From: owner-yello-digest@lists.xmission.com (yello-digest) To: yello-digest@lists.xmission.com Subject: yello-digest V2 #44 Reply-To: yello-digest Sender: owner-yello-digest@lists.xmission.com Errors-To: owner-yello-digest@lists.xmission.com Precedence: bulk X-No-Archive: yes yello-digest Tuesday, May 5 1998 Volume 02 : Number 044 ---------------------------------------------------------------------- Date: Mon, 4 May 1998 11:48:55 +0100 From: "Bonzo" Subject: (yello) Confession Dear mailing list, My brother thinks Yello are utter bollocks. So I killed him. With a knife. In the kitchen. I chopped him into small pieces and fed him to the dog who lives next door. The dog thinks Yello are quite good, incidently. # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 4 May 1998 12:36:21 +0100 From: Bonzo Subject: (yello) Confession2 Last week my mother said that Yello were young immature fools who made cheap electronic music which wasn`t half as good as music made in the `60`s. I explained to my mother that the members of Yello were in fact as old as she were and that they make very good music. Then I suddenly realised that I`d said too much to my mother and I had to kill her. In the kitchen. With a knife. I chopped her into little pieces and fed her to the dog who lives next door. I`ve noticed that the dog is putting on a little weight. # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 4 May 1998 12:39:01 +0100 From: Bonzo Subject: (yello) Confession3 My Uncle came round for tea the other day. He said Yello were shit. I shoved a fork through his nose. # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 4 May 1998 12:46:01 +0100 From: "Bonzo" Subject: (yello) Confession4 My grandmother once said that Yello were stupid because they spell their name wrong. My grandmother said that you spell `Yello` with a `w` on the end. I did`nt kill her. I did kill her husband, though. # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 04 May 1998 14:27:46 CEST From: "Henrik Betnér" Subject: Re: (yello) Confession >Dear mailing list, >My brother thinks Yello are utter bollocks. So I killed him. With >a knife. In the kitchen. I chopped him into small pieces and fed him >to the dog who lives next door. The dog thinks Yello are quite good, >incidently. Now that's very interesting, because I am in fact a dollie of wood. ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 04 May 1998 14:30:45 CEST From: "Henrik Betnér" Subject: Re: (yello) Confession2 >Last week my mother said that Yello were young immature fools who >made cheap electronic music which wasn`t half as good as music made >in the `60`s. I explained to my mother that the members of Yello were >in fact as old as she were and that they make very good music. Then I >suddenly realised that I`d said too much to my mother and I had to >kill her. In the kitchen. With a knife. I chopped her into little >pieces and fed her to the dog who lives next door. I`ve noticed that >the dog is putting on a little weight. Yes indeed! By the way - this time i'm made of tin. ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 4 May 1998 10:29:03 EDT From: I2C Dave Subject: Re: (yello) The lion again < A side note: if you think cataloging is impossible, then how Boris do it?> Boris had the advantage of using the originals, not reverse (lion) engineering the sounds out of the mix. He might have to list the sounds and samples used for copyright purposes as well. Davey G. # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 4 May 1998 17:55:53 +0100 From: Bonzo Subject: (yello) Confession5 I love my Father. He loves Yello. My father once told me that Yello were his favourite band ever. He does always seem a little nervous around me though. # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 4 May 1998 09:01:43 +0200 From: Eric.Schader@gambro.com Subject: RE: (yello) Hardfloor vs. Yello > Generally I don't like so called DJ remixes (and Boris > told me he doesn't either) but since Boris has had a > part in this.... - I was told this 12" had sold quite well > in Germany and France, but it's not out on CD although > it might be at some point. Very hard to find outside of > Germany.... (but then again as Yello fans we are getting > used to limited vinyl, aren't we?) JW > > > Here's some of links to places who have it. http://www.hotstuff.se/ http://www.sds.touch.ch/ http://www.ab-cd.com/custom/cgi-bin/cat1 http://www.wmimusic.com/ Regards Eric # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 4 May 1998 22:31:02 +0300 From: Juhana K Kouhia Subject: Re: (yello) Hardfloor vs. Yello I were looking for mp3 files of the Hardfloor vs. Yello 12" maxisingle and found following (http://www.teknet.ch/raveland/denisk.htm): Project Organising a rave on the lake of GENEVA (Biggest lake in Europe) with eight different dancefloors on 8 boats with following line up : FLYING BOAT : Pascal Feos, Yves de Ruyter, Marc Spoon, Yello Ok. The whole thing is just a dream at the moment but I surely hope they succeed. Yours, Juhana # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 4 May 1998 22:48:05 +0300 From: Juhana K Kouhia Subject: (yello) Yello interview found Hello. I found following interview with Boris: http://www.chaishop.com/text6/a/yello.htm It is from June 1997 and in german. Is it mentioned earlier here? And translated? I hope somebody is collections these net stuffes to Yello pages, and not only as links. Yours, Juhana # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Tue, 5 May 1998 00:01:06 +0200 From: martino decarolis Subject: (yello) article by dieter meier hi when i read the new "nzz folio" - the monthly published magazine from the "neue zuercher zeitung" - this evening, i found an article by dieter meier (title: dieter meiers bentley) it is also available online at the nzz-site: http://www-x.nzz.ch/folio/curr/articles/meier.html enjoy it :-) martino ............................. ............martino decarolis mailto:mdecarolis@datacomm.ch # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Tue, 05 May 1998 07:46:31 GMT/BST From: nic Subject: (yello) Translated: article by dieter meier (via ALTAVISTA) I looked up the article at http://www-x.nzz.ch/folio/curr/articles/meier.html and used ALTAVISTA to translate it. This is the output from my Lynx display, enjoy! (TRanslation ends part way thru, will do rest when I get chance, or any offers? (http://www.altavista.digital.com/) Regards nic [1][LINK]-[2][IMAGE] [3][LINK]-[4][IMAGE] [5][INLINE] [6][LINK]-[7][IMAGE][8][LINK]-[9][IMAGE][10][LINK]-[11][IMAGE][12][LIN K]-[13][IMAGE] [14][LINK]-[15][IMAGE][16][LINK]-[17][IMAGE][18][LINK]-[19][IMAGE][20] [LINK]-[21][IMAGE] My Bentley [22][INLINE] A final speech against the pitiful mockups of the Wegwerfautomobilbaus and for the grosshubmotorigen motor vehicles of wohltemporierten progressive movement. By Dieter Meier MY POLISH FRIENDS save the OPEL Vectra[23]suspender from the muzzle. An injection moulding dealer from the area of miles creates the newest Jaguar on, although he knows the fact that the body before its loading leads to anomischen voltages, because it the slogan more closely to fasten the belt which takes last remainder of reliability. Vladimir Uljanow, under the artist name [24]Lenin of one the largest criminal ones of world history, ordered itself after the victory of his Bolsheviks immediately [25]a Rolls-Royce with snow crawler-type vehicles and friction disk to the proletarian driver. The ritual [26]of the ape affentanzes unites maharadschas and brothel owner, kings and other luck knights, Malocher and carpet dealer, it all around the most important fetisch of the industrial age, which each year few millions a guilty one and an innocent one fall to the victim. Which once privilege of non-standard freedom of movement was, is long to by verses the sense founder on the roundabout of late capitalism come, which looks itself up with senseless rate the turnover carriers, which devour production increasing by rationalization galloping; problem, which by the atom bomb, which became each decent conventional war prevented, which intercepted so far overproduction, only more largely. If the 2.5 billion ladies and gentlemen in China and India for reason mentioned above are similarly motorized, we must make friends ourselves slowly with the thought to close the Bude here it are to only look at the babies struggling for air serbeln so pity with dignity off that a rebellion of the mothers forces the fathers not to drive [27]their extended Phalli to no more but as pubertierende pupils, who constitute in class stocks, who has the longest one. Why in all world Meier [28]does Dieter place against better knowledge into the series of these of the consumer terror to weakened small citizen and does enjoy themselves driving into old and new Bentleys exactly the same as all other farmhands of total motorizing, which the area so dreadfully verpesten the fact that even the completely uneinsichtigen Frenchmen, when they fell down in great quantities unconscious, whom had to limit traffic in Paris? I am strained whether my assertion it hanebuechen in such a way precipitates that I must quite actually be ashamed for it, or whether a call succeeds to me to the luxury, which only ausgebuffte Aestheten can gain the forbidden desire at the deadly abyss of the Hypokrisie, if they come [29]into Ekstase whether the improbable torque of those English large grosshubmotoren, which heave three tons sheet metal from the status so gently to the maximum speed that one is disturbed only as a gentleman of whispering progressive movement by the wind noises of the rear view mirror a little. The gentle is actually sliding in these motor vehicles, which contributes gasoline benzinkutschen to be actually still called earned, an educational experience, that, if it can be enjoyed released from banally social efforts, [30]in the zenbuddhistischen sense to that last loosening, which lets also heaviest step out young after to a calm travel with the deep balance, which makes it possible for them, not equal the Erstbesten, with which they do not agree, eats to polish. These crates of wohltemporierten progressive movement, which hardly entice to hectic reactions, give the feeling of the railway to my children, and also long travels by beautiful Italy become at the picknick desks in the fund a pathfinder pleasure. These auto is manufactured, one orders them still almost quite by hand like sailing boats and protects thereby in the age of the entseelten mass production, in which many humans become impoverished [31]such as Chaplin &#«in decaying»Times [32]at sausage machines, arts and crafts threatened by becoming extinct. The intarsien and leather work receive the sense for quality, which is urgently necessary in our waste-oriented society. They are a quiet and elegant proclamation against the pitiful mockups of the Wegwerfautomobilbaus, which in-crept also with the interest ruins of the oberschicht geknechteten by senseless savings rage, those, instead of promoting the beautiful, in their assembly-line vehicles at the interests on capital suffocate, although even would have them the distinguished function, a counterweight to create against the grausige average of Mercedes, Jaguar, BMW, Cadillac and like the other exponents of contemporary Angeberei are otherwise still called. The actual challenge consists for the enlightened driver of [33]Bentley or Rolls-Royces of approaching that Nirwana which lets it bear the civil suspicion of the Hochstapelei stoisch. Also the recorder is not always vergoennt this, and he observes himself the more frequent, a verlegenes to put almost excusing smile if interested eyes look into its auto, around the face of the [34]*** TRANSLATION ENDS HERE ***[35]Idioten zu sehen, der am Ende des zweiten Jahrtausends immer noch einen Schlitten aus den Anfängen des Industriezeitalters pilotiert. Ich wünschte mir, dass die schönen Autos, die den Insassen mittelfristig zu tiefer Gleichmut führen, äusserlich nicht zu erkennen wären und aussähen wie ein VW Passat, glaube aber, dass der Auseinandersetzung mit dem Bluff dieser Karossen durchaus ein emanzipatorisches Moment innewohnt, das sich wohltuend abhebt vom [36]Seldwyla-spezifischen Understatement, einer der perversesten und unsinnlichsten Formen der Angeberei. Da ich so wunderbar in Fahrt gekommen bin, will ich den inneren Druck dieses Pamphlets in einem Ausruf gipfeln lassen: Fahrt Bentley, Leute, noch ist es nicht zu spät! PS: Das Schwesterschiff Rolls-Royce wurde im letzten Satz nur aus sprachrhythmischen Gründen nicht erwähnt. Ich kann mit dem Snobismus der Tiefstapelei, mit der sich Bentley- von Rolls-Royce-Fahrern abzugrenzen glauben, nichts anfangen. Ob man Bentley oder Rolls-Royce fährt, ist eine rational sachliche Entscheidung. Jedes dieser Autos, sehr verehrter Kunde, hat seine Vor- und Nachteile, die ich Ihnen in einem ausführlicheren Gespräch gerne darlegen werde. Dieter Meier, Filmer und Sänger, lebt in Los Angeles. _________________________________________________________________ [ [37]Aktuelles Heft | [38]Nächstes Heft | [39]Frühere Hefte | [40]Feedback | [41]Bestellung | [42]Werbung | [43]Über NZZ Folio | [44]Suchen ] [45][LINK]-[46][IMAGE][47][LINK]-[48][IMAGE][49][LINK]-[50][IMAGE] [ [51]Neue Zürcher Zeitung | [52]NZZ FOLIO | [53]Format NZZ ] _________________________________________________________________ References 1. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2eusm%2ecom 2. http://www-x.nzz.ch/folio/curr/articles/../../img/ads/usmsw.gif 3. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2ebmw%2ecom 4. http://www-x.nzz.ch/folio/curr/articles/../../img/ads/bmw.gif 5. http://www-x.nzz.ch/folio/img/mast.gif 6. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2dx%2enzz%2ech%2ffolio%2fcurr%2ftoc%2ehtml 7. 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http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2dx%2enzz%2ech%2ffolio%2fservice%2fabout%2ehtml 19. http://www-x.nzz.ch/folio/img/uebernzz.gif 20. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2dx%2enzz%2ech%2ffolio%2fsearch%2ehtml 21. http://www-x.nzz.ch/folio/img/suchen.gif 22. http://babelfish.altavista.digital.com/../img/18p.gif 23. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fhome%2et%2donline%2ede%2fhome%2fDasLabor%2fHosentraeger1%2ehtml 24. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2esoften%2ektu%2elt%2fli%2f%7ekaleck%2fLenin%2f 25. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2edarkforce%2ecom%2froyce%2f 26. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 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http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2enzz%2ech%2ffolio%2fservice%2f 42. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2enzz%2ech%2ffolio%2fwerbung%2f 43. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2enzz%2ech%2ffolio%2fservice%2fabout%2ehtml 44. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2enzz%2ech%2ffolio%2fsearch%2ehtml 45. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2dx%2enzz%2ech%2f 46. http://www-x.nzz.ch/folio/img/nzz_bar.gif 47. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2dx%2enzz%2ech%2ffolio%2f 48. http://www-x.nzz.ch/folio/img/folio_bar.gif 49. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2dx%2enzz%2ech%2fformat%2f 50. http://www-x.nzz.ch/folio/img/format_bar.gif 51. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2enzz%2ech 52. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2enzz%2ech%2ffolio 53. http://babelfish.altavista.digital.com/cgi-bin/translate?lp=de_en&urltext=http%3 a%2f%2fwww%2enzz%2ech%2fformat - -- - -- We are the architects, not the victims, of our own destiny -- - -- nic nic at python demon co uk http://www.python.demon.co.uk/ -- - -- Bolton, UK website http://www.bolton.ac.uk/bolton/ -- - -- Warning! Spam is billed CPU/connect time and traced/reported. -- # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Tue, 5 May 1998 16:21:56 +0100 From: Bekaert.T@daikin.be Subject: (yello) Re: Translated article by dieter meier The result of the translation is horrible to say the least. As I cannot get onto the internet, could you please just send me the German version. I will try to translate it in Dutch first and then in English. If requested, I can put in some photos of Bentley's which cannot be found on the net because they come out of a very old book. Thanx in advance , Beekie >4&* (Go fourth and multiply) ("Storm: The Von Neuman Machine") # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Mon, 4 May 1998 13:08:51 +0100 From: Bekaert.T@daikin.be Subject: Re:(yello) Confession >My brother thinks Yello are utter bollocks. So I killed him. >With a knife. In the kitchen. >I chopped him into small pieces and fed him to the dog who lives next door. >The dog thinks Yello are quite good, incidently. . . . . But what did he think about your brother? # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ Date: Tue, 5 May 1998 09:45:56 +0200 From: Eric.Schader@gambro.com Subject: RE: (yello) Yello interview found Hello list(eners) I've made a quick transaltion of this interview using Altavista Babblefish. I haven't made any gramatical corrections due to lack of time but I have also added the original text in german if someone whats to save it and do it themself. Thanks Juhana, it's alwasy nice to see new interviews with Boris.=20 Enjoy. Regards Eric june 97=20 YELLO Festplattenphonetic & Klangepen=20 Hamburg, germany Interview: YELLO Text: Carsten Claus Already once I formulated the line " separately march, united modulate ". Which was gemuenzt on the mode of operation of Hardfloor at that time, applies in certain way also to Yello. With the fine difference that the one, Boris Blank is, meet-wise Studio Eremit, the other one, Dieter Meier, rather losgleoester Weltenbummler, which roars sporadically however excitingly its phonetics gigabyteweise by the transducer. For now seventeen years the two are lively thereby (one in moments of the hitting a corner the long-known " Oh Yeah " slips again and again over the lips) and do not only deliver in regular intervals moving albums, but also thick surprises. Electronic music (- development) without Yello? Not conceivablly. This is acknowledged also again and again by advancing, and who heard once monstroesen sound dolomites of Swiss Boris Blank, that is on always and eternally lost - perhaps also in its " Pocket University" verses. Pilz: Which was noticeable to me, under no circumstances when criticism meant, is that certain items emerge, which one already knows from other Yello pieces. Thus for example " Celsius " a little reminds me of " Drive/Driven " (album " baby " 1991). Boris: The sounds surely not. That itself under-consciously certain tendencies repitieren, into which seventeen years, in which there are now already Yello, that can quite be. That is probably also the significant at the face from Yello that it remained in such a way with the years always. Clearly one becomes older and grows with this face, but we to have actually always the same kept, not have us not artificially or by surgery modified, like that for example David Bowie makes, which with each second year, in which he makes somewhat new, how a chamaeleon completely different is - which its concept is, which also good I find. But Yello remained there always faithful itself. Pilz: That is with you reliably the case, whereby one hears with Bowie however after like before that it is it... at least, if it sings.=20 Boris: Quite clearly, at his voice, completely determines.=20 Pilz: Your new factory became very clubbig. Are you much on the way or from where the intention comes for this. As I heard, you refer much over a radio ending. Boris: I am not very much on the way, but in franzoesischsprachigen Switzerland there is a radiosender of name " Couleur Trois ". if I am in the auto, I always hear this sender, because it is my opinion the best according to in Europe. Those are genuinly courageous, play Underground... really play everything that is pleased the devil on the cars. And that is clearly that that under-consciously also a small influences me, there I on the moon does not live and evenly under-consciously such influences and inspirations entgegenehme. That colors naturally also the music, which I make. I believe also that there were Nebenpfade, which went to Tango or Cha Cha toward Latin American Rhytmen, perhaps even times on the road, on which Yello is for seventeen years again and again. It always remained free us, which we wanted to make. Perhaps not in of the Form, as those make that. That could and wanted I not at all. But reliably it gives a few items, which were inserted there, whatever of Drum'n'Bass, House or however to remind to be able. But importantly is it nevertheless that Yello actually never lost the significance and the characteristic and I believe to hear also on this disk am it very typically that it is still Yello.=20 Pilz: You stress also " this disk ". In another interview I heard Dieter Meier say that you so far always delivered a type sound painting and now would have you Klankkleckse also simply once in such a way to be left, thus used rawer items. How is that meant exact? Boris: On the start with the first disk " Solid Pleasure ", where also " Bostich " drauf was, we operated exactly the same, as I make it also today again. On the last disks strengthen things were drauf, which were very songorientiert and came along popelektronisch, classical Songstrukturen such as Refrain, verse repeated themselves. On this disk now the entire sound building is again in such a way equipped that Dieter Meiers voice was used rather as ornamentation, instead of as a basic, balladenhafte voice. At the start, with the first two, three disks it had terribly fun made times only with wordings to under-paint with the phonetics of the voice the rhythm. That is in the future rather the way. It can be that we in the last four, five years too strongly on Abwegen toward of Songs, perhaps also of radio-conformal things experimented, which I would like to lead in the future rather again into the experimental, mental area. With much joy, with much Spontanitaet, without thinking: " that plays someone, probably is that... ", as at the start again with much joy to start, not after two to stop three minutes and begin somewhat new, but it, if it flows times, flow and be developed can. That makes nevertheless much more fun, then I am many faster with operating, there am many more interesting creativity. That the difference would not be so fatal, but the inclination is on the new disk quite certainly again rather direction old times.=20 Pilz: There me these monstroesen pieces are earliest in memory, like e.g.. " Sweet Thunder ". Boris: Yes, I like that also very much. I think the fact that such pieces must have again more workstation - completely determines. If I find the time in addition, I would like to make a disk only with such things, such Gefilde and atmospheric TRACKS. I would like to carry out that very gladly once, but the time so far never was available. There are very many friends and people, me inquires " now Mach ' nevertheless times a disk with loud things like " Sweet Thunder ", there is you in it and feels well ".=20 Pilz: There I already wait for five years drauf.=20 Boris: See you, that are a market gap. The fact that we did not make that yet is actually very unfortunate. Pilz: With the topic fun: that seems to stick on also different. I mean with it Gigi Galaxy of Teknotika, which made the piece of " The Spirit OF Boris blank " and whose largest desire was it, you this disk would come. Folded and he was complete finally from the little house. How do you react to such tributes? Boris: That has me naturally much been pleased and again and again makes happy it me, if I meet and to me say people such as Westbam or Jam & Spoon: " you know, how much influence you on us exercised?! ". That makes me in the first moment shifts, but if I hear that ten times think I, there which to will be. I was also recently in England with " Fat Cat ". Those have always the newest disks, which are trailblazing in the English scene. I said to a coworker, who made Engineer at that time, that I was a giant fan of " Cabaret Voltaire ". That meant then " I knows that and that, that said nevertheless, Yello, those is always for me the largest, a daily we will be also as large as those and also such music will make ". It is very merry, as one can be surprised, if one a Pop star, whom one always sees, becomes acquainted with and notices in the newspaper that he is completely normal humans. Pilz: Do you get also many disks from this area, people, which press you times CD or disk into the hand?=20 Boris: Fewer, but I have there good people. An acquaintance, who operates in Zurich for the Polygram, that is washed already with all landing on water, knows everything. That is sampled, because he made the " Energy " also together with Arnold Meier in Zurich and the whole Parties and in Switzerland is very popular. That gets each week 500 DS and Vinyls, which one cannot hear no more. The substantial pickt raus and says " Boris, which you must listen to times ". And I have hardly time, I operate all day long, in the evening would like I little peace to have. It occurs therefore rarely that I have one weekend correctly desire, but then slams I the headphones more rueber and sounds themselves it full Pulle. It is there probably as in the film and in the literature that 90% are really junk. It gets so much, where one must say, that is nevertheless unfortunate... over... Pilz: Vinyl?=20 Boris: Exactly, which one can really say, without insulting someone. Otherwise I hear evenly very gladly this radio, if I sit in the auto. That is to section so dreamed and so hard, all these things, which one hears today. s something like " Lamb ", which one hears a half year later everywhere, do not play then already the no more. Those are always much avant-garde. There one can hear very well for itself, what could become tendenziell commercial. I often make bets with my wife, where I legend " that to quite certainly access! " and two, three months later is it like that.=20 Pilz: If you finally the whole time in the studio sits, is Dieter Meier only added, if everything is finished, he quasi before completed facts is placed? Boris: With this disk it was the first time the case, as you said it that this mark the bride was made up and prepared, before the bridegroom was allowed to see it. It was also very much surprised. Well, with individual Takes he opened and said perhaps times the door " Hey, Boris I is here and already again away. " As I it the album then played said it: " super Boris good, find I! You must do however a favour to me. I moecht once that do not sing, which you want.... " thus that I produce him "... separate we go to another friend from me into the studio. " I meant o.k., which can make that. That had HardDisk Recording and post office Production. Take up ' times, without I between them which to it say can. We had then a LIBRARY with nine hours Voice material that it from be-access improvised. Then the hard work came to selektionieren all this there was Dieter already again in L.A. I the items for each Song rausgepickt and by hard disk Recording again down-loaded, everything cleaned, only the best things took and like a puzzle used. That is nothing new from the technique however from our mode of operation is very interesting that. When I had arranged everything and it was finished, Dieter came again to Zurich and belonged itself. There there were here and there a few things where it said, here it was not a bischen quietly, there hears one the voice any more. then I made no problem louder. But otherwise was a very organic affair. Pilz: Dieter has also this unbelievable talent to draw its text ideas from unbelievably banal things. The piece of " Blender " there always occurs to me, in which it concerns nothing different one, than a kitchen mixer anzupreisen.=20 Boris: for sale....ja, as so cheap Solution, who is with suspenders at a status.=20 Pilz: You mentioned also once the term of the " destructive Ampution ", in the connection that one can develop an idea also to death. It concerned to operate the spontaneous and be busy like a Cirurg. Boris: Yes, in the form I said once something. It is as with the complementary colors. If you take the same bright green or the blue and merge with, the equally strong yellow facing on the scale, then the grey gives. If you use too many tone qualities merge and too many Christian trees overloaded want - suddenly that is only grey. You do not see vo the forest to loud trees any longer. In the music I believe, am it importantly that certain frequencies are estimiert, also weighed out, so that the basses are separate from the heights. And thus I believe to in-go achieve one also a certain transparency in the music and it then also fun make to sound oneself it into the sound buildings and therein unzugucken myself. That is then a correct experience. In german: Schon einmal formulierte ich die Zeile "getrennt marschieren, vereint modulieren". Was damals auf die Arbeitsweise von Hardfloor gem=FCnzt war, trifft in gewisser Weise auch auf Yello zu. Mit dem feinen Unterschied, da=DF der eine, Boris Blank, tageweiser Studio-Eremit ist, der andere, Dieter Meier, eher losgle=F6ster Weltenbummler, der sporadisch aber spannend seine Phonetik gigabyteweise durch den Wandler r=F6hrt. Seit nunmehr siebzehn Jahren sind die beiden munter dabei (immer wieder rutscht einem in Momenten der Verz=FCckung das altbekannte "Oh Yeah" =FCb= er die Lippen) und liefern nicht nur in regelm=E4=DFigen Abst=E4nden bewegen= de Alben ab, sondern auch faustdicke =DCberraschungen. Elektronische Musik (-entwicklung) ohne Yello? Nicht denkbar. Dieses wird ihnen auch immer wieder von Nachger=FCckten best=E4tigt, und wer einmal die monstr=F6sen Klangdolomiten des Schweizers Boris Blank geh=F6rt hat, der ist auf immer und ewig verloren - vielleicht auch in dessen "Pocket Universe".=20 Pilz: Was mir auffiel, keinesfalls als Kritik gemeint, ist, da=DF gewisse Elemente auftauchen, die man auch schon von anderen Yello- St=FCcken kennt. So erinnert mich beispielsweise "Celsius" ein wenig an "Drive/Driven" (Album "Baby" 1991).=20 Boris: Die Sounds sicher nicht. Da=DF sich unterbewu=DFt gewisse Stimmung= en repitieren, in den siebzehn Jahren, in denen es Yello nun schon gibt, das kann durchaus sein. Das ist ja sicher auch das signifikante an dem Gesicht von Yello, da=DF es mit den Jahren immer so geblieben ist. Klar wird man =E4lter und w=E4chst mit diesem Gesicht, aber wir haben eigentli= ch immer dasselbe behalten, haben uns nicht k=FCnstlich oder chirurgisch ge=E4ndert, wie das beispielsweise David Bowie macht, der mit jedem zweiten Jahr, in dem er etwas neues macht, wie ein Cham=E4leon v=F6llig anders ist - was sein Konzept ist, was ich auch gut finde. Aber Yello ist sich da immer treu geblieben.=20 Pilz: Das ist bei Euch sicher der Fall, wobei man bei Bowie aber nachwievor h=F6rt, da=DF er es ist ... zumindest, wenn er singt.=20 Boris: Ganz klar, an seiner Stimme, ganz bestimmt.=20 Pilz: Euer neues Werk ist ja sehr clubbig geworden. Bist Du viel unterwegs oder woher kommt die Intention hierf=FCr. Wie ich h=F6rte, beziehst Du viel =FCber eine Radiosendung.=20 Boris: Ich bin nicht sehr viel unterwegs, doch in der franz=F6sischsprachigen Schweiz gibt es einen Radiosender Namens "Couleur Trois". Immer, wenn ich im Auto bin, h=F6re ich diesen Sender, weil er meiner Meinung nach der beste in Europa ist. Die sind echt mutig, die spielen Underground .... die spielen wirklich alles, was dem Teufel auf den Wagen gefallen ist. Und das ist klar, da=DF mich das unterbewu=DFt au= ch ein bischen beeinflu=DFt, da ich ja nicht auf dem Mond lebe und eben unterbewu=DFt solche Einfl=FCsse und Inspirationen entgegenehme. Das f=E4= rbt nat=FCrlich auch die Musik, die ich mache. Ich glaube auch, da=DF es auf = der Stra=DFe, auf der sich Yello seit siebzehn Jahren befindet, schon immer wieder Nebenpfade gab, die in Richtung lateinamerikanische Rhytmen, vielleicht sogar mal Tango oder Cha Cha gingen. Es ist uns immer freigeblieben, was wir machen wollten. Vielleicht nicht in der Form, wie die das machen. Das k=F6nnte und wollte ich gar nicht. Aber sicher gibt e= s ein paar Elemente, die da eingebaut wurden, welche an Drum=B4n=B4Bass, Ho= use oder wie auch immer erinnern k=F6nnen. Aber wichtig ist es doch, da=DF Ye= llo die Signifikanz und die Charakteristik eigentlich nie verloren hat und ich glaube, auch auf dieser Platte ist es sehr typisch zu h=F6ren, da=DF = es immer noch Yello ist.=20 Pilz: Du betonst auch "diese Platte". In einem anderen Interview h=F6rte ich Dieter Meier sagen, da=DF Du bisher immer eine Art Klanggem=E4lde abgeliefert hast und jetzt h=E4ttest Du Klankkleckse auch einfach einmal so stehen gelassen, also rohere Elemente verwendet. Wie ist das genau gemeint?=20 Boris: Am Anfang mit der ersten Platte "Solid Pleasure", wo ja auch "Bostich" drauf war, haben wir genauso gearbeitet, wie ich es auch heute wieder mache. Auf den letzten Platten waren verst=E4rkt Sachen drauf, die sehr songorientiert waren und popelektronisch daherkamen, sich klassische Songstrukturen wie Refrain, Vers wiederholten. Auf dieser Platte nun ist das gesamte Klanggeb=E4ude wieder so best=FCckt, da=DF Die= ter Meiers Stimme eher als Ornament eingesetzt wurde, statt als eine tragende, balladenhafte Stimme. Am Anfang, bei den ersten zwei, drei Platten hatte es unheimlich Spa=DF gemacht mal nur mit Wortlauten, mit de= r Phonetik der Stimme den Rhythmus zu untermalen. Das ist in der Zukunft eher der Weg. Es kann sein, da=DF wir in den letzten vier, f=FCnf Jahren = zu stark auf=20 Abwegen in Richtung von Songs, vielleicht auch von radiokonformen Sachen experimentiert haben, was ich in Zukunft eher wieder in den experimentellen, mentalen Bereich f=FChren m=F6chte. Mit viel Freude, mit viel Spontanit=E4t, ohne zu denken: "Spielt das jemand, ist das wohl...", wie am Anfang wieder mit viel Freude daranzugehen, nicht nach zwei, drei Minuten aufzuh=F6ren und etwas neues anzufangen, sondern es, wenn es mal flie=DFt, flie=DFen und sich entwickeln lassen. Das macht doch viel mehr Spa=DF, so bin ich viel schneller mit dem Arbeiten, da ist die Kreativit=E4= t viel interessanter. Nicht da=DF der Unterschied so fatal w=E4re, aber die Neigung ist auf der neuen Platte ganz bestimmt wieder eher Richtung alte Zeiten.=20 Pilz: Da sind mir am ehesten diese monstr=F6sen St=FCcke in Erinnerung, w= ie z.B. "Sweet Thunder".=20 Boris: Ja, das mag ich auch sehr. Ich denke, da=DF solche St=FCcke wieder mehr Platz haben m=FCssen - ganz bestimmt. Wenn ich die Zeit dazu finde, m=F6chte ich eine Platte nur mit solchen Sachen machen, solche Gefilde un= d atmosph=E4rischen Tracks. Das m=F6chte ich sehr gerne einmal verwirkliche= n, aber die Zeit ist bisher nie vorhanden gewesen. Es gibt sehr viele Freunde und Leute, die mich anfragen "Jetzt mach' doch mal eine Platte mit lauter Sachen wie "Sweet Thunder", da bist Du drin und f=FChlst Dich wohl".=20 Pilz: Da warte ich auch schon seit f=FCnf Jahren drauf.=20 Boris: Siehst Du, das ist eine Marktl=FCcke. Da=DF wir das noch nicht gemacht haben, ist eigentlich sehr schade.=20 Pilz: Bei dem Thema Spa=DF: das scheint ja auch andere anzustecken. Ich meine damit Gigi Galaxy von Teknotika, der ja das St=FCck "The Spirit Of Boris Blank" gemacht hat und dessen gr=F6=DFter Wunsch es war, Dir w=FCrd= e diese Platte zukommen. Hat ja schlie=DFlich geklappt und er war v=F6llig = aus dem H=E4uschen. Wie reagierst Du auf derartige Tribute?=20 Boris: Das hat mich nat=FCrlich sehr gefreut und immer wieder freut es mich, wenn ich Leute wie Westbam oder Jam & Spoon treffe und die mir sagen: "Wei=DFt Du, wieviel Einflu=DF Du auf uns ausge=FCbt hast?!". Das = macht mich im ersten Moment verlegen, aber wenn ich das zehnmal h=F6re denke ich, da wird was dran sein. Ich war auch j=FCngst in England bei "Fat Cat". Die haben immer die neuesten Scheiben, die wegweisend in der englischen Szene sind. Einem Mitarbeiter, der damals Engineer gemacht hat, habe ich gesagt, da=DF ich ein Riesen-Fan von "Cabaret Voltaire" gewesen sei. Der meinte dann "Ich kenn doch den und den, der hat immer gesagt, Yello, die sind f=FCr mich die gr=F6=DFten, eines Tages werden wi= r auch so gro=DF sein wie die und auch solche Musik machen". Es ist sehr lustig, wie man =FCberrascht sein kann, wenn man einen Pop-Star, den man immer in der Zeitung sieht, kennenlernt und merkt, da=DF er ein v=F6llig normaler Mensch ist.=20 Pilz: Kriegst Du auch selber viele Platten aus diesem Bereich, Leute, die Dir mal eine CD oder Platte in die Hand dr=FCcken?=20 Boris: Weniger, aber ich habe da gute Leute. Ein Bekannter, der in Z=FCrich f=FCr die Polygram arbeitet, der ist schon mit allen Wassern gewaschen, der kennt alles. Der wird bemustert, weil er auch zusammen mit Arnold Meier die "Energy" in Z=FCrich und die ganzen Parties gemacht hat und in der Schweiz sehr popul=E4r ist. Der bekommt jede Woche 500 CDs und Vinyls, das kann man schon gar nicht mehr h=F6ren. Der pickt das wesentliche raus und sagt "Boris, das mu=DFt Du mal anh=F6ren". Und ich h= abe kaum Zeit, ich arbeite den ganzen Tag, abends m=F6chte ich ein bischen Ruhe haben. Es kommt daher selten vor, da=DF ich ein Wochenende richtig Lust habe, aber dann knalle ich mir die Kopfh=F6rer r=FCber und h=F6re es volle Pulle an. Es ist da wohl auch wie im Film und in der Literatur, da=DF 90% wirklich Ramsch ist. Da gibt=B4s so viel, wo man sagen mu=DF, d= as ist doch schade...um....=20 Pilz: ..ums Vinyl?=20 Boris: Genau, das kann man wirklich sagen, ohne jemanden zu kr=E4nken. Sonst h=F6re ich eben sehr gerne dieses Radio, wenn ich im Auto sitze. Da= s ist zu Teil so vertr=E4umt und so hart, all diese Sachen, die man heute h=F6rt. s etwas wie "Lamb", die man ein halbes Jahr sp=E4ter =FCberall h=F6= rt, das spielen die dann schon nicht mehr. Die sind immer sehr avantgarde. Da kann man sehr gut f=FCr sich selber h=F6ren, was denn tendenziell kommerziell werden k=F6nnte. Ich mache oft Wetten mit meiner Frau, wo ich sage "Das wird ganz bestimmt greifen!" und zwei, drei Monate sp=E4ter ist es so.=20 Pilz: Wenn Du schlie=DFlich die ganze Zeit im Studio sitzt, kommt Dieter Meier erst hinzu, wenn alles fertig ist, wird er quasi vor vollendete Tatsachen gestellt?=20 Boris: Bei dieser Platte war es das erste Mal der Fall, wie Du es gesagt hast, da=DF dieses Mal die Braut geschminkt und hergerichtet wurde, bevor der Br=E4utigam sie sehen durfte. Er war auch sehr =FCberrascht. Gut, bei einzelnen Takes hat er vielleicht mal die T=FCr aufgemacht und gesagt "Hey, Boris ich bin hier und auch schon wieder weg." Als ich ihm das Album dann vorgespielt sagte er: "Super Boris, find ich gut! Du mu=DFt mi= r aber einen Gefallen tun. Ich m=F6cht einmal nicht das singen, was Du willst...." also, da=DF ich ihn produziere "...sondern wir gehen zu einem anderen Freund von mir ins Studio." Ich meinte O.K., der kann das machen. Der hatte HardDisk-Recording und Post-Production. Nimm=B4 das mal auf, ohne da=DF ich dazwischen was dazu sagen kann. Wir hatten dann eine Library mit neun Stunden=20 Stimmenmaterial, da=DF er aus dem Stehgreif improvisiert hat. Dann kam di= e harte Arbeit, das alles zu selektionieren, da war Dieter schon wieder in L.A. Ich habe die Elemente f=FCr jeden Song rausgepickt und von HardDisk Recording wieder runtergeladen, alles ges=E4ubert, nur die besten Sachen genommen und wie ein Puzzle eingesetzt. Das ist von der Technik her nichts neues aber von unserer Arbeitsweise ist das sehr interessant. Als ich alles zusammengestellt hatte und es fertig war, kam Dieter wieder nach Z=FCrich und hat sich das angeh=F6rt. Da gab es hier und da ein paar Sachen wo er sagte, hier sei es ein bischen leise, da h=F6rt man die Stimme nicht mehr. Kein Problem, dann habe ich das lauter gemacht. Aber ansonsten war das eine sehr organische Angelegenheit.=20 Pilz: Dieter hat ja auch dieses unglaubliche Talent, sein Textideen aus unglaublich banalen Sachen zu ziehen. Mir f=E4llt da immer das St=FCck "Blender" ein, in dem es um nichts anderes geht, als einen K=FCchenmixer anzupreisen.=20 Boris: ....blender for sale....ja, wie so billiger Jakob, der mit Hosentr=E4gern an einem Stand steht.=20 Pilz: Du hast auch einmal den Begriff der "destruktiven Ampution" erw=E4hnt, in dem Zusammenhang, da=DF man eine Idee auch zu Tode entwicke= ln kann. Es ging um das spontane arbeiten und wie ein Cirurg zu hantieren.=20 Boris: Ja, in der Form habe ich einmal etwas gesagt. Es ist wie mit den komplement=E4rfarben. Wenn du das gleiche lichtstarke Gr=FCn oder das Bla= u nimmst und mit dem auf der Skala gegen=FCberliegendem, gleichstarken Gelb zusammenmischst, dann gibt das Grau. Wenn du also zuviele Klangfarben zusammenmischst und zu viele Christb=E4ume =FCberladen willst - pl=F6tzli= ch ist das nur noch grau. Du siehst vo lauter B=E4umen den Wald nicht mehr. In der Musik glaube ich, ist es wichtig, da=DF gewisse Frequenzen estimiert werden, auch abgewogen, damit die B=E4sse von den H=F6hen getre= nnt sind. Und so glaube ich, erreicht man auch eine gewisse Transparenz in der Musik und es dann auch Spa=DF macht, sie sich anzuh=F6ren, sich in di= e Klanggeb=E4ude hineinzubegeben und sich darin unzugucken. Das ist dann ei= n richtiges Erlebnis. # Need help using (or leaving) this mailing list? # Send the command "info yello" to majordomo@lists.xmission.com. # To post, email yello@lists.xmission.com; replies go to original sender. # Yello discography available at http://www.swcp.com/lazlo-bin/discogs?yello ------------------------------ End of yello-digest V2 #44 **************************