Movie Reviews

Park City's Flick Chick by Jill Adler

September 2005 - Lastest Movie Reviews in a Nutshell


Exoricsm of Emily Rose
Film Rating: PG13

emilyWas it epilepsy or Satan? Based on a true story of one of the only times the Roman Catholic Church ever officially recognized demonic possession, The Exorcism of Emily Rose, dips into the age old debate- is it live or is it Memorex? Faced with negligent homicide, Rev. Moore (Tom Wilkinson) must prove he acted in Emily’s best interests to get the hell out of her. The prosecution thinks he killed her by ignoring her doctor’s prescribed epilepsy treatments. His attorney, Erin Bruner (Laura Linney), starts out as a non-believer too but in the end even she considers the possibility. More drama than horror, the performances (especially by Jennifer Carpenter as Emily who does more moaning, screaming and contorting than actual speaking) defy the odds and stay authentic in an obviously manipulative film. I saw this one at the Redstone Theaters in a house packed with Park City high schoolers. Loud thumps in the night, ghoulie “visions”, cats screeching and a hit-and-run in a PG-13 flick. They loved it.

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Rize
Film Rating: PG

rizeThough all the bomb at Sundance ’05, David LaChapelle’s Rize- an urban documentary about “clowning” and “krumping” (jittery, aboriginal forms of hip hop sprung on the West Coast)- might have a tough time selling to wider (whiter) audiences. With obvious nods to racism and the gang mentality of inner cities, Rize tells the story of Tommy the HipHop Clown; a black birthday clown who organizes a team of kiddie “clowns”, gives them a “family” and sense of purpose as they train for the mother of all dance offs against the Krumpers in the Great Western Forum. The gritty footage and compelling personalities of the characters, however, can’t seem to keep this flick from feeling more like a waltz than a rave. A heavy editing hand might have kept me awake. Wait for the DVD and fast forward- a lot.

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Red Eye
Film Rating: R

redeyeGood ‘ol Wes Craven. Just when you think you have him pegged as the cleverest, gore/horror director of modern times, he goes and throws you for a twist, er, lots of them. Red Eye is not about some slasher with bloodshot corneas hijacking a plane. It’s a much tamer tale about a hotel manager (Rachel McAdams) who’s held “hostage” on her red-eye flight to Miami. Her captor/assassin Jackson Rippner (Cillian Murphy, aka the Scarecrow from Batman Begins) wants the room number of one of her hotel’s political guests so his “clients” can kill the guy. Her creepy freckled companion shoves an Airfone in her face and tells her if she doesn’t cooperate, some thug parked outside her dad’s house will kill her father. Ah, the ultimate dilemma work or family. Move over Julia Roberts, McAdams is fascinating to watch going from fragile to feisty in less than her one-way flight. Though a little slow to rev and often predictable, Red Eye showcases two extremely talented actors who keep the tension rising right up to the ass-kicking end. This one’s worth watching.

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