Will's intro with my own...I'm living in Boston, native to the
area. I teach media arts (mainly radio) and sexuality in a public high
school. Got a wife, two kids, mortgage, etc. I also have a radio show on the
Massachusetts Institute of Technology Fridays at midnight EST. It can be
roughly described as a mix of "Space Bop" and "Retro Cocktail Hour". I try to
play the original piece then the sampled piece of the original in a new
rekkid, but that is really hard since I can't always place a sample. I came
here and into exotica in early 1997 after hearing about it off and on from
Brother Cleve, then a keyboardist with Combustible Edison (RIP) and an
ambassador for Cocktail Nation. At first I thought it was trendy and
basically ignored it, but knew Cleve had dues-fully-paid credentials and
checked out his weekly DJ slot at Lizard Lounge in Cambridge...Long story
short..Here I still am, now pretty knowledgeable about the music and a firm
believer in both its artistic and political merit...Sometimes those of us
here a long time forget that newbies are still breaking in to the music even
though it is not so fashionable..Apologies to anyone offended, not intended.
And keep buying rekkids weekly and you too will know what we know. Its that
simple...James Botticelli
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From: "james brouwer"
Subject: (exotica) Tomorrow's "Back-Ward" Playlist, Feb 12
Date: 11 Feb 2001 19:34:56 -0000
Hello,
I got bored of posting playlists for my show a while ago but a) the
time-slot is so lame that I need all the listeners I can get,
and b) the recent 'playlist discussion' convinced me to throw them at your
feet yet again. If it's not your thing just step around it and move on.
"The Back-Ward" is a show featuring cool soundtracks from the 60's and 70's;
exotica; lounge; now-sounds; incredibly-strange; tropicalia; forgotten
country and western; obscure garage & psychedelia; funk/70's instro'; moog;
early high-brow electronic; industrial and/or post-punk from the late
70's/early 80's. More recent material may creep in from time to time.
The show can be heard Monday afternoons from 2:00 pm to 3:00 pm EST on CFRU
93.3fm in Guelph, Ontario, Canada. Comments & questions welcome.
The show is also available in RealAudio. Click on "Listen to us live via the
net" at:
http://www.uoguelph.ca/~cfru-fm/
tomorrow's show:
Quiet Village - Eddie Baxter
Poison Dart - Don Ralke
Jungle Fantasy - Living Guitars
Ford Mustang - Serge Gainsbourg
Jungle Fever - Chakachas
Harley Davidson - Depth Charge
Fluid - Twink
Tell That Man To Go To Hell - Gordon's War OST
Black Cream - Harold Wheeler Consort
Let Go - Astrud Gilberto
Modulo 1000 - Ferrugem e fuligem
Ho Messo Gli Ochi Su Di Te - Ennio Moricone
Forest Of Black - Dirty Filthy Mud
Too Many Creeps - Bush Tetras
Victims of Terrorism - Aurora Pushups
Inside Me - Jesus & Mary Chain
thanks for your time...
_________________________________________________________________________
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From: edowning@lightbridge.com
Subject: (exotica) Introductions are in order.
Date: 11 Feb 2001 14:31:14 -0500
Hey Kids...
In addition to all of the Introductions...I myself am from Massachusetts
(as DJjimmy, Dominic , and others I'm sure). I am a computer tech/supp/
programmer/ musician...with intentions to write a exotic / lounge sort of
demo (been in the making for about 1 1/2... I'm not good at bird calls
though...ha ha.) Iv'e only been a exotic/lounge fan for about 2 years...
very new to me. But I remember when I was a child (i was born in the 70's)
being mesmerized about polynesian/chinese resturants
(for those who live in Ma. Aku Aku, Honolulu, in Westboro..and another in
Marlborough...) And other stores that had the 70's stripes on the walls
and
interesting 60's and 70's retro styles (not at the time)...This one toy
store in
Worcester, Ma which was called "Capital Toys", had this weird theme on the
outside of the building..with a big clown on the front...and a resturant in
Hudson
Ma...where i am from, had the old 50's type dinner feel to it...which had
lounge
music playing all the time...fun.
anyway...that's me in a nutshell...
Eric Downing
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From: Lou Smith
Subject: Re: (exotica) Introductions are in order.
Date: 11 Feb 2001 14:46:17 -0500
At 02:12 PM 2/11/01 EST, DJJB wrote:
>Sometimes those of us
>here a long time forget that newbies are still breaking in to the music even
>though it is not so fashionable..Apologies to anyone offended, not intended.
>And keep buying rekkids weekly and you too will know what we know. Its that
>simple...James Botticelli
And our newer members may not be aware that a complete archive of past
posts, going back to mid-1994, is maintained at:
http://www.xmission.com/pub/lists/exotica/archive/
Lou Smith
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From: Moritz R
Subject: Re: (exotica) Introductions are in order.
Date: 11 Feb 2001 21:11:08 +0100
edowning@lightbridge.com schrieb:
> I am a computer tech/supp/programmer/ musician...
Mac?
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: alan zweig
Subject: Re: (exotica) Introductions are in order.
Date: 11 Feb 2001 15:23:43 -0500
At 12:13 PM 2/11/01 -0500, Will Straw wrote:
>
>Welcome, Colleen, and the other lurkers who have come forward.
>
>I live in Montreal, like Brian and Cheryl, and work at McGill University
>(like Brian.) I've been on the list for, oh, four or five years, but
>haven't been posting much of late.
Well if Will is going to come out of lurking to come forward, who am I to
remain in the shadows. But if I do "come out" like this, colleenintexas,
you have to tell me everything you know about Viagra. I've been thinking
lately that it's time I try it out. But I was wondering if I should wait
until I have a partner other than myself. Then again, I'm trying to live
for today and not live in a state of waiting for something or someone to
come along. So, do people develop a dependence on Viagra? Do they never
go back? Are there side effects? And is there a reason not to use it even
if all you do is masturbate?
I just turned 49. Can you believe that? I can't. You'll probably say
that age is just a state of mind and I'll say that you must be in your
twenties because no one in their forties would say that unless they're
deluded.
Well maybe JimmyB would say it. And maybe Brian Philips.
But Cheryl and Brian and Will wouldn't say it and that's because they're
Canadians and we're more honest. Or at least we're less self-deluded.
Americans live with so many delusions that one more isn't hard to squeeze in.
How did I get into exotica? Well I'm not really into it anymore but I
still like it when I hear it and my appreciation of it was definitely a
very important step in the evolution of my musical taste. Sometimes I
still can't believe the stuff I love now.
Anyway the way I got into it was that I started going to junkstores
(Goodwill mostly) and buying anything that caught my eye because it was so
cheap, I could afford to check out anything. And before long I found that
bringing home piles of records just to find out what was there became more
compelling to me than going to a store and picking out one or two records I
thought I might love.
That's no longer true. Now I go and buy the things I think I'll like and I
pay more for them - sometimes A LOT more - and I get rid of them less.
But because of this journey I took into easylistening and lounge and
exotica, the records I now look for are much different than they used to be.
The other night I bought a Tony Bennett LP and a Sergio Mendes I didn't
have and an obscure Bacharach soundtrack (On the Flipside), Jazz Raga by
Gabor Szabo (a masterpiece I might have bought even in the old days), New
Colony Six (for my soft pop tastes) and the Kaleidoscope soundtrack which
is pretty well every bit as great as you'd hope it would be.
And then there's my current taste for certain kinds of electronica.
I have this voracious appetite for "instrumental pop" of all kinds and that
all comes from the exotica journey I took.
Right now I'm sort of waiting to hear about a new project and I have
nothing to do and I'm going to figure out a new time waster but in the
meantime, this is it.
AZ
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From: Hemmel@gmx.net
Subject: Re (exotica) Mardi Gras
Date: 12 Feb 2001 00:16:49 +0100 (MET)
Sounds like this was maybe about a solstice ceremony ?
>> Sounds like BIG FUN, I wish I coud be there! Please give us after it a
>> report (In germany we only have street parades with stupid commercial
>>techno and house music. (i like a lot of the real techno and house stuff,
>>but you will never hear it on these parades)
>
>Say don't you have that strange event in Germany where people dress up like
>forest creatures. Saw it once in a German (or maybe Austrian?) film and it
>was one mighty surreal looking event. I think I remember Moritz once
>explaining what it was all about.
>Brian
--
Sent through GMX FreeMail - http://www.gmx.net
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From: "Colleen Pyles"
Subject: (exotica) Introductions are in order.
Date: 11 Feb 2001 17:21:26 -0600
Brother Cleve, then a keyboardist with Combustible Edison (RIP) and
an
ambassador for Cocktail Nation.
Does RIP mean they are no longer together? I like Combustible Edison!
colleenintexas
Colleen
_____________________________________
Get your free E-mail at http://www.ireland.com
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From: itsvern@attglobal.net
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 11 Feb 2001 19:04:52 -0500
> It would also be very helpful to have some evaluations of the many
> lounge/exotica compilations (like the UltraLounge series) now available.
In my opinion, the best of the Capital 'Ultra Lounge' series are ..
- Vol. 4 Bachelor Pad Royale
- Vol 18 Bottom's Up
- Vol. 1 Mondo Exotica
next favorites are
- Vol 17 Bongoland
- Vol 16 Mondo Hollywood
- Vol 11 Organs in Orbit
- Vol 2 Mambo Fever
These are based on my mindset 3-4 years ago .... my tastes may have shifted
since then.
Vern
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From: "cheryl"
Subject: Re: (exotica) Introductions are in order.
Date: 11 Feb 2001 20:30:10 -0500
Combustible Edison are no longer, sadly...
Several of their members are present on this list, and you can check out the
Millionaire's excellent website, Luxuria Music (www.luxuriamusic.com)
cheryl
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From: DJJimmyBee@aol.com
Subject: Re: (exotica) Introductions are in order.
Date: 11 Feb 2001 20:58:39 EST
In a message dated 2/11/1 6:36:12 PM, colleen7@ireland.com wrote:
>Does RIP mean they are no longer together?
sadly, yes
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From: "Brian"
Subject: (exotica) The things you find on DVD!
Date: 12 Feb 2001 00:32:11 -0500
Just rejoined (after a few years of having a small child) the video store La
boite noire (The Black Box), that would be the envy of any international
film junkie. They have an amazing selection of videos but what's so great is
they don't just have your average DVDs, they have a lot of those expensive
specialty items on Criterion Group, Anchor Bay or even Something Weird, let
alone a collection of every film ever made in Quebec that has been put on
DVD. This week I was attracted by the eye catching packaging on this one:
Seijun Suzuki - Tokyo Drifter
It said it was a stylized Japanese gangster film from 1966. And it was...
but a kind of cross between Fassbinder and Wong Kar-Wai! The music ranged
from Gert Wilden sounds, to now sound dance, to the sombre vocals
reminiscent of "In The Mood for Love". I can't believe I had never heard
of this film or the director but I think it was never on video but just now
on DVD. There's another one by him I have to get next week. Anyone know if
any of the soundtracks to these films were ever released?
There's also a two-fer DVD of 1960's Quebec made soft core porn film hits
"Valerie" and "L'Infidele". Actually Valerie was the only hit as the second
one bombed. I missed this one on either Bravo (Canada) or Showcase last
fall but I remember seeing a few scenes once and it was quite atreat to see
Montreal in that era. I seem to remeber good music too and a soundtrack
never being available as always seems the case!
And then there's the 1970's Quebec hit "Elvis Gratton", now in commemorative
DVD edition, complete with an interactive quiz. I have a feeling though it
doesn't have any subtitles which is too bad, but then again, it would be
like trying to subtitle Woody Allen!
Yes, you can sure tell winter is in full swing here....
Brian
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From: Dlsmay@aol.com
Subject: Re: (exotica) The things you find on DVD!
Date: 12 Feb 2001 01:10:10 EST
I'm a big fan of Seijun Suzuki's films. I've not heard of any of the
soundtracks being available.
You should also check out "Branded to Kill" and "Youth of the Beast" and
"Gates of Flesh."
He's John Zorn's favorite filmmaker.
--David
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From: susi@nme.com
Subject: (exotica) info exotica
Date: 12 Feb 2001 10:31:59 +0000
______________________________________________________________
For up-to-the-minute music news, reviews and specials visit
http://www.nme.com
Get free e-mail (anyname@nme.com) now at http://www.nmemail.com
The sender of this e-mail is NOT an employee or associate of NME,
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From: Moritz R
Subject: Re: (exotica) Introductions are in order.
Date: 12 Feb 2001 12:30:06 +0100
I just remember this list-members personal-questions-list that circulated here a couple of years ago, where everybody (xept me) answered questions like "Do you wear a fez?" :-)
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) Exotic roots - 3rd DHRC Seminar
Date: 12 Feb 2001 12:01:03 -0000
One of the things about working in a University is the occasional lecture.
Looks interesting, unfortunately I can't go.
> El Maestro Con Queso
>
> djcheesemaster@yahoo.com
> grr@brighton.ac.uk
> http://www.shitola.freeserve.co.uk/cheese/cheese.htm
> http://www.geocities.com/djcheesemaster/
> The Stare
>
> On Wednesday 14th February we will be welcoming:-
> Alicia Weisberg Roberts,
> Victoria & Albert Museum
>
> Uses of Drawing in the Early 18th Century in France
>
> In 1715 Antoine Watteau made a series of drawings of the Persian Embassy
> to France. Following this series' progress as a design process from
> inception to posthumous publication, this talk will explore the potential
> limits of representation and mis-representation in the face of the exotic
> other. Through the inter-action of popular, luxury and speculative print
> cultures Watteau produced images that play the authority of direct
> observation against the conceptual and commercial necessity of
> recognisable types.
>
> Hope you can join us.
> Board Room, Mezzanine Floor, Grand Parade, Wednesdays 5.30
>
>
>
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From: Lang Thompson
Subject: Re: (exotica) The things you find on DVD!
Date: 12 Feb 2001 08:24:05 -0500
>reminiscent of "In The Mood for Love". I can't believe I had never heard
>of this film or the director but I think it was never on video but just now
>on DVD. There's another one by him I have to get next week. Anyone know if
>any of the soundtracks to these films were ever released?
"Tokyo Drifter" and "Branded to Kill" were on videotape a year or so before
the DVDs appeared. Those sort of jump-started the interest in Suzuki in
the US leading to four more films (tape only) coming out a couple of years
ago. All of these are worth seeing but "Branded to Kill" is the best
(Jarmusch lifted with acknowledgment parts of it for "Ghost Dog").
Naturally quite a few others have come out in Japan but never with
subtitles. I've never heard of a soundtrack album.
Lang
Adventures In Sound
http://wlt4.home.mindspring.com/adventures.htm
Outsider Music Mailing List
http://wlt4.home.mindspring.com/outsider.htm
Documentary Sound
http://wlt4.home.mindspring.com/adventures/documentary.htm
Full Alert Film Review
http://wlt4.home.mindspring.com/fafr.htm
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From: Paul Wages
Subject: Re: (exotica) The things you find on DVD!
Date: 12 Feb 2001 09:35:25 -0500
> Seijun Suzuki - Tokyo Drifter
If you liked "Tokyo Drifter", check out "Branded To Kill" -- the film that
(more or less) got Suzuki blacklisted from the Japanese film industry. And
try to get the Criterion Collection edition if possible. Others Suzuki
films like "Youth Of The Beast" and "Story Of A Prostitute" have been
released on VHS only.
> on DVD. There's another one by him I have to get next week. Anyone know if
> any of the soundtracks to these films were ever released?
Apparently not. There are "Branded To Kill" MP3s at <
http://sweetbottom.tripod.com >. All pulled off the DVD.
Paul
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From: "christie j. white"
Subject: (exotica) introductions are in order
Date: 12 Feb 2001 09:43:31 -0500
My name is Christie J. White ( aka Kiliki ) and I live in Knoxville, TN. I
just moved here from Atlanta and I'm still in a bit of a culture shock. I
have been a lover of Tiki/Polynesian culture for several years and have a
collection I'm extremely proud of and care for as well. I was a member of
the exotica list a couple of years ago but moved and was disconnected for a
while. You guys are the best. I have so much mail in my inbox because I
have too many things to cross reference and remember to research from all of
you.
I'm a 50's collector as well. Furniture, clothing, music - the whole bit.
I feel it's my duty to bring that era to the public's attention.
My boyfriend and I are currently trying to plan a regular Cocktail evening
here in Knoxville and are still in the discussion phase. If anyone has any
feedback on this email me directly. We thought we would seek out a venue
that's a little retro in feeling and hit the owner up for an evening that's
dead. There is not a cocktail scene here at all but we have plenty of
people that would support us. Plus, we would make it diverse. Tiki evening
( of course ), Rat Pack night, Cocktail hour, etc.
Well, that's enough about me-
Kiliki
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From: "christie j. white"
Subject: (exotica) Brother Cleve
Date: 12 Feb 2001 09:51:47 -0500
Ok,
I'm getting mixed signals here. Is Brother Cleve actually dead? If so,
does anyone know the circumstances? I am a huge fan of his and Combustible
Edison.
Thanks,
Kiliki
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From: "Lenkei, Bruce"
Subject: RE: (exotica) Brother Cleve
Date: 12 Feb 2001 09:54:21 -0500
he is still quite alive (and posts to the list fairly often) but the band, has broken up. No need for alarm!
- bruce
> Ok,
>
> I'm getting mixed signals here. Is Brother Cleve actually dead? If so,
> does anyone know the circumstances? I am a huge fan of his and Combustible
> Edison.
>
> Thanks,
> Kiliki
>
>
>
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From: "Rajnai, Charles, NNAD"
Subject: RE: (exotica) Pronouncing Exotica
Date: 12 Feb 2001 11:30:54 -0500
No sweat there, Tiki Bob. No offense taken. =20
=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=
=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=20
Charlieman=20
"Everything that can be invented, has been invented."
=A0=A0=A0=A0=A0=A0=A0 - Charles H. Duell, 1899=A0
=A0=20
>=20
> << Dick Dale, the guy who claims he made the song famous,=20
> pronounced it
> MIZ-er-loo.=20
> =20
> Rhymes with 'kiss her too'. (was that a stretch!)
> =20
> =
=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=BA=
=B0`=B0=BA=A4=F8,=B8=B8,=F8=A4=20
> Charlieman >>
>=20
> my earlier post just said "i agree." and i got to thinking=20
> someone might have=20
> thought that a smart ass remard to the "that was a stretch". =20
> it wasn't. i=20
> meant i agreed with the MIZ-er-loo.
>=20
> being careful to not offend,
>=20
> tb
>=20
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From: chuck
Subject: (exotica) When I First Joined This List
Date: 12 Feb 2001 08:54:36 -0800 (PST)
Allan you have summed up exactly what I am missing most about this
list. When I first joined this list, records were constantly
referred to. Sometimes this led to further discussion or debates.
From these references I built up a great collection.
Easy listening in the Big Easy
--- alan zweig wrote:
> When I first joined this list, you were always seeing
> records referred to. It was like a de facto list was being
> created. And it helped you form a mental list.
__________________________________________________
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From: "F. Cobalt"
Subject: Re: (exotica) Re: top 10 or 50 Exotica/Lounge records: top 68
Date: 12 Feb 2001 11:40:49 -0800
>* Lew Davies: "Strange Interlude"
> All sorts of exotic percussion, plus Ondioline & Theremin.
>Johan owns everything and if anyone can come up with >a list, it's him and
>it's silly to argue with these lists since it's all >personal taste.
>Having said that, I think Strange Interlude is a very >very disappointing
>record. First of all, there's very little theremin >on it. And some of the
>cuts are simply boring. I guess that the best cuts >on it may deserve to be
>on a list of the great exotica cuts but the album as >a whole is a snooze.
Once again I agree with Alan. This is the first sort-of-exotic records I ever thrifted. I still have it. I look at it from time to time, and go, That's a nice cover. And then I think, I haven't listened to this for a while. Then I look at the song titles and I remember why: it's dull. And relative to its dull quality, the cover is relatively dull too. I guess people are interested in it because of the ondioline and theremin, but the use of those instruments is relatively inconsequential to the overall orchestrations on the album. The album I think that does what people seem to THINK this album does (well, there are many), and the one I really love, is The Three Suns "Movin' 'n' Groovin'". That album is like no other. Now there's a record and a cover to match. People should be putting that near the top of their list, cut-out cover and all, instead. Okay, just my two cents for the day.
Mr. Unlucky
---
Mr. Unlucky presents Shoot To Kill, a weekly set of jazz, soundtrack music, Now Sound, and the occasional foray into international territory on Supersphere.com, Thursdays 1-2 p.m. (CST). Many past sets are archived for future listening pleasure.
http://www.supersphere.com
Get your small business started at Lycos Small Business at http://www.lycos.com/business/mail.html
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From: Clayton Black
Subject: Re: (exotica) When I First Joined This List
Date: 12 Feb 2001 15:11:09 -0500
There's been a host of introductions lately, and although I have not
actually subscribed to this list until yesterday, I've been reading the
online archives for over a year now. I didn't plan to join, in part because
it seemed that discussions had tended off in directions that didn't hold
much interest for me. But the recent thread on a top-50 list and, even
better, the talk of unusual additions to such a list, finally got me talking
to the screen again, so I decided I ought to quit the clandestine affair
with the exotica mailing list and bring it out in the open.
My name is Clayton, and I've been buying the kind of albums familiar to
you all for about five or six years. I teach history (Russia is my
specialty, but I have to cover pretty much everything non-U.S.) at a small
college on Maryland's Eastern Shore. Ever since I was a kid I've been under
the spell of vinyl. My brothers and I centered our free time around the
ritual of buying, cleaning, reading liner notes, and staring for unnaturally
long stretches of time at records and their covers. In those days it was
mostly Zappa and late-70s punk--at dangerous levels. In college I went
through the typical Dead phase. In graduate school I migrated to Afropop.
But as I reached the end of graduate school and found myself driving more, I
began to think that I'd really like something innocuous, softer, without
lyrics--like the stuff my father used to listen to when we'd take those
interminable cross-country trips in the station wagon. We hated it then (in
part because my father would keep listening even when we were reaching the
limits of the radio's range and the fuzz became intolerable), but I was
beginning to see what he saw in the music.
And there was that other attraction--vinyl was cheap now. At first it
was partially for the humor of it. What kind of weird sounds would this
thing have on it? It was only 50 cents, why not see? But the music was
just good and I couldn't get enough of it. I've got about a thousand
records now, much to my wife's chagrin (our house is small), but there are
still plenty of classics in the genre that elude me.
OK, I'm sure you're all familiar with the rest. So let me say that I've
been wanting to raise the issue of "hidden treasures" for some time now.
The "Living Brass" discussion piqued my curiosity, so let me contribute a
few that I don't hear enough of on record discussions but that find their
way to my turntable on a regular basis:
Any of the George Shearing Latin albums. The sound he gets out of his
keyboard (whatever it's called--is it just a straight piano or is it
something else? A Mellophone?) sets the perfect mood for almost any
occasion. It's also one of the few artists that doesn't set my wife's teeth
on edge.
Gary McFarland, Summer Samba. I bought this one by chance. Jazz
aficionados dislike it for being a sellout, but I love it. Whistling and
off-key humalong. (My wife actually likes this one) I actually avoid
playing it for fear that I'll play it too much and get sick of it.
Henry Mancini, Soundtrack to Arabesque. I've never seen any discussion
of this album, and I only found out about it because the local PBS station
ran the film and my ears perked up when I heard the title song--unmistakably
Mancini. Great, great soundtrack, especially "Something for Sophia."
Maybe not a classic, but still a great album is Werner Muller's Hawaiian
Swing. Most Hawaiian stuff puts me to sleep, including the disappointing
Stereo Action album _Paradise Regained_ by Leo Addeo, but Muller's Hawaiian
songs bear little relationship to authenticity, and I appreciate it.
A recent find that might not be on a top-whatever-number list but that
really turned me on was a Kai Winding album with the Axidentals, on the
Pickwick label. I have studiously avoided that label, but this one's a nice
combination of brassiness and vocals (not zoo zoo, I admit, but still good).
I'll quit there. If you've stayed with me this long, thanks.
I'm glad to be out of the archives.
Clayton Black
Chestertown, Maryland
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From: alan zweig
Subject: Re: (exotica) Re: top 10 or 50 Exotica/Lounge records: top 68
Date: 12 Feb 2001 15:21:26 -0500
At 11:40 AM 2/12/01 -0800, F. Cobalt wrote:
>
>Once again I agree with Alan. the one I really love, is The Three Suns
"Movin' 'n' Groovin'". That album is like no other.
One good agreement deserves another. I agree. This is a truly great
record. Unlike many of the records we discuss here, this is good from
start to finish. It's so good that I think you could play it for someone
who didn't like this kind of music and they would still get it. I've often
tried to explain what's great about the Three Suns but if you play them
"Danny's Inferno" from this record, you don't have to 'splain nothing more.
BTW I know we're all slightly jaded and also overwhelmed by the number of
amazing records in the world but it would be really nice if people here
talked about records they love... which hardly happens anymore. You don't
have to make lists of your top anything. Just go to your shelf, rifle
through a few and pull out one
exotica/NowSound/lounge/easylistening/spaceagebachelorpad LP (or CD) you
love and tell us about it. Do that review you've always wanted to do.
OR tell us what you're looking for in general.
For instance, Johan it seems that you have a very complete collection of a
couple of genres. What genres are they and why are you obsessed with them?
Or Brian and Cheryl, I know you guys buy a lot of CD's in the
breakbeat/electronica world but when you look through the LP bins, what are
you looking for?
Or Moritz, I know you have a particular love for Les Baxter. Why? And is
there a connection between Les and the other music you love?
Magnus, who are you? You say you're 31 or so. I was surprised to find that
out. I figured you were older but then again, I always forget that you
don't have to be old like me to be a bit "eccentric". What kind of music
do you listen to most of the time Magnus? Do you ever listen to rock n roll?
Or James Brouwer, I believe you have the best soundtrack collection I've
ever come across. But that's only because you seem to want the same
soundtracks I want. You're not trying to get every kind of soundtrack. So
how would you characterize the kind of soundtrack you're looking for?
I can't think of questions for basic hip or bag@hubris but you both seem to
have amazing collections. What are you focussed on these days and why?
Brian Philips, give us a clue about you. Tell us the last ten things you
listened to
I sort of have the same question for you JimmyB. You post these amazing
playlists which go back and forth between groovy OLD things - like you and
me - and groovy NEW things. But when you're at home with the wife and
kids, do you listen to stuff like this? Or do you even have time to listen
to music simply for the hell of it?
Oh and is there anyone here that has their own room with their
collection(s) separate from the rest of their family? A room you go into
and turn on music that the rest of them would never listen to? If so, what
else do you have in that room?
And chuck, do you listen to any contemporary music with the exception of
soft pop things on Siesta? And how old are you? I can't figure it out.
And how many records do you have on the wall? Are they all framed?
I just listened to an amazing half-spoken word half soft pop cut by the New
Colony Six called Prairie Grey.
If you tell me this stuff, I'll tell you. For those of you who still read
my posts, that is.
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From: Will Straw
Subject: Re: (exotica) Re: top 10 or 50 Exotica/Lounge records: top 68
Date: 12 Feb 2001 15:27:05 -0500
Is there nothing you want to know about me, dear Alan?
Will
Will Straw,
Acting Chair,
Department of Art History and Communications Studies
McGill University
853 Sherbrooke Street W.
Montreal, QC H3A 2T6
Canada
Phone: (514) 398 7667 Fax: (514) 398 7247
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From: "james brouwer"
Subject: (exotica) Some Top Exotica/Lounge comps/why i got into exotica...
Date: 12 Feb 2001 20:37:15 -0000
> > It would also be very helpful to have some evaluations of the many
> > lounge/exotica compilations (like the UltraLounge series) now available.
in my meek opinion, these are some fine compilations, but it ain't a
definitive list:
1) Sound Gallery Volume 1 (worth the price for "Half Forgotten Daydreams"
alone, but virtually every track on this thing is a winner. Sort of a
shag-carpet, jet-set plaza musique of the 60's/70's thing)
2) Easy Tempo Volume 3: The Psycho Beat
3) Erotica Italia (on Bistro records, italian porn music from the
60's/70's)
4) Sound Gallery Volume II (not as good as the first, but still of high
calibre)
5) Shake Sauvage (french soundtrack music from 68-'73, it's brand new and
superb).
i'm sure i'm forgetting some...
actually, it was that first sound gallery record, plus both volumes of
"Incredibly Strange Music" published by RESearch, that got me into exotica
(to answer a question that has been floating around), though I had been
collecting 'incredibly strange' records for a few years before that, but not
very seriously. the above mentioned two items made me much more serious
about it.
two cents worth. that's all
jb
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From: DJJimmyBee@aol.com
Subject: R Re: (exotica) Re: top 10 or 50 Exotica/Lounge records: top 68
Date: 12 Feb 2001 15:37:49 EST
In a message dated 2/12/1 3:20:30 PM, azed@pathcom.com wrote:
>I sort of have the same question for you JimmyB. You post these amazing
>playlists which go back and forth between groovy OLD things - like you and
>me - and groovy NEW things. But when you're at home with the wife and
>kids, do you listen to stuff like this?
"The" wife isn't as enamored of this stuff as I...but my son likes it at 6.
My daughter at almost 9 thinks its "weird" She mimics "ba-ba-ba-ba-ba-ba" and
other wordless stuff as silly and meaningless--she's right of course--but she
is more through the looking glass than she thinks, knowing all the lyrics to
"Barbarella". Mixing the old with the new makes all the sense in the world
for me because as great as the old is, you need to move forward too. I like
the whole concept of Loungetronica, Houseanova and all that falls in between.
But I also believe in creating a context so the listener can latch on to
something that provides roots..its all good
>Or do you even have time to listen to music simply for the hell of it?
I recently built a dj booth in my basement...Its my part of the house and I
spend about an hour a day there...All my records are in crates with covers
facing me at chest height. Two wheels of steel, two CD players, a mixer and a
tape machine all on a counter...Baby i'm good to go!!
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From: alan zweig
Subject: Re: (exotica) When I First Joined This List
Date: 12 Feb 2001 15:42:48 -0500
At 03:11 PM 2/12/01 -0500, Clayton Black wrote:
> Any of the George Shearing Latin albums. The sound he gets out of his
>keyboard (whatever it's called--is it just a straight piano or is it
>something else? A Mellophone?)
I don't know if we're talking about the same thing but I assume it's the
combination of piano and vibes. I agree with this choice Clayton you
lurker you. I especially love "Latin Escapade" but that's also for the cover.
> Gary McFarland, Summer Samba. I bought this one by chance. Jazz
>aficionados dislike it for being a sellout, but I love it. Whistling and
>off-key humalong.
This is one of my alltime favorite records. "She loves you" is a classic.
If I was still a jazz snob, I might hate this. But I'm just an afficianado
now so I can admit how much I love it. But wait. Are we talking about the
same record? You mean SOFT Sambas, right?
I also recommend his "Soft Samba with Strings" and "Does the sun really
shine on the moon?" which are similar records.
And if you have the taste for something really strange, look for Sympatico
which he made with Gabor Szabo. They sing together in unison on every song
and they give Edmondo Ros a run for his money as far as bad singing goes.
I like the way Gary sings on his own so it must be Gabor's fault.
I love Gabor and Gary so I keep this record but it breaks my rules.
> Henry Mancini, Soundtrack to Arabesque. I've never seen any discussion
>of this album,
Great, great soundtrack, especially "Something for Sophia."
You're three for three with me Clayton. This is a great record and that's
a great tune but I would have to add "Dream Street" which is the best cut
of its kind I've ever heard. Almost all the "Something for... " cuts on
Mancini soundtracks are good, especially "Something for Sellers".
> Maybe not a classic, but still a great album is Werner Muller's Hawaiian
>Swing. Most Hawaiian stuff puts me to sleep, including the disappointing
>Stereo Action album _Paradise Regained_ by Leo Addeo, but Muller's Hawaiian
>songs bear little relationship to authenticity, and I appreciate it.
Well you're four for four now. And I'm not the only one to join you on
this one. This is a big record with Montreal listers. I mostly love this
for Hawaiian Eye but I agree the whole record is above average. Other
stuff by Werner is also good. What's the story with him? I've lost most
of my prejudice but still, the name Werner Muller does not conjure up such
a swinging cat as he turns out to be.
> A recent find that might not be on a top-whatever-number list but that
>really turned me on was a Kai Winding album with the Axidentals, on the
>Pickwick label.
Hmmm, can't quite go there with you. I have a bunch of Kai records
including the ones with Ondioline and his "crime jazz themes" compilation
but I have to say that Kai is always a little disappointing even though
it's kind of cool that this jazz trombone player tried to make all these
groovy records.
Obviously I wish there was more discussion like this on the list. There
once was. I can understand why it's changed but to be honest, if the way
it is now had been the way it was when I first joined three years ago, I
wouldn't have stuck around. Now it's just a habit I can't break and I keep
hoping I can coax it back there.
AZ
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From: alan zweig
Subject: Re: (exotica) Re: top 10 or 50 Exotica/Lounge records: top 68
Date: 12 Feb 2001 15:51:52 -0500
At 03:27 PM 2/12/01 -0500, Will Straw wrote:
>Is there nothing you want to know about me, dear Alan?
Well as a matter of fact... I want to know why you're suddenly so active on
this list?
I hope you're not suddenly less busy for the worst of all possible reasons.
Okay Will, here's my question. I know that you are capable of giving a
brilliant and academic treatise on why you love soundtrack and Now Sound
LPs. But do you actually understand why you love the music you love?
I ask for myself as much as anything else. I can't figure out why I spend
so much time listening to soundtracky things.
And by the way, how did you like those soft soundtrack CDR's I copied for
you? I can't get over them myself. I like them too much. What's wrong
with me?
AZ
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From: Clayton Black
Subject: Re: (exotica) When I First Joined This List
Date: 12 Feb 2001 16:04:37 -0500
> You mean SOFT sambas, right?
> I also recommend his "Soft Samba with Strings" and "Does the sun really
> shine on the moon?" which are similar records.
> And if you have the taste for something really strange, look for Sympatico
> which he made with Gabor Szabo. They sing together in unison on every song
> and they give Edmondo Ros a run for his money as far as bad singing goes.
> I like the way Gary sings on his own so it must be Gabor's fault.
> I love Gabor and Gary so I keep this record but it breaks my rules.
Quite right. Soft Sambas. Funny you should make the comparison with
Edmundo Ros, because the only other album that my wife likes is Ros's
_Strings Latino_ (or something like that), especially his singing of "A Man
and a Woman." Maybe she just likes bad singing, I don't know.
>
>> A recent find that might not be on a top-whatever-number list but that
>> really turned me on was a Kai Winding album with the Axidentals, on the
>> Pickwick label.
>
> Hmmm, can't quite go there with you. I have a bunch of Kai records
> including the ones with Ondioline and his "crime jazz themes" compilation
> but I have to say that Kai is always a little disappointing even though
> it's kind of cool that this jazz trombone player tried to make all these
> groovy records.
>
Well, as somebody recently noted, "favorites" come and go with the seasons,
and recent favorites are often recently purchased albums that, surprisingly,
didn't disappoint me and that I play more than once. Kai isn't among my
absolute favorites either, but as a former trombone player myself, I have
this abiding love for trombone front-men (hence my affection for Si Zentner
and Warren Covington as well). And harmonizing vocals seem to be growing on
me.
Clayton
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From: Moritz R
Subject: Re: (exotica) Re: top 10 or 50 Exotica/Lounge records: top 68
Date: 12 Feb 2001 22:05:06 +0100
alan zweig schrieb:
> What's wrong with me?
nothing. you are a film maker.
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: "Magnus Sandberg"
Subject: (exotica) Answer to alan
Date: 12 Feb 2001 22:58:28 +0100 (CET)
Alan wrote:
> Magnus, who are you? You say you're 31 or so. I was surprised to=20
find that
> out. I figured you were older but then again, I always forget that you
> don't have to be old like me to be a bit "eccentric". What kind of=20
music
> do you listen to most of the time Magnus? Do you ever listen to rock=20
n
> roll?
Exotica changed my life! When I was younger (9-15) I listened to=20
reagge, dub, calypso (old), soca and african pop. I got all this from=20
the radio, there were two different shows. One was called "Radio=20
Westindia". Now there were some incredible music on this show, not just=20
the current hits from jamaica and Trinidad but also old weird calypso=20
and novelty songs and such, I taped all shows and listened to it every=20
day. I knew the name and place of every island in the westindies and i=20
was heavily involved with the political situation over there. I was=20
pretty much alone in listening to this, I have a brother and he liked=20
it to, but not as much as I did. When I turned 15 I started listen to=20
60s rock and pop, such as Thirteen's floor Elevators and Byrds and=20
stuff like that, psychedelic pop. But I did not use drugs at this time,=20
I was heavily against it, seems strange afterwards listen to that kinda=20
music. CD had not arrived so I searched for LPs, mostly reissues, there=20
were also many great rockbands that I used to go and watch, I also=20
listened to 70s punk and New Wawe. Pop Group and Mark Stewart, Kukl=20
(former Sugarcubes/Bj=F6rk) Blurt and Captain Beefheart.
Then I had some years when I listened to Mississippi country blues, Son=20
House and Bukka White, Robert Johnson and Robert Pete Williams was=20
among my favorites. I listened to very dark music too, and I was=20
getting darker inside, I was not the happy guy that used to dance with=20
myself to calypso, I had a severe pain inside that I just couldnt get=20
rid of. I started hang out with the guys who in those days were=20
called "Blackrockers". We listened to Very dark music, I have lost all=20
menory of that music, Ueck! It seemed everything was turning downwards,=20
I had nothing to look forward to in music, everything just went worse=20
and worse, in the end the only records I bought was made by Tom Waits=20
and him what's his name, that australian guy with the black long=20
hair... Cant remember.=20
But! in the end of the eighties I was begining to collect american=20
videotapes of weird films, so that became my new interest. I bought=20
stuff like the brainiac, mesa of lost women, terror of tiny town, robot=20
monster the Ed Wood films etc. We used to gather at night and watch it=20
drinking VERY MUCH red wine. I used to drink up to three bottles, then=20
go out and have fun, which usually meant MORE BOOZE. No other drugs up=20
to this point. Just VERY MUCH RED WINE.
Now the music in these fifties films started get to me, and I wanted it=20
on record, but records like that was not to be found. I made a score=20
now and then, Screamin Jay Hawkins, Legendary Stardust Cowboy, cult=20
fifties rockers but I wanted something different, I wanted the mood=20
music which i heard in the movies.
Then came the 90s, and suddenly it was the internet, I was online in=20
1995, and it didnt took long for me to find some weird webpages with=20
albumcoverart and the name... Exotica.
Now I had a Martin Denny record (Another taste of honey) and I=20
recognized the name "Exotica" from its backcover. I had a feeling I had=20
stepped into something REALLY IMPORTANT. I was determined to learn all=20
about this new (to me) music so I started buying lots and lots of=20
records from the united States, some of it was crap, but much of it was=20
what I can see as classics in the genre. I spend lot of money.=20
tousands! I just couldnt get enough of it. I can honestly say that I=20
have experienced GOD in this music, it is so big to me. NO, I dont=20
listen to Rock or soul or blues or HipHop or anything. I LISTEN ONLY AT=20
EXOTICA. But Exotica is pretty wide, though I am most fond of the=20
birdcall jungle exotica I also enjoy any record that has a happy mood,=20
and has the power to transform it to me. Like Bill Page "sound of the=20
sonic sixties" Like the Nutty Squirrels which I just got a CDr copy of=20
from my buddy Johan. Like the Three suns.
But if i was to choose some music for eternity, it would be the jungle=20
exotica. It is the only thing I just cant live without anymore. It is=20
my new home. Nature boy, quiet village, flamingo, poinciana. It is=20
what my dreams are made off. Its eternal.
Magnus
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From: "Dr Chris R. Tame"
Subject: Re: (exotica) top 10 or 50 Exotica/Lounge records...
Date: 12 Feb 2001 20:52:30 +0000
In article <3A8728A4.5CBC2800@attglobal.net>, itsvern@attglobal.net
writes
>
>> It would also be very helpful to have some evaluations of the many
>> lounge/exotica compilations (like the UltraLounge series) now available.
>
>In my opinion, the best of the Capital 'Ultra Lounge' series are ..
>
>- Vol. 4 Bachelor Pad Royale
>- Vol 18 Bottom's Up
>- Vol. 1 Mondo Exotica
>
>next favorites are
>
>- Vol 17 Bongoland
>- Vol 16 Mondo Hollywood
>- Vol 11 Organs in Orbit
>- Vol 2 Mambo Fever
>
>These are based on my mindset 3-4 years ago .... my tastes may have shifted
>since then.
>
>Vern
>
>
>
Thanks for the recommendations.
I have Bachelor Pad Royale and agree with you. It's an outstanding
collection.
--
Dr. Chris R. Tame, Director
Libertarian Alliance | "The secret of Happiness is Freedom, |
25 Chapter Chambers | and the secret of Freedom is Courage" |
Esterbrooke Street | Thucydides, Pericles' Funeral Oration |
London SW1P 4NN
England
Tel: 020 7821 5502
Fax: 020 7834 2031
Email: chris@rand.demon.co.uk
LA Web Site: http://www.libertarian-alliance.com/
Free Life Web Site: http://www.whig.org.uk
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From: "m.ace"
Subject: Re: (exotica) Re: top 10 or 50 Exotica/Lounge records: top 68
Date: 12 Feb 2001 18:09:34 -0500
>BTW I know we're all slightly jaded and also overwhelmed by the number of
>amazing records in the world but it would be really nice if people here
>talked about records they love... which hardly happens anymore. You don't
>have to make lists of your top anything.
I'm TRYING, but the framdam listserver isn't putting my post through!
I gave it 5 days, tried again and now it looks like that attempt won't come
through either. Last week, I thought it might be because of length, but
then then Johan's massive posts came slamming right through, and I don't
think it's nearly as long as they were.
under a gag order for an unknown crime,
m.ace mace@ookworld.com
http://ookworld.com
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From: chuck
Subject: (exotica) A Big Easy Response to Alan's Question
Date: 12 Feb 2001 15:15:49 -0800 (PST)
Alan I have 160 framed albums at my house and I just ordered 50
more for me and 50 for another exoticat on this list. I change the
albums for the season. Mardi Gras season is upon us so every
Exotica album I have is competing in my mind to go up. Yesterday
my girlfriend and I framed a few including "Ritual of the Savage"
and "Jungala" and some wild Limbo album to give you an example. At
halloween time horror albums graced my wall. At Cristmas time you
can just guess, Jack Benny Chrismas album...3 Suns albums, Joni
James, "I Know What You Want For Christmas" and the occasional
disco Xmas. For my little girls 5th Birthday Party up went a Mary
Kay Birthday Cake lp, Disney picture disc lps and kiddie lps. Her
bedroom has lps she chose herself, some ballet, disney and sweet
cute cheesecake.
At one time my hallway had 30 or so Ray Coniff album covers. "A
Coniff Hallway" just the concept makes me laugh! Yma Sumac and
exotica are up there now. The back bedroom, which is full of lps
on the floor and cds in the shelves, will get all those great outer
space lps.
Well Alan, you should remember all of my shibuya-kei posts from the
last few years. There is something so wild refreshing and
unpredictable about a good shibuya-kei song. It is just
exhilarating fun for me to hear a great shibuya kei song.
Mansfield 6 is my favorite japanese club pop band out these days. I
can't get enough of their last 2 eps. Its close though because P-5
have rocked my world with their last 2 singles.
Kinky Beats is my favorite comp of last year! Nothing in this
genre has matched it for me.
Dusty Trails is by far my favorite album of last year. I just ooze
every time I hear it. I associate the melodies on it to 1966 my
favorite year in music! Its soft pop and its not on Siesta.
The Brian Wilson tribute album, "Caroline Now" on Marina is so good
I went out and purchased those mid/late 1970s beach boy albums like
"Love You" The marina versions are better!
I play a lot of sci fi horror music. A real lot.
The Nuggets Box Set gets my award for my favorite box set! Love
1966 garage music! and the band LOVE.
The Magnetic Field's 69 love songs gets a lot of play.
God Speed You Black Emperor made the heavy rotation a month or so
ago. The newer Blow up comps are getting lots of play. Sssounds
of Music and any thing by Bertrand Burgalot I love. His Chrominance
Decoder production of April March still awes me.
I'm spread a little too thin these days with all my purchases and
worse during Mardis Gras because I make the tapes and the music is
full of Soca, Soukous Zouk and Compass.
Getting a lot of play at my house and in the car is the PowerPuff
Girls tribute cd. Optigannly Yours and Apples in Stereo are simply
tremendous on it. I have all of the Apples in Stereo releases
including the early individual lp. They rock with a little 66
pop/garage feel to me.
Mary Mayo has the best voice I have ever heard! Well Gal Costa
does too!
Diane Webber the best legs! Thrifted Burnished Brass today! Shoot
who needs viagra when you got the Diane Webber record covers and
bossa nova music. Put on a little Bossa Nova music Alan and pull
out all those Diane Webber lps and see what happens.
For Bossa Nova try the Trip to Brazil comps. Over the years I have
never been able to get enough Bossa Nova.
Any info on Diane Webber is welcome.
Easy listening in the Big Easy
Chuck
--- alan zweig wrote:
> And chuck, do you listen to any contemporary music with the
> exception of soft pop things on Siesta? And how old are you? I
can't figure it out.
> And how many records do you have on the wall? Are they all
> framed?
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From: tikiman
Subject: Re: (exotica) Ali'i
Date: 12 Feb 2001 15:26:57 -0800 (PST)
Héj Magnus-
> ever heard June Christy's version of "Midnight
> Sun?"
> No, which record is it on?
it's on "Something Cool" (Capitol) and has many other,
well, cool tracks on it. i read your self-portrait and
noticed the songs that are your exotica staples...
notably "Nature Boy." i love that tune as well and i'm
making a cd based on it interspersed with Eden Ahbez's
music and the 5 versions of the song that I have by
1. Jon Hassell 2. Nat King Cole 3. Mile Davis 4. John
Coltrane 5. Johnny Hartman. know of any others?
alohaderci,
Fluid Floyd
Taboo Records
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From: Matt Marchese
Subject: (exotica) Re: Hatten =?iso-8859-1?Q?=E4r?= din
Date: 12 Feb 2001 17:37:03 -0600
I just happened across the English translation of that sublimely bizarre
Turkish hat dance Flash site that was posted here a couple of days ago:
http://www.geocities.com/pommesrotweissx/
Wish I'd swallowed my beer BEFORE I read it!
Hatt-baby, hatt-baby!!! Glue piece of ham, cool!
--
Matt Marchese
"I've been havin' this nightmare.......a real swinger of a
nightmare, too." -Frank Sinatra (The Manchurian Candidate)
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: nytab@pipeline.com
Subject: Re: (exotica) Ali'i Boy
Date: 12 Feb 2001 19:24:04 -0500
tikiman wrote:
> notably "Nature Boy." i love that tune as well and i'm
making a cd based on it interspersed with Eden Ahbez's
music and the 5 versions of the song that I have by
1. Jon Hassell 2. Nat King Cole 3. Mile Davis 4. John
Coltrane 5. Johnny Hartman. know of any others?
alohaderci,
Fluid Floyd
=================
I made a tape compilation of Nature Boy for the exoticaring - well, actually, it's one side of a 100 minute tape. I put all the versions I had and others filled in the rest of the tape. Unfortunately, I can't remember what the track list was, so perhaps whoever has it now might be able to send us the list. Of course, you can always go to http://allmusic.com and search for song:nature boy. There's lots and lots of versions to be found, that's for sure.
lousmith@pipeline.com
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From: alan zweig
Subject: (exotica) Nature boy
Date: 12 Feb 2001 20:18:45 -0500
>n"Nature Boy." i love that tune as well and i'm
>making a cd based on it interspersed with Eden Ahbez's
>music and the 5 versions of the song that I have by
>1. Jon Hassell 2. Nat King Cole 3. Mile Davis 4. John
>Coltrane 5. Johnny Hartman. know of any others?
I just got an amazing version of this song by guitarist Joe Beck from an
album named after the tune. It's five minutes long with lots of wah wah
guitar and sounds a bit like Zappa or something similar.
I also have versions by Annie Ross, Art Pepper, Buddy Merrill and Robert
Maxwell.
If I had to pick a fave, it would be Art Pepper but that's cause he's my
favorite alto sax player of all time.
AZ
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From: "Magnus Sandberg"
Subject: Re: (exotica) Nature boy
Date: 13 Feb 2001 02:22:47 +0100 (CET)
citerar alan zweig :
>
> I just got an amazing version of this song by guitarist Joe Beck from
an
> album named after the tune.
You like that?? Maybe I have to try it again. Listened very quickly and
back in the bin it went.
Magnus
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From: "cheryl"
Subject: (exotica) =?iso-8859-1?Q?Re:_=28exotica=29_Re:_Hatten_=E4r_din?=
Date: 12 Feb 2001 20:30:51 -0500
Well, that English translation explains everything...glued ham and all -
what have those Turks been
smoking?
> I just happened across the English translation of that sublimely bizarre
> Turkish hat dance Flash site that was posted here a couple of days ago:
cheryl
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From: "Colleen Pyles"
Subject: (exotica) exotica) A Big Easy Response to Alan's Question
Date: 12 Feb 2001 20:40:26 -0600
Sheeesh Chuck, that's alotta framed albums. I'd like to frame a few,
where do you find the frames to do that?
colleenintexas
Colleen
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From: "Kevin Leeeeee"
Subject: (exotica) The April Fools soundtrack
Date: 12 Feb 2001 20:09:15 -0700
HELP!
trying to track down the credits and info for one of the songs on this soundtrack. I believe it's the Mongo Santamaria track called "La la la" (?). i can't find any info on it anywhere on the web and it's driving me up the wall! i need composer name, exact title, publisher name.
it's the song on that soundtrack with the wordless haunting female vocals. very easy and groovy. for anyone who's not heard this song, it's worth getting the soundtrack! that is, if you can find it.
kevin leeeeee
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From: "basic hip"
Subject: Re: (exotica) The April Fools soundtrack
Date: 12 Feb 2001 19:54:36 -0800
Kevin Leeeeeeeeeeee's plea:
<>
Darn! I looooovvvvee sixites soundtracks (me too, alan z) but I don't have
that one, kevin. :( But you are on the right track, it is La La La by
Mongo Santamaria. Here is a link to a bit of info, plus a scan:
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1407341544
Run a search on ebay every now and then, it'll turn up!
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Answer to alan
Date: 12 Feb 2001 22:48:44 EST
In a message dated 2/12/01 2:04:24 PM Pacific Standard Time,
m.sandberg@telia.com writes:
<< But if i was to choose some music for eternity, it would be the jungle
exotica. It is the only thing I just cant live without anymore. It is
my new home. Nature boy, quiet village, flamingo, poinciana. It is
what my dreams are made off. Its eternal.
Magnus >>
sums it up for me. thanks maggie!
tb
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From: "Brian"
Subject: Subject: Re: (exotica) The things you find on DVD!
Date: 12 Feb 2001 18:28:15 -0500
Paul wrote:
> > on DVD. There's another one by him I have to get next week. Anyone know
if
> > any of the soundtracks to these films were ever released?
> Apparently not. There are "Branded To Kill" MP3s at all pulled off the
DVD.
Yes I just discovered a new use for my Minidisc recorder as I ripped all the
sound off of that Tokyo Drifter DVD. It created a huge number of tracks due
to quiet noise gaps, but after some erasing, what I have left is a
non-destructive digital image of the audio to manipulate. It is a bit
tedious but you could do the same on a hard disk I suppose.
Brian
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From: buMp
Subject: Re: (exotica) The April Fools soundtrack
Date: 12 Feb 2001 22:44:42 -0500
LA LA LA- Mongo Santamaria
composer is MARVIN HAMLISCH of all people.
Pub. 1969 Columbia Pictures
SONY MUSIC ENTERTAINMENT
>
great friggin track!
>
>>
>>HELP!
>>
>>
>>
>>trying to track down the credits and info for one of the songs on this
>>soundtrack. I believe it's the Mongo Santamaria track called "La la la"
>>(?). i can't find any info on it anywhere on the web and it's driving me
>>up the wall! i need composer name, exact title, publisher name.
>>
>>
>>
>>it's the song on that soundtrack with the wordless haunting female
>>vocals. very easy and groovy. for anyone who's not heard this song,
>>it's worth getting the soundtrack! that is, if you can find it.
>>
>>
>>
>>kevin leeeeee
>
>
******************************************************
*****************************
*************
DJ Bump
"Primitive Rhythms for Evolved Minds"
Defective Records-Executive Producer
bump@defectiverecords.com
http://www.defectiverecords.com
"Music, Non-Stop" -- Ralf + Florian
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From: Michael Clifford
Subject: (exotica) please allow me to introduce mice elf
Date: 13 Feb 2001 02:24:08 -0800 (PST)
This recent rash of closet exits and lurker
de-cloakings has inspired me to get up offa my thang
-well, actually, sit right down on my thang - and
write a couple things about myself.
My interest in Exotica is part of an overall obsession
with music and pop culture. My interest in exotica
list type-stuff probably first manifested in high
school and early college early-mid '80s when I started
picking up albums with alluring, attractive, scantily
clad women on the cover, including the famous Betty
Page w/ leopards album. I soon expanded into cool
covers of other types and actually buying some records
for the music alone. I ended up using a lot of these
while I lived in New Mexico on my college radio show,
Expando Radio (once, and perhaps still, listed on the
Space Age Bachelor Pad site). Now I live in the
western Boston burbs (Waltham) and really enjoy
catching Seks Bomba, Astroslut, Electric Logs, etc.
around town. Com. Edison's last cd release party at a
great place in Chinatown with Electric Logs and
Pineapple Ranchhands was a blast. Although I don't
enjoy the prices charged for cool exotica stuff at the
used joints in town, I've found a cigarette/ record
store here that's got some decent stuff for cheap.
Picked up another Rod Mckuen there after the recent
list discussion of his stuff.
I work at a local cable news network, in master
control overnight, so now have plenty of time to
peruse the exotica list messages while I work.
Enough for now - hope this helps make a previously
anonymous infrequent poster into more a real person...
Mike
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From: "Robert McKenna"
Subject: (exotica) Lai=Air
Date: 13 Feb 2001 11:04:41
>"Exotic Strings" records (by Percy Faith or Michel Legrand).
>So does anyone know this compilation or these comps in general? Does
>Mandalay exist or is it just some name chosen for this compilation? Is
>there a whole CD by Mandalay out there?
>
I've only ever seen 12"s
>And one more thing about neo-exotica. I just bought a Francis Lai record
>that sounded exactly like Air.
>
>AZ
When I saw them a few years ago they played the theme from 'Bilitis' a
rather dodgy (underage) soft porn 1970s lesbiansploitation film which was
scored by Lai. I think the theme itself is from a debussey song of one of
the Pierre Louys 'Bilitis poems. So they're obviously fans.
Rob
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From: "Domenic Ciccone"
Subject: Re: (exotica) please allow me to introduce mice elf
Date: 13 Feb 2001 08:04:40 -0500
>Now I live in the western Boston burbs (Waltham) and really enjoy catching
>Seks Bomba, Astroslut, Electric Logs, >etc. around town. Com. Edison's last
>cd release party at a great place in Chinatown with Electric Logs and
> >Pineapple
Hey! Another de-lurker from Massachusetts! Allright!
As I mentioned only last week, live in Leominster. I’m working as a
mechanical designer at a company that makes semiconductor inspection
equipment. Slowly pursuing a mechanical engineering degree at U Mass Lowell.
Carol and I we got 2 kids: Leandra 16, and Geneva almost 5. Carol likes
some of this music, but I think she suspects I’ve joined some kind of cult.
You are all going to hate it. But it was the Ultra Lounge series that got me
into this stuff. And forced me to take the turntable out of mothballs. As I
mentioned about a year ago, been listening to a lot of Jazz and “American
songbook” for years (I’m a public radio junkie) and was surprised to find
this “hidden genre”. “The Wild Cool and Swingin” comps were easy enough to
digest and the others have been a great introduction to the rest.
A few months later I discovered that as a student at U Mass Lowell I was
eligible to join the “radio club”. Jumped at it. I was thinking of doing a
strictly jazz or even a classical program. But hey! If you have seen the
Ultra Lounge brochures that they stocked in those martini displays you will
agree that this is “the coolest music on earth” and that’s what I was going
to play!
Mike, if your ever interested in getting back on the air as a guest or
substitute host let me know. Waltham is less than ˝ hour from Lowell.
Domenic Ciccone
"Martinis with Mancini" WJUL 91.5FM Friday’s 6-9AM EST
http://www.geocities.com/martinimancini/
http://wjul.cs.uml.edu/misc/wjul/wjul.html (On Real Audio)
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From: Brad Bigelow
Subject: (exotica) HI MY NAME IS... Brad
Date: 13 Feb 2001 07:08:50 -0600
Well, since we have to stop at the door and put these silly name tags on ....
My name is Brad, I am a list member since 1995, and like Alan, I got
interested in this stuff when the price of CDs drove me into thrift stores,
and I've never looked back. Like many fans, I owe a huge debt to V.Vale
and the Re/Search crew for publishing "Incredibly Strange Music" and giving
me a "to find" list to last the rest of my life. Although I can snobbishly
say that I actually got "Incredibly Strange" because I started buying
Re/Search because of their J.G. Ballard issue.
I am 43, married, with three kids, currently living in San Antonio, Texas,
but moving to Brussels this summer. I'm in the Air Force and have spent
most of my time managing information technology operations and programs. I
was lucky to spent a fair amount of time in the Bay Area, L.A., and
Washington, DC, all of which are great places for collecting records. Many
dollars spent at Rhino and Amoeba in Berzerkely. And much on eBay in the
last 3 years. I'm maxing out now and just bought a CD recorder to start
thinning out my LP stock.
About 5 years ago I started what's now the Space Age Pop website
(www.spaceagepop.com). I've been slowly but steadily adding to it, and now
have something like 450 pages out there in cyberspace. A few books have
heartily plagiarized it, but for the most part, I think it's safe to say
it's the most comprehensive guide to space age pop musicians out
there. It's a labor of love, not profit, although I have been interviewed
twice by BBC2 (and paid for it!) for their series on "The Arrangers."
I would post more here, but I really spend very little time online. I also
subscribe to the Jazz West Coast list, mostly for posts by Milt Bernhart
and other veteran jazz musicians who are still alive and kicking.
I've been buying neo Exotica lately, thanks to CDNow's Cosmic Credit
program. Just got Sushi 2000, which is almost as good as a tape a Japanese
fan once sent me. If anyone can ever locate the CD by Tokyo's Coolest
Combo, write me. Their cover of the James Bond theme is an organ-vibes
combo killer.
I listen to just about everything except more of the "Adult
Contemporary"/"Today's Country" shit they pipe into my offices. I believe
in the quote attributed to Charles Ives: "Sit up and use your ears like a
man!" However, the main thing you'll hear in my home is N'Synch and the
Baha Men. My kids view my hobby as a mental defect, something to apologize
to their friends about ("My dad is ... um ... a record collector.").
Latest spin: Mantovani's Greatest Hits--"Charmaine." The classic easy
listening track we all know and love. I am starting my thinning out
program with the slabs o' wax that are easiest to get rid of. So here goes
a compilation of Manny, Kostelanetz, Melachrino, and a bunch of other
stringers I bought a couple of years ago for an article I wrote in "Cool
and Strange Music" magazine a while ago.
Kudos to Lazlo Nibble for starting and keeping this list, and to all of you
(particularly Nat/Alan, who feeds it on those days when the rest of us
forget to) for contributing. This list has been the source of much
pleasure and many purchases over the years.
Brad
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From: Brad Bigelow
Subject: (exotica) Jack Costanzo Live
Date: 13 Feb 2001 07:12:57 -0600
Just pulled this off another list:
No Bongos, But Lots of Rhythm from Costanzo"
by Don Heckman
Los Angeles Times, February 12, 2001
Jack Costanzo virtually introduced the bongo drums to American music in his
performances with Nat "King" Cole, Peggy Lee and, especially, Stan Kenton
(on such familiar items as "Peanut Vendor," "Cuban Carnival" and "Bongo
Riff"). He can probably also be blamed for providing the instrument that
became a fixture in pine-paneled rumpus rooms of the '50s, and no beatnik
poetry reading of the period was complete without bongo accompaniment. In
addition, he lists stars such as Marlon Brando, Tony Curtis and Gary Cooper
among his bongo students.
But when Costanzo came on stage at the Conga Room on Friday night, there
were no bongos to be seen. Instead, he spent the entire set positioned
behind a pair of conga drums. Nothing wrong with that musically, since
Costanzo is a masterful percussionist with virtually any sort of hand drum.
Still, it would have been nice to hear him take a turn on the smaller bongo
drums, if only for the sake of nostalgia -- especially since the
packed-house crowd clearly included a contingent of enthusiastic listeners
who remembered him from his earlier years.
To his credit, however, Costanzo has not remained in the past. The 10-piece
band -- with three vocalists, including the high-spirited Marilu -- was a
solid, hard-swinging unit. And the arrangements, many of which included
Costanzo's imaginative rhythmic ideas, used the five horns as a massed
harmonic unit, the resulting sounds comparable to a full jazz band.
Combined with a surging rhythm section, the results were first-rate, a
stunningly compatible blending of jazz horns with the infectious pulse of
mambo, cha-cha and Latin funk. The combination was especially effective in
an unusual rendering of Nat Adderley's classic soul jazz tune "Work Song,"
which began with a walking bass line, then quickly shifted into a
jazz-tinged, foot-tapping, body-moving cha-cha.
Most of the other numbers featured singer Marilu, whose effervescent
physicality and rich, dark-timbred voice was at times reminiscent of a
youthful Celia Cruz, but more often was simply a convincing vehicle for her
own unique style. Especially impressive on the rhythmic numbers -- which
were all enhanced by her nonstop dance movements -- she was less so on the
ballad "Te Quiero, Te Quiero," a piece whose voltage was set far too low
for this sort of dynamic evening.
But that was the only relatively passive moment in an entertaining evening
of Latin jazz driven by the sheer rhythmic excitement of Costanzo's
drumming. "Mr. Bongo," as he once was called, still knows how to get the
fires burning, no matter what he's playing.
---------
Brad
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From: Eric Taub
Subject: Re: (exotica) Ali'i Boy
Date: 13 Feb 2001 09:00:13 -0500
whoever has it now might be able to send us the list.
It's at home, but can send it out tonite.
Eric
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From: Clayton Black
Subject: Re: (exotica) Re: Hatten =?ISO-8859-1?B?5A==?=r din
Date: 13 Feb 2001 09:40:28 -0500
> From: Matt Marchese
> Organization: Arbeit Macht Muede
> Date: Mon, 12 Feb 2001 17:37:03 -0600
> To: exotica@xmission.com
> Subject: (exotica) Re: Hatten =E4r din
>=20
> I just happened across the English translation of that sublimely bizarre
> Turkish hat dance Flash site that was posted here a couple of days ago:
>=20
> http://www.geocities.com/pommesrotweissx/
>=20
> Wish I'd swallowed my beer BEFORE I read it!
>=20
> Hatt-baby, hatt-baby!!! Glue piece of ham, cool!
FANTASTIC! That's the best thing I've seen online since Lileks's Gallery o=
f
Regrettable Food. (http://www.lileks.com/institute/index.html)
"Glue a piece of ham, cool" is unparalleled lyric writing. And the melody
is terrific.
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From: "christie j. white"
Subject: (exotica) album frames
Date: 13 Feb 2001 10:27:16 -0500
Sheeesh Chuck, that's alotta framed albums. I'd like to frame a few,
where do you find the frames to do that?
colleenintexas
Colleen
Hey Colleen,
You can get them at any craft store usually. We have Michael's around here
and in the South - not sure about TX. The best and cheapest way to do it
though is get your glass cut at some out of the way, small, been there
forever, old man running glass shop and get these clips that I've started
using. It's a super way to show off the album and the frame doesn't cover
any precious details. The clips can be found in a more specialty art supply
store.
Kiliki
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From: Will Straw
Subject: Re: (exotica) HI MY NAME IS... Brad
Date: 13 Feb 2001 10:37:15 -0500
Brad Bigelow's message -- with the news that he was moving to Brussels this
summer -- prompts me to ask: is there anything worth seeing in Brussels,
exotica-wise? I'm off to the big B for a week, next Monday, with a fair
amount of down time in what is ostensibly a "research trip." Any tips?
Will
Will Straw,
Acting Chair,
Department of Art History and Communications Studies
McGill University
853 Sherbrooke Street W.
Montreal, QC H3A 2T6
Canada
Phone: (514) 398 7667 Fax: (514) 398 7247
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From: Moritz R
Subject: Re: (exotica) Lai=Air
Date: 13 Feb 2001 16:56:53 +0100
Robert McKenna schrieb:
> I just bought a Francis Lai record
> >that sounded exactly like Air.
mind telling us the title?
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: Peter Gingerich
Subject: Re: (exotica) top 10/best jazz rekkid
Date: 13 Feb 2001 11:14:26 -0500
I'm not too sure about exotica but the best jazz album handsdown is 'Kind
of Blue' by Miles Davis.....
pg
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From: Will Straw
Subject: (exotica) Night and the City
Date: 13 Feb 2001 11:30:40 -0500
I can't help plugging a conference we're holding here in March, organized
by two of the coolest grad students you'd ever meet.
Here's the website:
http://www.arts.mcgill.ca/programs/ahcs/nightandthecity.htm
Will
Will Straw,
Acting Chair,
Department of Art History and Communications Studies
McGill University
853 Sherbrooke Street W.
Montreal, QC H3A 2T6
Canada
Phone: (514) 398 7667 Fax: (514) 398 7247
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From: nytab@pipeline.com
Subject: (exotica) [obit] Buddy Tate
Date: 13 Feb 2001 12:03:40 -0500
http://allmusic.com/cg/amg.dll?p=amg&sql=Begieeheeeeeieehg]
http://www.google.com/search?q=%22buddy+tate%22
February 13, 2001
Buddy Tate, Saxophonist for Basie's Band, Dies at 87
By BEN RATLIFF
Buddy Tate, a broad-toned saxophonist who was a vital part of the widely admired Count Basie band of the 1940's, died on Saturday in Chandler, Ariz. He was 87.
Mr. Tate was one of the great tenor saxophonists of the swing era, a superbly sophisticated ballad player influenced by both the diaphanous tone of Lester Young, his section mate in the Basie orchestra, and by the urgency and rhythmic muscularity of Coleman Hawkins. These traits could be heard in his first recorded solo with Basie's band, "Rock-a-Bye Basie" from 1939, which Mr. Tate felt was one of his best. His force and his flights into the horn's high registers identified the Texas tenor style, also exemplified by the saxophonists Arnett Cobb and Illinois Jacquet.
Born George Holmes Tate in Sherman, Tex., he began his career in the late 1920's, playing around the Southwest with bands led by Terrence Holder, Andy Kirk and Nat Towles. He played briefly with Count Basie in 1934, then began his 10-year association with the Basie orchestra in 1939, after the death of its saxophonist, Herschel Evans. It was his work with Basie that most assured him his place in jazz history.
In the 1950's Mr. Tate played with Lucky Millinder, Jimmy Rushing and Hot Lips Page, and in 1953 he began to lead his own band, which played a regular show at the Celebrity Club in New York for more than 20 years. He worked often in Europe, playing with Jim Galloway, Jay McShann and Al Grey.
In the late 60's he recorded in France with the organist Milt Buckner and the drummer Wallace Bishop. He and the saxophonist Paul Quinichette were co-leaders of a band at New York's West End Cafe; Mr. Tate led another band with the drummer Bobby Rosengarden at the Rainbow Room in the 70's.
Mr. Tate's career of playing and recording, mostly at selected festivals and with touring groups like the Statesmen of Jazz, lasted through the mid-90's, with a final appearance on "Conversin' With the Elders," the 1996 album by the young saxophonist James Carter.
Mr. Tate lived in Massapequa, N.Y., until a few weeks ago, when he moved to Phoenix to live with his daughter Georgette. She survives him, along with another daughter, Josie, also of Phoenix, and many grandchildren.
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From: HOUSEOBOB@aol.com
Subject: Re: (exotica) top 10/best jazz rekkid
Date: 13 Feb 2001 12:09:00 EST
In a message dated 2/14/2001 12:14:56 AM, peter.gingerich@wcom.com writes:
<< 'm not too sure about exotica but the best jazz album handsdown is 'Kind
of Blue' by Miles Davis.....
>>
I agree completely.
Bob
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From: Matthew Marchese
Subject: Re: (exotica) Brussels
Date: 13 Feb 2001 12:30:45 -0600
Will Straw wrote:
>
> I'm off to the big B for a week, next Monday, with a fair
> amount of down time in what is ostensibly a "research trip."
> Any tips?
Don't drink too much Kriek (sour lambic cherry beer). I got VERY sick on
the stuff after drinking only two pintish-sized glasses the last time I
was in Brussels. I haven't been drunk like that since I was in high
school.
As for Exotica, I didn't see any, but that doesn't mean it doesn't
exist.
--
Matt Marchese
mattm@sgi.com http://reality.sgi.com/mattm_americas/
Service Publications and Training, Silicon Graphics, Inc.
"If there's no ear then there's no sound if there's no tree
then there's no ground" -Imperial Teen
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: Matthew Marchese
Subject: Re: (exotica) Re: Hatten =?iso-8859-1?Q?=E4r?= din
Date: 13 Feb 2001 12:46:42 -0600
Clayton Black wrote:
>
> FANTASTIC! That's the best thing I've seen online since Lileks's Gallery of
> Regrettable Food. (http://www.lileks.com/institute/index.html)
> "Glue a piece of ham, cool" is unparalleled lyric writing. And the melody
> is terrific.
Ah, Lileks. I don't know how he manages to keep coming up with such
fantastic stuff. I have yet to make my pilgrimage to the Gobbler Motel,
but a good friend of mine stayed there many years ago. I don't even know
if it's open anymore.
I love Middle-eastern and Mediterranean pop. My favorites include a comp
called "Yalla: Hitlist Egypt" and an American-Greek band, Annababoula
that plays very trancey, rhythmic guitar/synth pop. There are some very
good comps of Bollywood film music out there as well. The Bollywood
lyrics are usually every bit as whacked as those of Hatten dr din, if
not moreso.
Whenever I go to big Persian and Indian restaurants, I always check out
the music videos and movies they're playing. I recall seeing an Indian
film which featured a woman swinging on a rope and shooting a machine
gun while singing a song about milk!
I've been looking for that one ever since.
--
Matt Marchese
mattm@sgi.com http://reality.sgi.com/mattm_americas/
Service Publications and Training, Silicon Graphics, Inc.
"If there's no ear then there's no sound if there's no tree
then there's no ground" -Imperial Teen
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: Brian Phillips
Subject: Re: (exotica) Ali'i (actually Nature Boi'i)
Date: 13 Feb 2001 14:07:05 -0500
>1. Jon Hassell 2. Nat King Cole 3. Mile Davis 4. John
>Coltrane 5. Johnny Hartman. know of any others?
There is a parody version of it by "Moms" Mabley, which I believe is on the
"Moms" Mabley at the Playboy Club album. Before anyone scoffs too hard,
don't forget she also had a hit with "Abraham, Martin and John".
Stan Freberg recalled that his record, "John and Marsha" and Cole's "Nature
Boy" were part of a very early marketing test for Capitol Records. They
set up a listening room and each desk had bulbs. If the person sitting
there liked the record, they squeezed the bulb. All of the records got
little reaction, with the exception of Nature Boy and "John and Marsha" (he
said that people almost broke the bulbs in response to the John and Marsha
record!).
Brian.
Phillips.
Brian?
Phillips?
BrianBrianBrianBrianBrianBrian...PHILLIPS
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From: Ben Waugh
Subject: Re: (exotica) Brussels
Date: 13 Feb 2001 11:09:09 -0800 (PST)
Maybe there was a bad batch. After getting off the
train from Amsterdam, several of these were the only
thing between me and the satanic hangover than nagged
me and nagged me and nagged me to strangle one of my
traveling companions. Delightful hate-quelling stupor.
Good beer. Man-serving beer.
--- Matthew Marchese wrote:
> Don't drink too much Kriek (sour lambic cherry
> beer). I got VERY sick on
> the stuff after drinking only two pintish-sized
> glasses the last time I
> was in Brussels. I haven't been drunk like that
> since I was in high
> school.
=====
"Grunt Big for Daddy."
- Thomas Paine
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From: "james brouwer"
Subject: (exotica) another answer to Alan
Date: 13 Feb 2001 19:38:19 -0000
since Alan has asked it would be rude not to respond:
>Or James Brouwer, I believe you have the best soundtrack collection I've
>ever come across. But that's only because you seem to want the same
>soundtracks I want. You're not trying to get every kind of soundtrack. So
>how would you characterize the kind of soundtrack you're looking for?
ummm, by way of introductions. I'm 33, a veteran graduate student in
Philosophy, and have no wife or kids. I'm originally from Vancouver, though
I've been stuck in Ontario for years now. Besides records, I collect
postcards, old photographs, stereocards, and thrift-store paintings.
The compliment is appreciated, though I'm sure most people on this list have
impressive collections, including yourself -- though I have yet to see it. I
collect lots of different music but got into 60's/70's soundtracks for a)
the nostalgia (glimpses into my TV-mediated childhood), b) the 'scenic'-ness
(the way the some film-music converts your everyday surroundings into some
filmic-narrative from the past) c) the artifice (the way some film music
exaggerrates the era to which it belongs -- hippie/biker soundtracks are
great for this) d) the music itself (just plain damn good in places) e) the
look (I love a good OST sleeve) and f) the movies ( I'm a fan of old films,
but usually not the ones I collect OSTs of).
Some OSTs I like?
Adventurers - Ray Brown
Barbarella - Bob Crewe
Bullitt - Lalo Schifrin
Follow Me - Stu Phillips
Girl From U.N.C.L.E. - Teddy Randazzo
Stilletto - Sid Ramin
Hanged Man - Alan Tew
Hell's Angels on Wheels - Stu Phillips
Truck Turner - Isaac Hayes
Lady In Cement - Hugo Montenegro
Angel's From Hell - Stu Phillips
Still can't find "They Came to Rob Las Vegas" OST though....
anyhow, thanks again Alan. maybe i'll see you at the next toronto record
show (they've changed venues and dates though)
jb
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From: alan zweig
Subject: Re: (exotica) Answer to alan
Date: 13 Feb 2001 14:42:02 -0500
At 10:48 PM 2/12/01 EST, Rcbrooksod@aol.com wrote:
>m.sandberg@telia.com writes:
>
><< But if i was to choose some music for eternity, it would be the jungle
> exotica. It is the only thing I just cant live without anymore. It is
> my new home. Nature boy, quiet village, flamingo, poinciana. It is
> what my dreams are made off. Its eternal.
>
> Magnus >>
The post describing your musical journey Magnus was very interesting. It
seems that you get into one kind of music at a time and stay there. So I
guess I can imagine you choosing one genre to concentrate on.
I can't argue with the idea of someone listening to nothing but jungle
exotica but that's partly because listening to one genre exclusively is so
unimaginable to me that I don't feel qualified to respond to someone who
listens to music that way.
So... as long as we understand that no one can really comment on someone
else's taste... can I ask you this?
What is it you like about it? Is it the music or is it the idea of it?
Does it really remind you of exotic locales and "exotic people"? Or do you
enjoy the irony of suburban white session musicians pretending they're
crazed cannibals?
Jungle exotica is such a bastard genre. They gathered a bunch of tunes
with vaguely exotic themes or exotic words in the titles. Words like
chinatown,caravan, persian, baubles, bangles, beads, cumana, cumbanchero.
I like the way they knit together this little sub genre. I like the
influences they sucked into their vortex. I like the irony of it. And I
enjoy the arrangements and the instrumentation. But it doesn't really seem
exotic or dark to me.
AZ
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From: alan zweig
Subject: Re: (exotica) Nature boy
Date: 13 Feb 2001 14:53:16 -0500
At 08:08 PM 2/12/01 -0800, tikiman wrote:
>Hey thanks Zweig-eist! love Pepper too and wasn't
>aware of his version. Beck take available on CD?
>someone else mentioned the Maxwell one as their fav...
>so i'm on my way to check 'em all out. again, muchos
>mahalos, FF
You're on your way where?
I doubt the Beck take is available on CD but never say never when it comes
to obscure CD rereleases. And I know I said the Beck version was amazing
but that doesn't mean it's so good. (So don't go back and listen again
Magnus.)
The entire Joe Beck record is kind of amazing to me but that doesn't mean
I'm recommending it as a good record. You have to appreciate things the
way I do to enjoy it.
To me, most of the music we end up talking about here was an "experiment".
And the experiment always involved new, surprising and inadvisable
juxtaposition.
Sometimes the experiment was done for purely commercial purposes. "I know
you do polka records but McArthur Park is a big hit so you're going to
cover it!"
Sometimes the experiment was done for a combination of commercial and
artistic purposes. The record company wanted the big band to play rock for
commercial reasons. The big band leader came up with his own
interpretation of his assignment. Often the big band leader was way way
way out of his element but accidentally came up with something bordering on
genius.
Anyway, the Joe Beck record is a mixture of a bunch of things and as such,
I think it's amazing.
But if you don't get off on the inadvisable juxtapositions, you might find
it a mediocre failed experiment.
AZ
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From: alan zweig
Subject: Re: (exotica) please allow me to introduce mice elf
Date: 13 Feb 2001 15:00:06 -0500
At 08:04 AM 2/13/01 -0500, Domenic Ciccone wrote:
>
>Hey! Another de-lurker from Massachusetts! Allright!
I heard yesterday that the governor of Massachusetts is about to become the
next ambassador to Canada. I appreciate this on a couple of levels. First
of all I'm glad the USA considers us a separate country. Secondly it makes
sense to me that the ambassador be from Massachusetts because there's a
spiritual connection between that state and my country. It may just be
that the University of Toronto looks so much like universities in Boston
are supposed to look like and so almost every movie that takes place around
Boston universities - such as The Paper Chase and Class of 44 - is shot in
Toronto.
But I also feel a kinship with the members of this list who are from
Massachusetts. To me they're honorary Canadians.
AZ
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From: Dan Mastous
Subject: (exotica) Yet another intro - for the record
Date: 13 Feb 2001 12:22:25 -0800 (PST)
This will mark my first post the exotica list. I am
36 with some college. I live (like everyone else on
this it seems) in Massechusetts. In Haverhill to be
exact. I work in Wilmington for (gasp!) a defense
contractor.
I got into, and out of to some extent, exotica about 5
years ago after browsing my local used CD shop (in
Northern California at the time) and found an
interesting CD with a martini glass and a atom on the
cover. The cover interested me and so I picked it,
the first Esquivel compilation Space Age Batchelor Pad
Music, up. That was the revelation. Since then I've
compiled a small, a bout 30 CDs, 20 LPs, and they
occupy a spot behind a bunch of other CDs of various
genres. This isn't because I don't like exotica
anymore, it's just that most of what I found had a few
good moments and the rest was boring.
I picked up a pre-release copy of P5's Happy End of
the World and I was gone. I've been into Shibuya
music ever since. My favorite at the moment would
have to be Cornelius' Fantasma. What a trip!
Musically speaking of course. But recently some of my
purchases have drawn me back to the fringes of
exotica. Perhaps I'll dig my Martin Denny Exotica CD
out, dust it off and give it another listen. Or the
Les Baxter CD that I can't remember the name of. I
also have the Research Incredably Strange Musics CD, 4
Bond soundtracks and some others I don't remember.
My musical tastes are very broad. I have long been a
fan of ambient soundscapes (Tangerine Dream, Klaus
Schultz the Orb) Rock (I'm partial to Styx, Kansas and
Boston), pop (I've been a Barry Manilow fan from the
start, I also must admit to a fondness for the Bee
Gees) country (Ricky Skaggs, Waylen Jennings, Roger
Miller) and oldies (Ed Ames, Buddy Grekko) Techno
(Underworld), lots of eighties (YMO, Yello, Depeche
Mode), and having spent half a year working in Asia I
picked up some Ramadan music from Malyasia and some
Filippino discs that I found forgettable.
My most vivid exotica memory has to be the Tiki room
at Disneyland. I do enjoy the Tiki atmosphere. I
spent a week with my girlfriend on Boracay Island in
the Philippines and it was a very plesant, relaxing
esperience.
I joined this list because I felt I might find some
better suggestions of exotica samples than the ones I
have. Outside of Esquivel I have found nothing that
more than piques my curiousity. I hear a melody here,
or a song there, and then a lot of forgettable songs.
Also I have recently "discovered" a type of music
called Enka (commenly called Japanese country) that I
am looking for sources for. A search on the internet
turned up nothing. I heard this type of music while
watching the MASH movie. I found the soundtrack, but
it doesn't have the actual songs, or any info on the
singers. Does anyone have a line on where I can
locate some of this music (that is in English)?
Also someone recently mentioned Shirly Bassy. I know
she is mostly known from having sung 3 Bond themes,
but I am more inclined to remeber her for her work
with Yello.
It's really too bad about the demise of Combustable
Edison. I remember hearing some of their music as
backgroud to a dramatic reading on a KPFA program. I
have a couple of their CD's. Anyway perhaps each of
the memebers of the band will form a separate band and
there'll be more to choose from in the future. Good
luck to them in there future endevours. I really
appreciate Brother Cleve for being instrumental in
having brought Mr. Esquivel back to the spot light.
I'll go back and lurk and learn some more.
Dan Mastous
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From: alan zweig
Subject: Re: (exotica) HI MY NAME IS... Brad
Date: 13 Feb 2001 15:30:18 -0500
At 07:08 AM 2/13/01 -0600, Brad Bigelow wrote:
>
>
> I'm in the Air Force
Wow. There goes another prejudice.
About ten years ago - or it could have been more - I was in a used record
store and there were a couple of cops there. I immediately assumed they
were there to investigate some stolen record scam or maybe looking for
illegal bootlegs.
Then one said to the other "Should I get the Black Album or Lovesexy?" (I
guess that dates it. When did Lovesexy come out?)
In any case, I still haven't quite recovered from hearing a cop say
"lovesexy".
I definitely have a prejudice against policemen, some of which comes from
an upbringing which taught me to question all authority and some of which
comes from my experience driving a taxi for fifteen years at the mercy of
cops who assumed every cab driver was a bootlegger or a pimp. (I wish!)
But I'm no longer surprised when a cop likes Prince.
Anyway I'm surprised that Brad, the creator of the spaceagepop website is
in the Air Force. Not that folks in the air force don't like music or that
they wouldn't like this kind of music. But they wouldn't be as cool as Brad.
>I would post more here, but I really spend very little time online. I also
>subscribe to the Jazz West Coast list, mostly for posts by Milt Bernhart
>and other veteran jazz musicians who are still alive and kicking.
What's that list like? Is Pete Rugolo on that list? I'm sort of on
another list where one of the seminal musicians posts but that particular
person bores me to tears.
Still, I'd love to hear from those veteran jazzbos.
>
>Latest spin: Mantovani's Greatest Hits--"Charmaine." The classic easy
>listening track we all know and love. I am starting my thinning out
>program with the slabs o' wax that are easiest to get rid of. So here goes
>a compilation of Manny, Kostelanetz, Melachrino, and a bunch of other
>stringers I bought a couple of years ago for an article I wrote in "Cool
>and Strange Music" magazine a while ago.
It's funny you should say that because when I started making CDR's, I too
began with the big string sections. I didn't really have any Mantovani but
I certainly had Kostelanetz. The thing is, I not only think that
Kostelanetz's later records are brilliant but as I made those CDR's, I
started to believe that these were really some of my best records.
I've been attracted to the more OVERTLY GROOVY records for the past few
years and I probably always will be but there's something more "genuinely
musical" about some of these beautifully arranged soft records.
I do listen to the CDR's I made and I listen to those string things as
much, if not more than the rest.
Anyway it makes me smile to learn that you've crossed over into the
CDRchiving territory but I warn you, very soon you're going to start
wondering "Where do I stop?" In my case I was planning to divide my
records into two categories: those I put on CDR and dump AND those I don't
put on CDR and keep.
But what happens is that I'm listening to the CDR's and not the records. So
if I want to hear the supposedly better records, I start to wish I had them
on CDR. But when I put them on CDR, I wonder why I'm keeping the records.
And I wonder why I don't just decide to put ALL of them on CDR.
Good luck. I'm listening to one of my five volumes of Mancini CDR's right
now. This one contains my favorite cuts from five Mancini records which
sort of went together : The Big Latin Band of, Mancini Generation,
Symphonic Soul, Hanging out with and Cop Show Themes.
It's hard to beat.
AZ
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From: DJJimmyBee@aol.com
Subject: Re: (exotica) please allow me to introduce mice governor
Date: 13 Feb 2001 15:29:17 EST
In a message dated 2/13/1 2:59:03 PM, azed@pathcom.com wrote:
>But I also feel a kinship with the members of this list who are from
>Massachusetts. To me they're honorary Canadians.
Then you'll love our Italian governor..Paul Cellucci..a film buff BTW, who
also has gambling debts around 750K American. His appeal is minimal on a good
day..it was a present from Dubya that arrived about two months late. Which
reminds me. Clinton appointed Boston's Irish mayor to be the Ambassador to
the Vatican. back in '93. He spent most of his time in Rome's Irish pubs and
off on junkets of earth-shattering import....Ciao for niao...J Botticelli
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From: alan zweig
Subject: Re: (exotica) Lai=Air
Date: 13 Feb 2001 15:36:27 -0500
At 04:56 PM 2/13/01 +0100, Moritz R wrote:
>Robert McKenna schrieb:
>
>> I just bought a Francis Lai record
>> >that sounded exactly like Air.
>
>mind telling us the title?
I'm sorry I can't tell you the title. I put it on CDR and gave it to my
friend.
It's got a very colorful almost psychedelic cover, it's from the seventies
and he covers "Close to you". I would buy ANYTHING with his name on it. I
once had another one of his, a bit older, where he did "This guy's in love"
and "McArthur's park" and the arrangements were just lovely.
Interestingly, I seem to recall that the arrangements on the record which
I'm saying reminded me of Air, were actually by Michel Columbier.
His own stuff was kind of Air-like no? In retrospect?
Lai is almost Air backwards. I guess not.
AZ
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From: "Magnus Sandberg"
Subject: Re: (exotica) One more answer to Alan
Date: 13 Feb 2001 22:03:51 +0100 (CET)
> Does it really remind you of exotic locales and "exotic people"? Or
do you
> enjoy the irony of suburban white session musicians pretending they're
> crazed cannibals?
> Jungle exotica is such a bastard genre.
First, I dont find this music dark. Second:
I dont just listens to jungle exotica, what I said was that if there
were one kind of music that I could take with me to eternity it would
be jungle exotica. And Alan, I cant see any irony in this music at all,
off course the albumcovers tell one story and the music another. I
think it compliments one another. Here we had artists with incredible
inner worlds, the way they made their version of an exotic paradise/ a
jungle etc is so stunning sometimes that it borders to genius/Divine
inspiration. The kind of inspiration you get from love and nature. Its
the combination of the ancient drums picked up from Africa and south
America combined with the sweeping strings and brass that makes it so
special, it creates images in you, images that may be false compared to
the real exotic countrys out there, but in a way truer than reality.
The wild beasts in the Jungle becomes thrilling and humorous, All of a
sudden a train appears, IT IS FULL OF BIRDS! Its a safe place to live
in. It is exotica for kids and there are always a friendly female voice
to guide you in this place to see you get home alllright. It is Mans
wish for nature to be. If not in fact natures own music transmitted to
the little monkeys who think they are so special. It is romance of the
kind that makes you dizzy. It is a world that loves you for being in it.
It is my belief that nature loves us this way, You have as a human all
the rights to express yourself in all the ways possible, is not that
fantastic? think how it was like millions of years ago when dinosaurs
ruled the world. How meaningless!! No photographs to document it, no
artists to interpret what was happening, just millions of years for
nothing.
Man is both a beast and a fabulous being, and Exotica is an exellent
example of what we are capable of, when we are trying out something
important and not just machines and computers and other technical
things.
I think it sounds like you need a puff of marijuana so you get the kid
you once was back into you. I dont use it myself anymore because
everything just got too much for me and ended in a terrible psychosis
who took me one year to get over, but when looking at it with a little
manual, I say it surely was worth the trouble i got. And now I can
listen to Eden Ahbez and really understand what he is singing about,
much of the things he described have been my reality too.
Magnus
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From: "Giovanni Berti"
Subject: (exotica) Re: Nature Boys
Date: 13 Feb 2001 22:34:52 +0000
tikiman (Fluid Floyd) wrote:
> "Nature Boy." I love that tune as well and I'm
> making a cd based on it interspersed with Eden Ahbez's
> music and the 5 versions of the song that I have by
> 1. Jon Hassell 2. Nat King Cole 3. Miles Davis 4. John
> Coltrane 5. Johnny Hartman. Know of any others?
lousmith@pipeline.com replied:
> I made a tape compilation of Nature Boy for the exoticaring -
> well, actually, it's one side of a 100 minute tape. I put
> all the versions I had and others filled in the rest of the tape.
> Unfortunately, I can't remember what the track list
> was, so perhaps whoever has it now might be able to send us
> the list.
I was the one who filled Lou's tape with more versions.
Complete tracklist is:
1. Jon Hassell (from "Fascinoma");
2. Grand Award All Stars ("Percussion & Brass");
3. Mickey Katz ("Katz Put On The Dog");
4. Esquivel ("Other Worlds, Other Sounds");
5. Tony Mottola ("Tony & Strings");
6. The Unnatural Seven;
7. Keely Smith ("What Kind Of Fool Am I?");
8. Three Sounds ("Black Orchid");
9. Shirley Scott ("Oasis");
10. George Benson ("In Flight");
11. Adam Rudolph's Moving Pictures & Yusef Lateef ("Verona Jazz");
12. Nat "King" Cole.
Lou selected and recorded tracks 1 to 6; I choose and added 7 to 12.
I have a copy of the tape (currently circulating in the exoticaring),
in someone's interested.
Ciao
Gionni
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From: "Giovanni Berti"
Subject: (exotica) Re: Mongo's La La La
Date: 13 Feb 2001 22:34:53 +0000
> From: buMp
> Subject: Re: (exotica) The April Fools soundtrack
>
> LA LA LA- Mongo Santamaria
> composer is MARVIN HAMLISCH of all people.
> Pub. 1969 Columbia Pictures
> SONY MUSIC ENTERTAINMENT
> >
> great friggin track!
Catch it on "The Mad, Mad World Of Soundtracks" comp. (Motor,
Germany). Notes say: "imagine a bunch of 16 year old babes singing
La La La... and a happily smiling Mongo Santamaria on percussion.
Sounds like heaven, isn't it? Well, it is - just listen, folks! The
creator of this musical candybar - former piano wunderkind Marvin
Hamlisch - was just 24 years old when he wrote this heavenly piece
for the movie The April Fools. The film marked the beginning of his
rapid rise in the soundtrack business. In 1973 he managed to get hold
of three oscars (best song and best score for The Way We Were, best
song score for The Sting), two years later he composed the Hollywood
smash A Chorus Line. The April Fools - a charming comedy typical of
the sophisticated late sixties - features Jack Lemmon and the
gorgeous Catherine Deneuve. The soundtrack album contains, besides
Hamlisch's music, exclusive recordings by the Chambers Brothers, Taj
Mahal and California. The beautiful title track was written by Brill
Building dream-team Bacharach/David".
I was born on April Fools' day 1964, BTW.
..."sophisticated late sixties"...???
wasn't that the time when hippies and street fighting men were all
around?
Ciao
Gionni
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From: Brian Phillips
Subject: (exotica) Dr. Zweig on the loose (OK, so it didn't rhyme...)
Date: 13 Feb 2001 16:33:58 -0500
>Brian Philips, give us a clue about you. Tell us the last ten things you
>listened to
Knowing full well that I cannot resist responding to something that rhymes
so much, I will tell you.
The dull stuff:
Pewter
J. B. Stoner
News reports about Kidman and Cruise.
The dull stuff you ASKED about:
I am 37, African-American, Christian, brought up to love and respect the
Arts by my parents and a doting Grandmother. Rock was welcomed in the
house, but didn't expect to see either parent lining up for Gilbert
O'Sullivan concerts (if they did, would I have admitted it here?).
The last ten things I listened to were:
1. A Mod Jazz Compilation culled from a friend's collection, featuring
songs such as "Cold Duck Time" by Les McCann and Eddie Harris, "Scratch" by
Herbie Mann and "But It's Alright" by Brother Jack McDuff.
2. Love, Peace and Poetry, American Psychedelic Music. Standout tracks
were "Nam-Myoho-Renge-Kyo" by the Music Emporium and "Oceans of Fantasy" by
Michaelangelo, which I daresay would please the Now Sound crowd.
3. Love, Peace and Poetry, Latin American Psychedelic Music, standout track
here was Los Dug Dugs' "It's Over".
4. La Dolce Henke - Mel Henke - I downloaded this, actually. What I heard
was cute and had I found it for a dollar or two I would have said, what a
funny and odd record. From what I have heard of it, I am glad that I
didn't pay collector prices for it.
5. Os Mutantes - Os Mutantes (their first album). Another download,
however, I will be buying this CD soon. What a wonderful collection of
psychedelia and Brazillian influences. Can anyone tell me whether vocalist
Rita Lee was born in Brazil? Favorite tracks, the wonderfully trippy
"Panis Et Circenes" and the fuzzed-up "A Minha Menina". Git it, git it,
git it!
6 through 10 has mostly been Northern Soul stuff; not albums per se,
because mostly my buddy and I record singles that we cull from record
shows. I am ABOUT to hear:
The JFK Quintet, featuring Andrew White,
Inside Sauter-Finegan
The Third Man Theme and others - Anton Karas
Sauter-Finegan - Under Analysis
Les McCann Plays the Hits.
Robert Maxwell - Shangri-La.
Maxwell, Under Analysis, Third Man set me back a grand total of 75 cents.
Off to the Isle of Letya know,
Brian Phillips
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From: tikiman
Subject: Re: (exotica) One more answer to Alan
Date: 13 Feb 2001 13:40:37 -0800 (PST)
Wow Magnus, you've nailed it! that was the dopest opus
on exotica ever. my pardner, Perry Coma, and I call
Hawaii the "irony free zone." that's why i moved here
from L.A. 25 years ago. not paradise anymore, it still
offers the best of mother nature and an aloha spirit
in the people... a true rainbow coaltion of races. our
troup reflects this with the players including a
Hawaiian, a Korean, a Brazilian, a Filipino, a Black,
a Japanese, and of course, the dreaded white man (or
two).
Just like Martin Denny's music stirred a million
backyard luaus around the world, it's the idealized,
romanticized vision of what could be vs what it is.
although i've never been to Brazil and am aware of the
overpopulated squalor of many images and facts, it
remains a sexy paradise in my mind via the gorgeous
music from Jobim to Gal Costa to Bebel Gilberto. when
we played the Kahiki gig in Columbus last summer, the
best compliment came from a cynical, chain-smoking
scenester who gushed "I never had any interest in
going to Hawaii whatsoever till I heard your band...
is life really like this over there?" no, dorothy it
ain't, but we can still try to evoke a jungle paradise
for our collective dreams of a better world. call me
naive, but i'm staying on Eden's Island.
alohaderci,
Fluid Floyd
Don Tiki/Taboo Records
"Life is painful, suffering is optional"
-Zen quote
--- Magnus Sandberg wrote:
> First, I dont find this music dark. Second:
> I dont just listens to jungle exotica, what I said
> was that if there
> were one kind of music that I could take with me to
> eternity it would
> be jungle exotica. And Alan, I cant see any irony in
> this music at all...
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From: Brian Phillips
Subject: Re: (exotica) Re: Mongo's La La La
Date: 13 Feb 2001 16:53:00 -0500
I haven't heard that, but it sounds reminiscent of Googie Rene's "Smokey
Joe's La La" which is also a good 'un. It even has folks singing "Lalalalala"!
Which brings us back to...*OUCH*,
Brian Phillips
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From: "Magnus Sandberg"
Subject: Re: (exotica) One more answer to Alan
Date: 13 Feb 2001 23:13:14 +0100 (CET)
citerar tikiman :
> Wow Magnus, you've nailed it! that was the dopest opus
> on exotica ever.
Exotica just inspires me to write, I am happy to be sharing my thoughts
with others, and I hope that someday, we all will return to paradise
together. That would be a blast!
>call me
> naive, but i'm staying on Eden's Island.
I am naive too, very naive but that is just my nature. And Sweden is in
fact an Eden too, those summernights... So sweet and it smells so good.
Kind beautiful people with light in their eyes. I love it here. Even
wintertime. Just some small wants, I wish for an apartment with a
fireplace, and an exotica girl beside me. And a copy of "the
Unexpected" by Raymond Scott.
Magnus
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From: HOUSEOBOB@aol.com
Subject: Re: (exotica) Re: Mongo's La La La
Date: 13 Feb 2001 17:28:24 EST
In a message dated 2/14/2001 5:23:31 AM, giovanni@pirulazio.interim.it writes:
<< Catch it on "The Mad, Mad World Of Soundtracks" comp. (Motor,
Germany). >>
How isthis cd? Do you also have the previous one?
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From: chuck
Subject: Re: (exotica) Re: Mongo's La La La
Date: 13 Feb 2001 14:37:20 -0800 (PST)
This cd is fantastic! Still play it a lot.
The Harpers Bizarre tune is only available here I think.
What do you mean by the previous one? I don't think there was a
previous one, this one came out in 1997 or 1998. I hope there
is a previous one. There is a book associated with the cd that is
still around though out of print. Its tremendous full size album
pictures , well some are smaller. This bood drives me nuts, I
havelots of records but only a dozen or so in this Album Cover Art
of Soundtracks book. It was available at half.com or ebay
Thanks
Chuck
> --- HOUSEOBOB@aol.com wrote:
> > How is this cd? Do you also have the previous one?
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From: "Colleen Pyles"
Subject: (exotica) Response to Magnus' response to Alan
Date: 13 Feb 2001 16:40:49 -0600
Magnus,
You are so poetic, that is exactly how I would describe the feeling
of exotica!
colleen
Colleen
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From: HOUSEOBOB@aol.com
Subject: Re: (exotica) Re: Mongo's La La La
Date: 13 Feb 2001 18:11:37 EST
In a message dated 2/14/2001 6:38:09 AM, chuckmk@yahoo.com writes:
<< What do you mean by the previous one? >>
CDNow lists two cd's: Mad, Mad World of Soundtracks and Mad World of
Soundtracks, although there is no track listing for the second. It is priced
higher, although it could be the same one.
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From: itsvern@attglobal.net
Subject: Re: (exotica) top 10/best jazz rekkid
Date: 13 Feb 2001 18:35:22 -0500
> << not too sure about exotica but the best jazz album handsdown is 'Kind
> of Blue' by Miles Davis.....
I had previously wrote that I was really enjoying the Ken Burn's 'Jazz'
documentary, mainly because there was so much of the genre that I was
unfamiliar with. I was looking forward to start buying more jazz music, as
soon as I could narrow down a bit my choices from the long list of deserving
artists.
Anyway, the Saturday after the Jazz series ended I was in Tower records, and the
first CD I picked out to purchase was 'Kind of Blue'
I'm still discovering new music, in whatever ways I can.
Vern
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From: alan zweig
Subject: Re: (exotica) Yet another intro - for the record
Date: 13 Feb 2001 20:14:07 -0500
At 12:22 PM 2/13/01 -0800, Dan Mastous wrote:
> This isn't because I don't like exotica
>anymore, it's just that most of what I found had a few
>good moments and the rest was boring.
>I joined this list because I felt I might find some
>better suggestions of exotica samples than the ones I
>have. Outside of Esquivel I have found nothing that
>more than piques my curiousity.
>My musical tastes are very broad. (I'm partial to Styx, Kansas and
>Boston),
This is a classic example of "Make up your own punchline".
You love Styx and Kansas but you can't find much exotica that meets your
standard.
Clearly you prefer your exotica closer to home.
AZ
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From: alan zweig
Subject: Re: (exotica) another answer to Alan
Date: 13 Feb 2001 20:14:05 -0500
At 07:38 PM 2/13/01 -0000, james brouwer wrote:
>ummm, by way of introductions. I'm 33, a veteran graduate student in
>Philosophy,
What does "veteran" mean in that context?
Interesting that academics are attracted to this kind of music.
>The compliment is appreciated, though I'm sure most people on this list have
>impressive collections, including yourself -- though I have yet to see it.
You have me beat by a mile. I've only collected soundtracks for about a
year. Before that I occasionally bought crime jazz or other ones I
recognized but I wasn't doing it in a purposeful, focussed way.
And once upon a time, I scorned all who collected soundtracks. I scoffed at
them as inferior.
Now of course, I mostly meant those folks who buy new soundtracks. And
some of my scorn was directed at the endless repetition of themes, present
in most soundtracks. Which I still stand by.
But I admit that I was wrong on some level. There is something great - or
at least intersting - about soundtrack music that is hard to find anywhere
else.
I do "collect" tunes that remind me of soundtrack music. Often it's the
original tune written by the artist on a record where he's covering sixties
rock tunes. The generic psychedelic-sounding tune on records from the
Ventures' psychedelic period.
But the best place to hear generic groovy or jazzy tunes is on soundtracks.
I have greatly increased my collection in the last year or so, partly by
paying those painful American exchange prices on ebay where every record
ends up costing twenty dollars.
I never count records but just to convince you...
I now own 75 soundtrack LP's. That's not much. I've seen your list.
I
>I collect lots of different music but got into 60's/70's soundtracks for a)
>the nostalgia (glimpses into my TV-mediated childhood), b) the 'scenic'-ness
>(the way the some film-music converts your everyday surroundings into some
>filmic-narrative from the past)
That's interesting. I think maybe I experience that with the crime jazz
but not with the groovy ones (such as Kaleidoscope or Up the Down Staircase.)
But that could be because I have a sense of myself as living in a film noir
sometimes.especially my favorites like "Out of the Past" (Is there a
soundtrack for that?) or "Asphalt Jungle". (I love the Sam Jaffe
character, not to mention Sterling Hayden.)
>
>Some OSTs I like?
>
>Adventurers - Ray Brown
>Barbarella - Bob Crewe
>Bullitt - Lalo Schifrin
>Follow Me - Stu Phillips
>Girl From U.N.C.L.E. - Teddy Randazzo
>Stilletto - Sid Ramin
>Hanged Man - Alan Tew
>Hell's Angels on Wheels - Stu Phillips
>Truck Turner - Isaac Hayes
>Lady In Cement - Hugo Montenegro
>Angel's From Hell - Stu Phillips
As you know, I have one of those. But that's all I have on that list.
I'll put them on my want list, not that I really need a want list, given
that everytime I see anything interesting I grab it, price allowing.
thanks for responding...
az
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From: "The Workmans"
Subject: (exotica) Alan,Alan,Alan
Date: 13 Feb 2001 20:38:38 -0500
I know you did not ask, but here is someinfo about me. My name is J Workman.
I am 34 years old. I am married and have 6 children. I do not have my own
room for music, but would like to (Yes, no one else in my family shares or
cares about my jazz/exotica/easy listening interests...). I am a pharmacist
at Childrens Medical Center in Dayton Ohio. I do read your posts and have
quite a respect for you tastes and your "ramblings". I quite enjoyed (and
agreed with) your recent posts on Ken Burns Jazz. For my own interests in
exotica (all music), here goes: Martin Denny, Dean Martin, James Bond film
music, Miles Davis, Art Blakey, Esquivel, Elvis, The Byrds, Beach Boys, Herb
Alpert, Sergio Mendes/Brazil 66 Neil Young, and I could go on. As far as
used lps, I tend to look for the things I do not have, but have heard of
from you all. Questions? I would enjoy chatting with you (all) at anytime.
See ya, JW
theworkmans@mics.net
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From: DJJimmyBee@aol.com
Subject: Re: (exotica) One more answer to Alan
Date: 13 Feb 2001 20:41:30 EST
In a message dated 2/13/1 4:41:25 PM, taboorecords@yahoo.com wrote:
>that was the dopest opus
winner..."Groovies Expression of February" award
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From: DJJimmyBee@aol.com
Subject: Re: Re: (exotica) Re: Mongo's La La La
Date: 13 Feb 2001 20:43:02 EST
In a message dated 2/13/1 5:29:04 PM, HOUSEOBOB@aol.com wrote:
>How isthis cd? Do you also have the previous one?
All good...Start to finish...no bad tracks
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From: "cheryl"
Subject: Re: (exotica) Re: Mongo's La La La
Date: 13 Feb 2001 20:42:25 -0500
CDNow has some of the strangest listings - they often list the same thing
with up to three different prices - try to figure out the difference...There
is, however, a Volume 2 of "Mad Mad World Of Soundtracks" due out within the
month, I believe (it's on Dusty Groove's upcoming releases page - I'm
waiting patiently for it to appear...)
cheryl
>
> In a message dated 2/14/2001 6:38:09 AM, chuckmk@yahoo.com writes:
>
> << What do you mean by the previous one? >>
>
> CDNow lists two cd's: Mad, Mad World of Soundtracks and Mad World of
> Soundtracks, although there is no track listing for the second. It is
priced
> higher, although it could be the same one.
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From: alan zweig
Subject: Re: (exotica) One more answer to Alan
Date: 13 Feb 2001 21:48:24 -0500
At 10:03 PM 2/13/01 +0100, Magnus Sandberg wrote:
> And Alan, I cant see any irony in this music at all,
>I think it sounds like you need a puff of marijuana so you get the kid
>you once was back into you.
I hope there was some irony in that last statement.
In any case, I really enjoyed reading your response especially the bit
about the monkees coming by in a train. Was that the last train to
clarkesville?
AZ
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From: alan zweig
Subject: Re: (exotica) Alan,Alan,Alan
Date: 13 Feb 2001 21:55:47 -0500
Please everyone, it's not about me.
I know you like saying my name and setting me up as a target so you can
knock me down. Luckily my ego can withstand all the slings and arrows.
I was just trying to generate a little old fashioned discussion. I hoped
that I wouldn't be the only one responding to the responses I generated.
But alas it looks as though I am.
I give up. For now.
Till I'm bored again.
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From: Lou Smith
Subject: (exotica) [obits] Buddy Tate,Lewis Arquette
Date: 13 Feb 2001 23:32:38 -0500
Buddy Tate
Jazz saxophonist whose relaxed grace and lyricism
were born in the swing era
John Fordham
Monday February 12, 2001
The Guardian
Jazz often confirms that the most wilfully egocentric
performer can produce the most sensitive and
hospitable music; but if ever temperament and style
faithfully mirrored each other, it was in the case of the
great swing saxophonist Buddy Tate, who has died
aged 87. One of the most relaxed, humorous and
amenable of musicians, Tate's personal style was
glowingly reflected in the lissom and occasionally
gently mocking elegance of his saxophone playing.
Like many of the lyrical and romantic jazz performers
of his era, Tate could perform miniature miracles with
minimal materials, and to hear him embroider a ballad
like I Can't Get Started in unaccompanied
performance, merely shuffling a handful of soft,
buttery notes and mingling them with a textural
repertoire of intimately whispering intonations, was
one of the most agreeable experiences in postwar
jazz. But Tate could also be an exciting, hard-
swinging player too, and his control of the horn in its
upper register predated many of the technical
advances in saxophone playing that were made by
the modernists in hard bop and the avant garde.
Tate came up in the 1930s when swing ruled popular
music and instrumental stars were heroes whose
reputations were not far behind those of singers. But
the connection between the song and the sound of a
saxophone, trumpet or clarinet was closer then.
Bebop, with its intricate, cliffhanging melody lines and
unpredictable resolutions had not yet arrived to
launch a jazz sound very different to the shapely
lyricism of vocalised instrumental methods that
mimicked singing. Tate therefore learned from the
examples of saxophonists Coleman Hawkins, Lester
Young and Herschel Evans. Young's favourite query
to an improviser who strayed too far from the
fundamentals of the song was "What's your story?"
That accessible notion of an improviser's narrative
was Tate's too.
Tate began working with the territory bands that
travelled around the southwest in the tough years
following the Depression and before swing took off.
He worked with McCloud's Night Owls, the St Louis
Merrymakers and a band led by Terrence Holder that
was later to be taken over by the celebrated Andy
Kirk.
Tate worked briefly for Count Basie on Lester
Young's temporary departure, but this early
incarnation of the Basie band soon broke up for want
of bookings. But Basie's chance came again when
swing became a national craze around the mid
1930s, and in 1939 Tate got his big break when was
invited to join the now successful Basie orchestra
following the sudden death of tenorist Herschel
Evans. The two had been old friends and Tate
maintained later that he had dreamed Evans had died
before he ever heard the news, and was sure that a
call from Basie would come. For Basie's part, the
bandleader said in his autobiography: "Buddy was
enough like Herschel, so he could take care of that
business, but he also had his own thing, which meant
we still had two different styles, tones, and
everything." Tate stayed with Basie for nine years,
until postwar economics forced changes in the line-up
and the saxophonist decided to look for work that
would keep him closer to New York. Tate played for
bandleaders Lucky Millinder and Hot Lips Page, and
in Basie singer Jimmy Rushing's Savoy band. He
eventually secured a residency at the Celebrity Club
on 125th Street in Harlem, and stayed for 21 years
until the rise of jazz-rock and the eclipse of
mainstream in the 1970s.
Tate nevertheless continued to record regularly,
toured with the irrepressible swing trumpeter Buck
Clayton and kept himself in the public eye by
preserving a Basie-influenced small-group music that
was affectionately received by every kind of jazz
audience.
He also appeared with Jay MacShann, the
bandleader in whose outfit the young Charlie Parker's
tentative bop experiments were first heard, and with
trombonist Al Grey, a musician with much of Tate's
own relaxed grace and lyricism.
Tate was badly scalded in an accident in 1981, but
returned to playing through the 80s - sometimes with
a hard-swinging ensemble also featuring the driving
blues-influenced tenorist Illinois Jacquet and called
the Texas Tenors.
=95 Buddy (George Holmes) Tate, saxophonist, born
February 22 1913; died February 10 2001
=3D=3D=3D
From Variety --
LEWIS ARQUETTE
By VARIETY STAFF
Actor and comedian Lewis Arquette, father of actors Rosanna, Richmond,
Patricia, Alexis and David, died of congestive heart failure Saturday
at the UCLA Medical Center. He was 65.
Lewis, the son of comic Cliff (Charley Weaver) Arquette, was born in
Chicago and began his theatrical career on Broadway before returning to
Chicago as a regular at the famed Second City.
His reputation as a stellar improvisational actor lead him to
Hollywood, where he amassed a list of television and film credits that
include roles in pics "Waiting for Guffman," "Scream 2" and "Johnny Got
His Gun." He appeared in several movies as recently as last year,
including "Little Nicky" and "Best in Show."
His numerous television appearances included a multi-episode run
on "The Waltons" in the 1970s, as well as stints on "Matlock" in
the '80s and "L.A. Law" in the '90s.
In addition to his five children, Arquette is survived by a brother and
sister as well as two grandchildren.
=3D=3D=3D=3D
Singer Joan Baez has cancelled her domestic and international concert
tours to be with her younger sister Mimi Farina, who is suffering from
advanced lung cancer.
Mimi was widowed at the age of 21 when her husband and performing
partner Richard Farina was killed in a motorcycle accident on the eve
of the publication of his now cult-classic "Been Down So Long Looks
Like Up to Me." Mimi and Richard Farina made 2 albums together before
Richard's death.
Mimi established BREAD AND ROSES, a donation-funded San
Francisco-based organization which brought music and entertainment to
institutionalized people. BREAD AND ROSES recently celebrated its
25th anniversary, but Mimi was too ill to take part fully in the
festivities.
The blue-eyed black-haired Mimi was often introduced to audiences by
her sister Joan as "my outrageously beautiful sister..."
There is a book coming out in March or so about the early uneasy
relationship between Baez and Bob Dylan, and Richard and Mimi Farina.
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From: Paul Wages
Subject: (exotica) Don Tiare @ www.emusic.com
Date: 13 Feb 2001 23:36:57 -0500
I've been downloading legit MP3s off of emusic.com the last day or two
(they're running a 30 day free trial on their "unlimited" service right
now), and was suprised to find Don Tiare's "The Music Of Les Baxter" album.
I'm curious as to rather this corresponds with an actual CD re-issue. I had
never heard of one...
I'm not familiar with all of the Baxter tracks covered here, but I have a
feeling something is out of sequence; The "Quiet Village" file seems to
contain two tracks, while "Qua Bir Hackeim" is 18 seconds of silence.
Anyone care to comment?
Other exotica-related stuff available at emusic:
Korla Pandit ("Odyssey"/"Exotica 2000"), Arthur Lyman ("Pearly Shells"), and
Les Baxter ("African Blue/Colors Of Brazil"). Also Cal Tjader, Edmundo Ros,
Ted Heath, Ennio Morricone, Goblin, and others.
Hope this info is of use to someone...
Paul
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From: "basic hip"
Subject: (exotica) basic hip
Date: 13 Feb 2001 21:45:56 -0800
Colleen asked:
>>I would like to know who
everyone is also, but was too afraid to ask<<
OK, let's go back to the beginning. I've been around since the early days -
1994 maybe? jack diamond turned me onto the list and his KFJC show was the
main influence for my exotica foundation. Those Incredibly Strange books
and CD's along with the first Esquivel comps pretty much got me hooked.
I've seen many come and go - and come back again. Otto, Xanadu, the Spy
jazz guy. Didn't we have two Kevin Kings at one time? King Kini. My
favorite, bottom feeder Jessica, queen of the thrifts. The mod, Jordana.
jack of course, who, by the way, I know quite well and, lemme tell ya, he is
a big pussycat. check out his show on Luxuria, newbies. Sundays at 10am.
I've never been much of a poster. I rarely give an opinion or challange one
and generally just reply to requests for information only when I'm 99.9%
sure of the facts. I really admire Alan's ability to write and express
himself. Email goes in cycles for me, most of the time, I just skim and
delete and find it hard to sit down and type. That's why it sometimes takes
me a week to reply to a yes or no question! But I do like to think that I
(eventually) get back to people when I say i will. That's why, Sean
Pearman, you can expect a goodie in your mailbox soon.
Jack and Will (Show and Tell Music) are the only two list (ex?) members I've
met and spent time with - oh, I had breakfast with Preston (Vinyllives!)
Peek when he visited San Francisco. He used to be on the list. I live in
the SF Bay Area - just north in Marin County. Also here in Marin is Mickey
McGowan. I've been to his bunker in San Rafael - oh me gosh, whatta
collection. You have to see it to believe it. My collection is actually
quite small. You'd be surprised.
I'm in my early 40's, married, guiltlessly childfree - much to the
disappointment of my inlaws.
I love records and put up with CD's, but love records. to me, it's just
more fun with records, going thru the ritual of slipping a record out of the
sleeve, wiping it clean, manually placing the tonearm onto the lead in
grooves. looking for them, finding them. The only CD's that mean anything
to me are the ones I've traded for with other listees. And Manhattan
Research, or the Fanderson Supercar / Fireball XL5 scores and library
tracks. Maybe a couple more. :)
I'm not into the club scene at all, we are usually in bed by 9:30, we don't
drink. So I am much more inclined to hit delete when I see "tiki news"
opposed to somebody's play list.
I'm not into the new stuff, although Combustible Edison was an important
part of the early days. I recall hearing carnival of souls on a Sub Pop
freebie and being fascinated. Breaking out of our rut, we did see them at
Bimbos 365 club a few years ago. I bought Tipsy, Don Tiki and Dimitri, but
they have all been traded in. i have a bunch of Martin Denny and Les Baxter
records, but rarely play them. but I would never part with them either. I
still don't get The Free Design. What am I missing?
Somewhere along the way, I decided I was going to collect whistling records.
Actually, I did not decide, it just happened. Fred Lowery, Muzzy
marcellino, Ralph Platt, Art Coates, I could go on and on. But nobody wants
me to, that's the trouble. My interest in whistlers springboarded me into a
related category, actual bird sounds with musical accompaniment. So, I've
got a bunch of this stuff and even took a crack at writing an artical for
cool and strange music magazine. I did have a whistling web site up - I'm
not sure if it is still around. I suppose I am the list's resident expert
on whistling records. The thing is, they never come up, nobody ever asks.
the fact is, there are quite a few darn good ones out there, many with
exotic and space age pop tunes and Fred Lowery really was quite a
significant star in his day.
I'm getting tired now.
I love soundtracks too. No particular type - just as long as it's late
50's, 60s or early 70's. i'm stuck in the sixties, man. no particular
type, groovy, sci-fi, comedy, secret agents, anything except musicals. Not
that musicals aren't great. I love Henry Mancini. And Kenyon Hopkins.
John Barry's The Wrong Box was a real dud - but That Darn cat was one of the
nicest surprises I ever came across. I find it hard to believe that the
score to In Cold Blood is not readily available but you can get Me, Myself
and Irene anywhere.
60s radio commercials issued only to stations - i love those.
"Outsider" music appeals to me - incorrect stuff. Strange without trying to
be strange. A sincere effort that is a little off. Like Gordon Thomas.
Live365 webcasts are up for those with DSl or cable connections - more on
those later...
I'm really tired now...
I'm ford, that's my name, but I rarely close with a signature...basic hip
comes from a track on a beatnik record, how to speak hip....Colleen I'll
send ya a CD-R of a couple of hard-to-find exotica titles as a welcome, you
strike me as a very nice person...
My longest post ever...i'll save it and use it again in three years..
I love movies too. I'll watch Waiting For Guffman ten times, or American
Movie, or American Job, but sleep thru Titanic.
Gotta hit send now or I just wasted an hour
you asked...
*click*
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From: Christine Karkow
Subject: Re: (exotica) Brussels
Date: 13 Feb 2001 22:48:46 -0800
Hi everyone, no problems have I had with the Kriek and you definently need
to drink some Gueuze-as for cool places (though not exotica nor space age) =
I
liked La Mort Subite. Also, maybe you already know this, but you must
absolutely positively go to Atomium. its on the Metro-ohh I forget the
stop, but its slightly north of town on the site of the 1958 worlds fair-a
100 M high replica of an Iron molecule. You get to go inside, up to the top
and then ride the escalators down. there are little exhibits in each atom,
including extensive cartoons featuring my favorite, Gaston LaGaffe.
speaking of Bandes Desin=E9es, you have to visit the museum of La Bande
Desin=E9e. Not only is it fabulous and probably the only place for miles
designated to comics, but it is housed in a building designed by Victor
Horta. This leads me to the next thought, there is much Art Nouveau to be
appreciated in Bruxelles-faut en profiter!! Mais, La Gueuze-c'est super.
Also recommended, Faro. oh I am so damn thursty writing this
bon voyage et, s'il te plait, =E9cris-nous toutes de tes nouvelles de cette
jolie ville!!
christine
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From: Philip Jackson
Subject: Re: (exotica) basic hip
Date: 14 Feb 2001 21:25:29 +1100
on 14/2/01 4:45 PM, basic hip at basichip@home.com wrote:
> The thing is, they never come up, nobody ever asks.
> the fact is, there are quite a few darn good ones out there, many with
> exotic and space age pop tunes and Fred Lowery really was quite a
> significant star in his day
Ford/Basic,
A couple of those Lowery and Marcellino mp3's you had available a while back
have become firm favourites down here. I have a young neice who loves birds
and I made a Cd for her from those tracks and some bird call stuff from you
and other sources. Great stuff.
I recall you saying a while back you were going to do a full whistling CDR.
Did that ever happen? I'd be veeery interested.
Philip
--
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From: "Magnus Sandberg"
Subject: Re: (exotica) basic hip
Date: 14 Feb 2001 12:00:46 +0100 (CET)
citerar Philip Jackson :
>
> I recall you saying a while back you were going to do a full
whistling CDR.
> Did that ever happen? I'd be veeery interested.
>
> Philip
> --
>
I have got it, its called "Whistling for you". BEAUTIFUL STUFF! It is
one of my favorite CDs!
Basic Hip, you have also mentioned an all 78s whistling CDr, I would
love to get a copy of that too.
magnus
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From: Pearmania@aol.com
Subject: (exotica) introductions
Date: 14 Feb 2001 06:58:03 EST
It's rare for me to post more than a couple sentences, but it's been
interesting reading the testaments of people that I've been corresponding
with but really knew very little about. My name is Sean Pearman. I have
lived most of my life in my home town of South Bend, Indiana, which is about
90 miles east of Chicago. It's a frozen nowhere of a place, but maybe that
helps stimulate my interest in things exotic. I am 38, married, and have
three children. I manage software development projects for a large finance
company. It's a stressful occupation, but my musical pursuits have helped
keep me from going insane. I have been collecting music since I was about
14 and it's more of an addiction now than ever. When I was in high school, I
played a lot of piano (especially 20th century classical music) and composed
music, too. I had made up my mind that I would study music but found the
academic music scene to be full of cold, arrogant, pedantic people. I have
been rebelling against all things academic ever since. Exotica was something
I didn't know existed until about 1992 or 93 when a friend of mine 10 years
younger than I introduced me to Martin Denny. I'm not positive, but I think
he had heard about Denny from his interest in Throbbing Gristle who were big
Denny fans. He had made a tape for me with Death In June on one side and
Martin Denny on the other. Around the same time, my wife's grandmother was
clearing out her attic and asked if I wanted any of her records which
included one called Persuasive Percussion. These two acquisitions led me to
seek out records wherever I could. 80 percent of my collection falls into
the territories discussed on this list. I listen to everything from
electronica to blaxploitation to truck driving songs. My new addiction is
making CDRs which I have been trading with several list members. James
Brouwer introduced me to Jonny Yuma (Richardson) with whom I've traded
several great, rare titles. I have found the people on this list to be the
nicest people I have never met . I also have a Hawaiian shirt collection
and a largely cannibalized web site which shows just how erratic my musical
tastes get Much of what I have learned
about this music I have gleaned from the internet in the past 3 or 4 years.
Brad Bigelow's site, while not as flashy as Will's Show and Tell Music or
King Kini's site, is probably the most informative I have come across. I
struggle with the idea of an exotica top ten but some of my favorites include
Kenyon Hopkins, Lalo Schifrin, A.C. Jobim, Attilio Mineo's Man In Space With
Sounds, the I Love You Alice B. Toklas soundtrack (thank you Two Little
Kooks), Johnny Richards' The Rites of Diablo, Mort Garson's Black Mass, the
Barbarella soundtrack, and Les Baxter's entire career (except for the syrupy
pop albums). My favorite comp has got to be Rhino's Beat Generation box.
Sean
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From: Moritz R
Subject: (exotica) Mad Mad World of Soundtracks
Date: 14 Feb 2001 14:45:20 +0100
the thing with these albums was that they were published together with a book of record covers, which according to general agreement in this list is really fabulous. I know the guys who compiled and designed both the book and the CDs. One of them runs a label called Marina, well-known for its soft pop albums. You gotta check that out too! http://www.marina.com
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: Moritz R
Subject: Re: (exotica) HI MY NAME IS... Brad
Date: 14 Feb 2001 14:51:58 +0100
Will Straw schrieb:
> Brad Bigelow's message -- with the news that he was moving to Brussels this
> summer -- prompts me to ask: is there anything worth seeing in Brussels,
> exotica-wise?
You lucky guy!
The main attraction of Brussels these days is the free-living colony of parrots at Place Guy d'Abrezzo. You just gotta make it there; take your video camera with you!
Then they have this nice old colonial ethnological museum, which aside from the fine artefacts it buries, displays "decorative" sculptures on the walls, that are *really" colonialistic: they show scenes of white masters and their slaves kneeing in front of them and stuff like that. Most people just don't note these things, but in "correct" terms they should long have disappeared. So unvoluntarily this is a secret museum within the museum - for the one who can see it: the museum of colonialistic art.
The old botanical gardens should also be quite nice for the architecture alone.
That's about it. I've never heard about an exotic bar or something. maybe you find one.
Before you leave - don't forget to learn the new European language at http://www.neuropeans.com/topic/europanto
oh, and somewhere near Brussels there lives a strange record collector, named Johan Dada Vis, or so...
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: "christie j. white"
Subject: (exotica) Love Words for your Valentine
Date: 14 Feb 2001 10:17:40 -0500
I had such a blast last night. A good friend, a gin & tonic, and the album
Love Words by Ken Nordine.
Tracks include: You Do Something To Me, My Funny Valentine, Don't Take Your
Love From Me, etc.... This record is phenomenal!! Of course I adore
Nordine and all that he has done. I was lucky enough to find Word Jazz on
vinyl lately, although I have it on CD, I feel I can rest now in a sense.
Ken is the best - wish he could do my answering machine greetings for me!
Kiliki
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From: "basic hip"
Subject: (exotica) Fred Lowery Whistling Hour
Date: 14 Feb 2001 07:40:54 -0800
If you'd like a little taste of Fred Lowery today at work and you have a
decent internet connection (DSL or Cable works great) please check out my
Fred Lowery Whistling Hour. You may not go for the religious stuff, but
there are some real gems in there, especially his duests with Dorothy Rae
(on 78) and his comical Whistler and his Dog - that's him narrating!
listen here:
http://www.live365.com/cgi-bin/directory.cgi?autostart=basichip
and please share your thoughts
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From: chuck
Subject: (exotica) Cosmic Peekaboo, Free Design's New Cd
Date: 14 Feb 2001 08:28:28 -0800 (PST)
Listened to this for the first time two nights ago. It just let me
down so much. It reminded me of Kenny G, The Roches and the
Narada New Age Label. The vocals and harmonizing are still there
but somehow the styles of the songs have that early 80's feel to
them.
I really need to give this a few more listens. Has anyone else
heard this yet? If so, am I off in my assessment? I really love
everything else by this band.
Chuck
__________________________________________________
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From: "m.ace"
Subject: (exotica) supressed and depressed
Date: 14 Feb 2001 11:33:27 -0500
>I was just trying to generate a little old fashioned discussion.
>I hoped that I wouldn't be the only one responding to the
>responses I generated. But alas it looks as though I am.
I *tried* but it's no use. My post won't go through. I've fiddled around
with the prose and tried 3 times over the last week, but I can't get it
through and no one's managed to forward it through (thanks anyway). It
can't be for length, because longer messages than mine have come through,
and Johan's are well over twice as long. Either it contains some fluky
combination of keywords that I can't catch, or something more sinister is
going on.
At any rate, learning that my posts may be blocked with no explanation
dampens my enthusiasm for putting time and effort into composing
non-trivial posts. I spent an hour or two on that favorites list (okay, I'm
a slow writer) for nothing.
I guess I'm supposed to limit myself to posts like this:
"Me like records. Round things pretty."
Now to see if this post will go through.
m.ace mace@ookworld.com
http://ookworld.com
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From: "m.ace"
Subject: Re: (exotica) Response to Magnus
Date: 14 Feb 2001 11:41:01 -0500
Magnus tribe shaman
m.ace mace@ookworld.com
http://ookworld.com
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From: "m.ace"
Subject: Re: (exotica) basic hip
Date: 14 Feb 2001 11:43:06 -0500
Basic Hip whistle discs good. Shiny, pretty, whistly.
Fire bad.
m.ace mace@ookworld.com
http://ookworld.com
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From: alan zweig
Subject: Re: (exotica) Cosmic Peekaboo, Free Design's New Cd
Date: 14 Feb 2001 11:56:44 -0500
At 08:28 AM 2/14/01 -0800, chuck wrote:
>
>Listened to this for the first time two nights ago. It just let me
>down so much. It reminded me of Kenny G, The Roches and the
>Narada New Age Label.
I haven't heard it yet but I'm not surprised to hear this. I'd have been
shocked if they'd been able to maintain the same sound they had thirty
years ago. And if Chris Dedrick told me that he had no choice but to
"progress", I wouldn't argue with him. I understand how artists want to
move on. But it's a paradox, isn't it? In general, we don't really care
about the needs of the artists. We just want to hear what we want to hear.
Chris Dedrick has been scoring television shows here in Toronto for a while
now but I only figured it out a couple of years ago. And he does an okay
job. He actually uses a lot of wordless vocal "choirs" in his scores and
it's a nice touch.
I suspect that he simply had no idea ALL that we love about his old band.
He probably tried to get some of that old sound but I suspect he doesn't
really know what that old sound is. It's not just the vocal harmony even
though that's obviously a large part of it. But if you set that vocal
harmony in the wrong setting, it can make a huge difference.
Too bad. I expect to run into him someday. I've even thought about hiring
him the next time I make something, assuming there is a next time.
I only have one piece of Free Design vinyl. Every single time they come up
on ebay, it goes for over 20 dollars and I just can't go there. My fantasy
is to hire him and then get him to autograph my collection.
Anyway, thanks for the report chuck. I'm sort of glad I don't have to rush
out and look for it.
AZ
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From: Johan Dada Vis
Subject: (exotica) Re: top 10 or 50 Exotica/Lounge records: "Strange Interlude"
Date: 14 Feb 2001 16:34:56 +0100
no, i don't own everything; anyone ever does? anyway, i
haven't listened to "Strange Interlude" in years, i bought it about 5
years ago, when i had very little exotica , and my comment and high
rating is also that old. so i might think different about it now...
and you're absolutely right, Alan: using fave lists of others
is not the most ideal way of finding out which records you think
you'll like, and you want to try to find. but there aren't that many
other sources... i have been compiling such fave lists, from this
very exotica list, from "Incredibly Strange Music" books... to create
my own want lists, and i have been disapointed several times. but
mostly not. you could say that only records recommended by several
people are worth hunting, but then again, if you never take a risk,
you'll never experience that kick of a "discovery".
if i ever get cured from this pesky and debilitating CFS/ME,
i'd love to create an "eXotica RECORDS Overview", an annotated LP
hyperdiscography based upon this very lists opinions...
Johan
-----
alan zweig wrote:
>>
>>* Lew Davies: "Strange Interlude"
>> All sorts of exotic percussion, plus Ondioline & Theremin.
>
>Johan owns everything and if anyone can come up with a list, it's him and
it's silly to argue with these lists since it's all personal taste.
Having said that, I think Strange Interlude is a very very disappointing
record.
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From: "Magnus Sandberg"
Subject: (exotica) A record I like
Date: 14 Feb 2001 19:24:35 +0100 (CET)
As a further answer to Alan, and his wish for us to write about records
we love I will write a little review of an LP that probably is on CD
too, it should be pretty easy to find.
"Music from the BBC-TV serial the Singing Detective" REN 608 BBC records
I wtched this serial by Dennis Potter when it screened on swedish
television in 1987, and was very impressed. I dont remember so much, I
hope for a DVD presentation of this in the future but here are a little
reveiw from an anonymous croatian from IMDB:
"The Singing Detective" is the best TV-series I've seen in years. Some
viewers might find it challenging to watch, because of its jumps in
time and imagination/reality contexts, as well as mixing it, but I
think it is one of the best things about it. It all comes to the same
point at the end: Phillip Marlow's murder mystery that he writes in his
head, while in hospital (often heavily medicated), besides being a
search for a killer, is also his inner quest; self-examining, cynical,
sincere and brilliant. And I like Marlow's comment on "high-brow"
novels (inevitably connected with "high-brow" people): "It's all
answers, but NO CLUES!" (as opposed to a mystery novel, with all clues,
but only one answer - quite a metaphore, don't you think!?). Anyway,
this is one of the best things I've ever watched on TV.
You dont need to have seen the TV serial to like this record, much of
the tracks on the LP are wellknown classics, I had a fantastic evening
a year ago, when I heard this record as for the first time, when it
spoke to me in person. Quite incredible, and a welcome treat since much
of my life back then was a nightmare. Anyway here is the tracklist:
Peg O' my heart -Max Harris and his novelty trio
Limehouse blues -Ambrose and his orchestra
Blues in the night -Anne Shelton
Dry bones -Fred Waring and his Pennsylvanians
Rockin' in rhythm -The jungle band (Duke Ellington and orch.)
Cruising down the river -Lou Preager and his orch. voc.Paul Rich
Dont fence me in -Bing Crosby and the Andrew Sisters!
It might as well be spring -Dick Haymes
Paper Doll -The Mills Brothers
Lili Marlene -Lale Anderson
I get along without you very well -Sam Browne with the Lew Stone band
Do I worry? -The Ink Spots
Ac-cent-tchu-ate the positive -Bing Crosby and the Andrew Sisters
You always hurt the one you love -The Mills Brothers
After you've gone -Al Jolson
Its a lovely day tomorrow -Jack Payne and his orch
Into each life some rain must fall -Ella Fitzgerald
the very thought of you -Ella Fitzgerald and The Ink Spots
The Teddy bears' picnic -Henry Hall and his orch
We'll meet again -Vera Lynn with Arthur Young at the novachord
Some are sad, some are happy and all is very great, I must have
listened to this record some 200 times, and i never get bored on it,
its a perfect collection with some stuff not so easy to find on record.
i recomment it highly, you will feel enriched afterwards when you've
listened to it. Some special treats are:
"Ac-cent-tchu-ate the positive", "Dont fence me in" , "Do I
worry?", "The Teddy bears' picnic " and "Dry Bones"
Magnus
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From: "Colleen Pyles"
Subject: (exotica) Magnus
Date: 14 Feb 2001 12:39:56 -0600
<>
Brief and to the point, this message got through.
Colleen
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From: "m.ace"
Subject: (exotica) suppressed favorites linked
Date: 14 Feb 2001 14:13:57 -0500
If interested:
http://ookworld.com/favorites_post.txt
Open in text editor if word wrap desired.
Not like it's even such a wonderful post that it deserves all this fussin'.
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From: Ben Waugh
Subject: Re: (exotica) A record I like
Date: 14 Feb 2001 11:38:55 -0800 (PST)
Great film! Came out in the mid-late 80s, I think.
Potter did quite a few pieces for television (and
wrote several novels, all quite good) - most known of
these is "Pennies from Heaven", starring everyone's
fav. hedgehog, Bob Hoskins (bastardized in
"Breathless" fashion in a US version which starred
Steve Martin). I have an interview with Potter
somewhere where he speaks of his fascination with
popular songs, which figure into the narrative in a
good many of his films.
If you have never thought of "The Teddy Bears Picnic"
as deeply disturbing song, you will after viewing The
Singing Detective.
--- Magnus Sandberg wrote:
> "Music from the BBC-TV serial the Singing Detective"
> REN 608 BBC records
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From: "Benito Vergara"
Subject: RE: (exotica) A record I like
Date: 14 Feb 2001 13:22:50 -0800
> -----Original Message-----
> From: owner-exotica@lists.xmission.com
> [mailto:owner-exotica@lists.xmission.com]On Behalf Of Ben Waugh
> Sent: Wednesday, February 14, 2001 11:39 AM
> wrote several novels, all quite good) - most known of
> these is "Pennies from Heaven", starring everyone's
> fav. hedgehog, Bob Hoskins (bastardized in
> "Breathless" fashion in a US version which starred
> Steve Martin).
The American remake wasn't too bad -- the scene where Christopher Walken is
dancing on the bar counter has to be seen to be believed -- but it wasn't
the original...
The music for "The Singing Detective" was indeed great (I believe V/VM
sampled a lot of the Al Bowlly stuff for his/their "Selections from the
Haunted Ballroom" album). The acting, of course, was superb (Michael Gambon,
Patrick Malahide, Alison Steadman, Joanne Whalley, and that feller who
guested on "Cracker" as the evil reverend). Stephen Holden's (from the NY
Times) pronouncement that it's one of the two or three greatest things to
ever come from television in the entire history of the medium isn't too far
off the mark.
Still kicking myself for failing to tape "Cold Lazarus" and "Karaoke" off
Bravo last year,
Ben
np: schloss tegal, "black static transmission"
http://www.bigfoot.com/~bvergara
ICQ: 12832406
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From: "cheryl"
Subject: Re: (exotica) supressed and depressed
Date: 14 Feb 2001 16:24:05 -0500
The same thing happened to us last month - Brian tried at least three times
to post something, and it didn't work. So I copied it to my e-mail, and
tried to post it. Nothing again. In the meanwhile, it posted to another
mailing list we're on just fine. So I edited it and tried again. Still
nothing. Finally, I replied to another message, and added most of it in,
and voila! Not sure what the problem was - it has happened to others on the
list, too - and I haven't heard from Laszlo as to what it might be.
So try posting as a reply to an exotica message, and see what happens...
cheryl
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From: Tipsydave@aol.com
Subject: (exotica)Howdy y'all!
Date: 14 Feb 2001 16:31:18 EST
Well, since we're all introducing ourselves...
Hi, I'm David, and I'm a vinyl addict!
I've been on the stuff for decades...was raised on classical, West coast jazz
& weird folk music...got into thrift-store/cutout bin soundtracks really
young (Barry, Morricone & Mancini) & played trombone in (up to) highschool
band...went through the usual pop-rock-aor-prog-punk trajectory, ended up in
industrial/noise music, at which point I discovered the Three Suns "Movin &
Groovin", and from there my record collection got impossibly eclectic...I
also started playing pseudo-avant-garde music about then (mid-to-late 80s),
until I realized that I wasn't even listening to the kind of music I made!
Eventually, this led to my current situation...
These days, I'm mostly busy with the band I have (Tipsy); I live in the San
Francisco bay area (east bay), I'm 37, single, slightly manic-depressive &
have more records than I have room for. I'm currently most obsessed with
vintage Asian pop music for some reason (especially a 60s-70s Singapore-based
instrumental combo/back-up band called the Stylers), as well as
homemade/"outsider" records and r&b 45s. Also a big cult/badmovie fan.
By the way, I'm also playing/DJing in SF at the Deluxe on Haight Street this
month, on the 15th and the 22nd, and I'd love it if any of you drop by &
introduce yourselves.
-dave
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From: "Daniel Shiman"
Subject: Re: (exotica)Howdy y'all!
Date: 14 Feb 2001 21:59:09
I'm currently most obsessed with
>vintage Asian pop music for some reason (especially a 60s-70s
>Singapore-based
>instrumental combo/back-up band called the Stylers),
Hey I look for that too! Most recently I brought home about 2 dozen Korean
pop LP's from the 60's and early 70's - some truly amazing sounds amidst all
of those lush strings! Booming, surfy guitar runs abound, which suggests to
me that the Korean studio engineers had just imported the one and only
reverb unit into the country, and were so taken with its sound that they
applied it to everything!
Also, do you or anyone know the teen combo The McCoys, from Singapore? I
have an EP (with a gorgeous mod-psych sleeve) of theirs from the mid-60's
where they do inept, yet somehow effective, covers of numbers like
"Watermelon Man" and "Wade in the Water".
This is truly obscure, exotic stuff. I imagine the pickings are a little
more plentiful in SF than they are here in Austin TX.
-Dan
Hear! "Dial-ated Pupils" -- every Saturday 4-6 pm CST exclusively at
www.radio1austin.com. I will lead you safely through the perilous dark
jungles of Austin's scratchiest record collection. Exotic jazz. Obscure
Latin, Afro, and Eastern grooves. Easy listening arcana. Bring your bug
spray.
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From: chuck
Subject: (exotica) Lazlo help us out supressed and depressed
Date: 14 Feb 2001 14:48:21 -0800 (PST)
I find this whole thing amazing. I took m.aces message he sent me
off list, changed the title, and the format and still it didn't
post and it was coming from me not him. I sent it to myself and
replied back to the list and still nothing. I sent it straight to
exotica@xmission.com and also to exotica@lists.xmission.com
I gave up after 3 tries.
I too had this happen. Lazlo was nice enough to explain to me that
some word tripped off some filter block in the system. It would be
nice to understand what went wrong with this.
This happened to me more than once over the years. None of this
compares to the problems Mo seemed to have had.
Lazlo can you help explain to us what happened???
Easy listening in the Big Easy
Chuck
--- cheryl wrote:
>
> The same thing happened to us last month - Brian tried at least
> three times to post somhing, and it didn't work. So I copied it
to my e-mail, and tried to post it. Nothing again. In the
meanwhile, it posted to
> another
> mailing list we're on just fine. So I edited it and tried again.
> Still
> nothing. Finally, I replied to another message, and added most
> of it in,
> and voila! Not sure what the problem was - it has happened to
> others on the
> list, too - and I haven't heard from Laszlo as to what it might
> be.
>
> So try posting as a reply to an exotica message, and see what
> happens...
>
> cheryl
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From: "cheryl"
Subject: (exotica) Piccioni's The Tenth Victim
Date: 14 Feb 2001 18:12:37 -0500
I found a copy of Piero Piccioni's "The Tenth victim" on CD today - but it
wasn't the Right Tempo (legit) reissue - it was a "limited edition" twofer
with Bruno Nicolai's soundtrack for Jess Franco's "Marquis de Sade". The
sound quality was a little iffy in places - anyone heard of this version of
the soundtrack, and should I just hold out for the legitimate one, hoping
the quality's better - or is it really worth getting the Nicolai soundtrack?
cheryl
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From: alan zweig
Subject: Re: (exotica) introductions
Date: 14 Feb 2001 22:15:41 -0500
At 06:58 AM 2/14/01 EST, Pearmania@aol.com wrote:
> He had made a tape for me with Death In June on one side and
>Martin Denny on the other. Around the same time, my wife's grandmother was
>clearing out her attic and asked if I wanted any of her records which
>included one called Persuasive Percussion. These two acquisitions led me to
>seek out records wherever I could.
I think I could also say that it was Martin Denny and Persuasive - and
Provocative - Percussion that got me into this. Command Records in
general. Take those names like Terry Snyder, Phil Kraus, Bob Rosengarden,
Phil Bodner, Tony Mottola, Dick Hyman. If you just follow those
tributaries, before long you're waist deep in "lounge" records.
What I find interesting is how Command records in particular are so often
the "gateway drug" and how five years later, I no longer get the thrill of
anticipation I once did when I see something with that familiar style of
cover design.
I've gotten rid of most of my Command records. On the other hand, I
usually keep the Project 3 records.
AZ
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From: alan zweig
Subject: Re: (exotica) basic hip
Date: 14 Feb 2001 22:15:40 -0500
At 09:45 PM 2/13/01 -0800, basic hip wrote:
>I still don't get The Free Design. What am I missing?
>
>Somewhere along the way, I decided I was going to collect whistling records.
Whenever I play the Free Design for my friends, I warn them that they'll
probably hate it at first. And that they'll be really surprised that I
actually like it.
I'm always surprised at how often they end up loving it. Almost as much as
I do.
It's sickly sweet. It'll make your teeth ache. If that's all you hear,
you're going to hate it. On the other hand, the vocal arrangements are
brilliant.
Some bands sing in unison; some sing in harmony. Then there are those who
take it a step or two further. The Four Freshmen, The Beach Boys.
But if you don't get it, you don't have to get it. I've enjoyed a couple
of whistling records but I'm glad I'm not the one who is compelled to
collect them.
AZ
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From: alan zweig
Subject: Re: (exotica)Howdy y'all!
Date: 14 Feb 2001 22:15:44 -0500
At 04:31 PM 2/14/01 EST, Tipsydave@aol.com wrote:
>By the way, I'm also playing/DJing in SF at the Deluxe on Haight Street this
>month, on the 15th and the 22nd, and I'd love it if any of you drop by &
>introduce yourselves.
Okay I'm going to get the self promotion machine started now.
My film "Vinyl" will be playing in San Francisco some time in the next while.
I think. I'm not sure.
If you know Craig Baldwin at "Other Cinema" in the Mission District, ask
him whether and when he's planning to show it. Then tell me what he says.
You might like it Dave if for no other reason than the fact that some of
the soundtrack was sorta influenced by Tipsy.
AZ
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From: alan zweig
Subject: Re: (exotica) A record I like
Date: 14 Feb 2001 22:15:43 -0500
At 07:24 PM 2/14/01 +0100, Magnus Sandberg wrote:
>
>
>"Music from the BBC-TV serial the Singing Detective" REN 608 BBC records
One of my enduring memories is an interview with Dennis Potter which was
recorded about six months before his death.
What I loved about the Singing Detective was that I didn't understand it
but I never wanted it to end.
AZ
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From: Matt Marchese
Subject: (exotica) What's the Frequency, Lazlo?
Date: 14 Feb 2001 21:31:33 -0600
Heyas Lazlo,
As one of the many folks here on the Exotica list who's been seeing their
messages mysteriously disappear into the ether recently, I'd really appreciate
knowing if this is due to some sort of keyword filtering being done at your end
or if it's simply a glitch.
It's really a pain to compose my prose just to have it disposed!
Cheers,
Matt
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From: "Brian"
Subject: (exotica) Re: (Exotica) top 10 or 50 Exotica/Lounge records
Date: 14 Feb 2001 22:36:43 -0500
Alan wrote:
> Or Brian and Cheryl, I know you guys buy a lot of CD's in the
> breakbeat/electronica world but when you look through the LP bins, what
are
> you looking for?
I guess I have to answer this as I'm the only one that would and continues
to look through bins
of LPs (they smell you know...) Actually I have a pretty specific pattern
depending on the time I have and the store I'm in. I usually only look at
vinyl in the stores that sell it since the opportunity is so limited and I
usually migrate to the Exotica Bizzaro or Instrumental section followed by
the Experimental and New Age (that unfortunate term often used for
electronic music) and if I have time the Alternative compilations and then
maybe soundtracks. A few of the stores here have huge sections of French
music, and although I'm no expert on the subject its fun to look. Since
they've appeared in the past few years I look out for library records. Oh
yes I always scan the wall for any expensive (and usually good) things. I
figure someday I may even find a Little Marcy record...
> But I also feel a kinship with the members of this list who are from
> Massachusetts. To me they're honorary Canadians.
I suppose by American standards Massachusetts is as far to the left as is
allowable but still no match for us Canadians. I mean here in Quebec we
don't even have the right to use English (or to bear arms...)! Of course we
haven't ever elected a communist to our legislature as they did in Vermont
so who can say. I do enjoy Massachusetts and have to say as a Canadian it is
one of the few places in the US I'd feel at home living in.
> I definitely have a prejudice against policemen...some of which
> comes from my experience driving a taxi for fifteen years at the mercy of
> cops who assumed every cab driver was a bootlegger or a pimp. (I wish!)
I didn't know this but I can somehow envision Alan having driven a taxi. I'm
just woried the next thing he's going to tell us is he's the real Bernie X!
Brian
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From: "Brian"
Subject: (exotica) Tokyo Ska Paradise Orchestra
Date: 14 Feb 2001 22:49:58 -0500
Got a rare fast link to a Japanese Napster user and I grabbed 2 CDs worth of
material from this group I have never heard of? Some interesting ska
versions of easy classics, from A Shot in the Dark to Hit the Road Jack. I
have to say a lot of the stuff I see in Japanese user lists I've never seen
or heard of, and I find it intriguing. I picked up on this by chance while
searching for The Plastics. I could say the same about German, Italian,
Finnish or other users from countries whose music I could never hope to find
here. I'm going to miss this!
Speaking of... I finally found Francoise Hardy's German lyric song "Traume"
which I'd heard in a French movie last year. I've searched high and low for
a CD or vinyl of this material and have determined there is no CD in print I
can get with this or any of her German versions. However, I have seen a
number on Napster. Wish the system were more relaible as the users I share
with always seem to be in places like Germany or Japan and I see more
transfer error messages than file complete messages. I suspect the system
is overloaded these days what with last minute panic setting in...
Brian
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From: "Benito Vergara"
Subject: RE: (exotica) Lazlo help us out supressed and depressed
Date: 14 Feb 2001 21:15:01 -0800
> -----Original Message-----
> From: owner-exotica@lists.xmission.com
> [mailto:owner-exotica@lists.xmission.com]On Behalf Of chuck
> Sent: Wednesday, February 14, 2001 2:48 PM
> I too had this happen. Lazlo was nice enough to explain to me that
> some word tripped off some filter block in the system. It would be
> nice to understand what went wrong with this.
Could it be... Astrosl*t?
Later,
Ben
http://www.bigfoot.com/~bvergara
ICQ: 12832406
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From: "cheryl"
Subject: (exotica) just a test...
Date: 15 Feb 2001 00:36:21 -0500
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From: "cheryl"
Subject: Re: (exotica) Re: (Exotica) top 10 or 50 Exotica/Lounge records
Date: 15 Feb 2001 00:40:47 -0500
> From: "Brian"
> > I guess I have to answer this as I'm the only one that would and
continues
> > to look through bins
>
excuse me - what exactly do I do then???
>
> > of LPs (they smell you know...)
>
Yeah, so do you, but I don't tell people :)
>
> Actually I have a pretty specific pattern
> > depending on the time I have and the store I'm in. I usually only look
at
> > vinyl in the stores that sell it since the opportunity is so limited and
I
> > usually migrate to the Exotica Bizzaro or Instrumental section followed
by
> > the Experimental and New Age (that unfortunate term often used for
> > electronic music) and if I have time the Alternative compilations and
then
> > maybe soundtracks. A few of the stores here have huge sections of French
> > music, and although I'm no expert on the subject its fun to look. Since
> > they've appeared in the past few years I look out for library records.
Oh
> > yes I always scan the wall for any expensive (and usually good) things.
I
> > figure someday I may even find a Little Marcy record...
The main reason I don't tend to spend a lot of time searching through
record
bins lately is that they're just becoming waaay too overpriced, and are
often in really questionable condition. It seems there isn't really a lot
that either of us would want that we can't get via either a reissue or
trade
with someone on the list. It really bugs me to pay good money (upwards of
$20) for an LP that's in crappy condition that you know the store owner
picked up at a garage sale for 25 cents...It used to be fun digging through
bins, never knowing what you'd find, and for $1 or less, you could take a
chance. But those days seem to be long gone. And while Brian is busy
perusing the vinyl bins, I get to go through the CD racks instead. Between
us, we usually end up finding something worthwhile...
Lately, the only LPs we really seem to be looking for or buying are library
records (the good ones) and soundtracks. But the great thing about this
list is that there's always someone who mentions a recent find which will
pique our interest, and get us searching...
cheryl
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From: "jonathan richardson"
Subject: Re: (exotica) introductions
Date: 14 Feb 2001 22:38:40 -0800
>What I find interesting is how Command records in particular are so often
>the "gateway drug" and how five years later, I no longer get the thrill of
>anticipation I once did when I see something with that familiar style of
>cover design.
Command Records were genius marketers. They got us hooked in all the
senses....
1.Sight- the design looked cool with all the cool shapes, colors and
patterns and "space age" 'futuristic" loook.
2. Hearing-They sound great with all that stereophonic separation and
mumbo jumbo that we all love (especially the ping ponging between the
speakers)
3. Smell- All records smell great, even when they are all moldey I love the
smell of moldy records, to me it means a bargain is to be had.
4. Feel- They are all smooth and glossy and give that special little 'crack'
when you open up that fresh gatefold.
5. Taste- well....give me awhile on that one, but I bet they taste great
with a a mellow red wine or a chianti or something...
anyway, I still got all my Command records, even the Tony Mottolas for the
weird girl/dragon hybrids, and the great Charles Murphy and Neil Fujita
designs. A for the Project 3's? Thats a whole nuther thing.........
keep it real folks. I love this list!
-jonny
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From: Moritz R
Subject: (exotica) (obit) Manuela
Date: 15 Feb 2001 10:27:33 +0100
German Schlager-singer and 60s icon Manuela died on Wednesday from cancer=
at the age of 57. Manuela, a former electro engineer in a factory in Ber=
lin, had a couple of #1 hits in the 60s, the biggest being "Schuld war nu=
r der Bossa Nova" (the German version of the American song "Blaming On Th=
e Bossa Nova") and "Monsieur Dupont". After her manager ran away with her=
millions and a trial against the ZDF (public TV), Manuela, whose real na=
me was Doris Wegener, had to go to Las Vegas, where she performed for man=
y years. Several attempts for a comeback failed and subsequently she disa=
ppeared from the scene completely.
I saw her in 1979, after she had just come back from Las Vegas, performin=
g for an audience of about 12 people. It was really sad. My favorite song=
s by her are "Helicopter US Navy 66" and "K=FCsse unterm Regenbogen".
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: Moritz R
Subject: (exotica) Free Design - "Cosmic Peekaboo"
Date: 15 Feb 2001 11:28:03 +0100
In the mail today: the new Free Design, out on Marina. This is one for you, Alan, you softy. I don't know if I really like it. It's the first stuff by Free Design I've ever heard, and if it's true that everybody first hates it, then I may change my mind later. It may just hit me in the wrong moment now; I'm too much into disco fun stuff these days, but at one point later, when I'm sad or old or both, this album will surely help me brush my nerves.
Although there is one "funny" Dixieland-tune on it, the entire record has something ultra-serious, which I basically appreciate in these silly days, when everybody in the media always tries to be so funny, peppy and spritzy. No, Free Design isn't like that at all, they seem to come from a loophole out of the space/time continuum; if you would have to write nice linernotes for them, you would probably call them timeless.
The best parts are when they sound like Mamas and Papas and I think it has something to do with the compositions. It's a record in celebration of singing and that makes one want to sing along; only when the composition is too steep you can't. But in a luxurious well-styled big home, f.i. by a fireplace, just listening to this CD could be really nice, like christmas... you could even read a book while it's playing. Just ignore the remark on the back side of the cover, which says: "play loud!"
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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# Send the command "info exotica" to majordomo@lists.xmission.com.
# To post, email exotica@lists.xmission.com; replies go to original sender.
-------------------------------------------------------------------------------
From: Moritz R
Subject: Re: (exotica) What's the Frequency, Lazlo?
Date: 15 Feb 2001 11:37:40 +0100
Matt Marchese schrieb:
> Heyas Lazlo,
>
> As one of the many folks here on the Exotica list who's been seeing their
> messages mysteriously disappear into the ether recently, I'd really appreciate
> knowing if this is due to some sort of keyword filtering being done at your end
> or if it's simply a glitch.
Mr. Nibble has left the building
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
# Need help using (or leaving) this mailing list?
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-------------------------------------------------------------------------------
From: G.R.Reader@bton.ac.uk
Subject: (exotica) the other side of the singing detective
Date: 15 Feb 2001 10:49:21 -0000
The BBC followed up the compilation LP of the singing detective with 'The
Other Side of' which is the B-Sides of the original 78's, often by other
artists and many of them very good. Theres also one song used in the series
that didn't make it onto the first LP. I think it was a whistling/bird call
one.
It's well worth checking out if you find it. Bizarrely I have this and not
the original one. I'll